This is a list of Billboard magazine's Top Hot 100 songs of 2003. [1]
The list is also notable for only three songs appearing in the list from 2002. In contrast, as many as nine also appeared in the list from 2004.
This is a list of Billboard magazine's Top Hot 100 songs of 2003. [1]
The list is also notable for only three songs appearing in the list from 2002. In contrast, as many as nine also appeared in the list from 2004.
"Drift Away" is a song written by Mentor Williams in 1970 and first recorded by British singer Mike Berry on his 1972 album Drift Away. A version by John Henry Kurtz was released two months later in November 1972. Mentor Williams was a country songwriter, and John Henry Kurtz was an actor and swamp rock singer. It was later given to soul singer Dobie Gray for whom it became a surprise international hit. In 1973, the song became Gray's biggest hit, peaking at number five on the US Billboard Hot 100 and receiving a gold certification from the Recording Industry Association of America (RIAA). The song has been covered by numerous musicians.
"South Side" is a song written and recorded by American electronica musician Moby. It was released to radio on October 10, 2000, as the seventh single from his fifth studio album, Play. Initially recorded with No Doubt frontwoman Gwen Stefani, production problems forced Moby to leave Stefani's vocals off the mix of the song included on Play; Stefani's vocals were then restored for the song's single release. The drums are sampled from "What's Up Front That Counts" by the Counts.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by the Neighborhood, and most notably by Amy Grant in 1995 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
The European Hot 100 Singles was compiled by Billboard and Music & Media magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium, Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom.
"Get Busy" is a dancehall song by Jamaican reggae deejay Sean Paul, from his album Dutty Rock. The song was one of the many hits from the jumpy handclap riddim known as the Diwali Riddim, produced by then-newcomer Steven Marsden, and was the only song that never made the "Diwali" rhythm album on Greensleeves Records as it was more than likely a late entry.
"Work It" is a hip hop song written by American rapper Missy Elliott and her producer Tim "Timbaland" Mosley for Elliott's fourth studio album Under Construction (2002). The song's musical style, and production by Timbaland, were heavily inspired by old school hip hop from the early 1980s. It samples Run-D.M.C.'s "Peter Piper" and Rock Master Scott & the Dynamic Three's "Request Line".
"The First Cut Is the Deepest" is a 1967 song written by British singer-songwriter Cat Stevens, originally released by P. P. Arnold in April 1967. Stevens's own version originally appeared on his album New Masters in December 1967.
"Sing" is a 1971 song written by Joe Raposo for the children's television show Sesame Street as its signature song. In 1973, it gained popularity when performed by the Carpenters, a number 3 hit on the Billboard Hot 100.
"It's Not Right but It's Okay" is the third single from American singer Whitney Houston's fourth studio album, My Love Is Your Love. It was written by LaShawn Daniels, Rodney Jerkins, Fred Jerkins III, Isaac Phillips, Toni Estes and produced by Rodney Jerkins, who went by the nickname Darkchild. The song examines a woman confronting her lover about his infidelity. Houston won the 2000 Grammy Award for Best Female R&B Vocal Performance for this song. In 2003, Q Magazine ranked "It's Not Right but It's Okay" at number 638 in their list of the "1001 Best Songs Ever". In 2019, Billboard listed it as one of the Greatest Songs of 1999. In 2022, the Thunderpuss club mix was listed in the list of the 200 greatest dance songs of all time on Rolling Stone. The single reached number one in Spain and the top five in Canada, Iceland, the United Kingdom, and the United States.
"If You're Not the One" is a song by New Zealand-British singer Daniel Bedingfield. It was released on 25 November 2002 as the third single from his debut studio album, Gotta Get Thru This (2002). The single entered the top 20 on the majority of charts that it appeared on, including becoming a number-one hit on the UK Singles Chart and reaching number 15 on the US Billboard Hot 100.
"Hero" is a song by Canadian musician Chad Kroeger and American musician Josey Scott for the soundtrack to the 2002 superhero film Spider-Man. It was written by Kroeger and recorded specifically for the film. "Hero" was released through Roadrunner Records on March 1, 2002, as the soundtrack's lead single. The song serves as Kroeger's debut solo release.
"Hero" is a song by Spanish singer-songwriter Enrique Iglesias from his second English-language studio album Escape (2001). It was written by Iglesias, Paul Barry and Mark Taylor. Interscope Records released the song on 3 September 2001 to a positive critical and commercial reception. To the date the single has sold over 8 million copies worldwide, making it one of the best selling singles of all time.
"Are You Happy Now?" is a song by American singer Michelle Branch, released as the lead single from her second studio album, Hotel Paper (2003), on May 19, 2003. The single contains a non-album single called "Wanting Out" and a live acoustic version of the song "Hotel Paper" as its B-sides.
"Into You" is the third single from American rapper Fabolous's second studio album, Street Dreams (2003), featuring either Ashanti or Tamia. The song also appears on Tamia's album More. "Into You" originally featured Ashanti, but after Irv Gotti of Murder Inc. Records refused to let her film a music video to promote the single, Fabolous reached out to Tamia to re-record a commercial version. Both the album and single versions received heavy radio-play, resulting in all three artists being credited on the US Billboard Hot 100. The single was released through Elektra Records and DJ Clue's Desert Storm Records.
"Why Don't You & I" is a song by American rock band Santana. The song was written by Chad Kroeger and recorded for Santana's 2002 album Shaman, on the Arista record label. It was re-recorded in 2003 with vocals by Alex Band of the Calling and released as the third single in the United States on June 16, 2003. Both versions of the single charted in the US while the Alex Band version peaked at number 21 in New Zealand. According to Kroeger when recording for his version of the song, he recorded his vocals while on tour with Nickelback and used panty hose as a pop filter when recording it.
This is a list of Billboard's Top Hot 100 songs of 1997.
"Calling All Angels" is a song by American rock band Train. It was included on the band's third studio album, My Private Nation, and produced by Brendan O'Brien. On April 14, 2003, the song was the first single to be released from My Private Nation, peaking at number 19 on the US Billboard Hot 100 and topping three other Billboard charts: the Adult Contemporary, Adult Top 40, and Triple-A listings. Outside the US, the song entered the top 40 in Australia and New Zealand.
This is a list of Billboard magazine's Top Hot 100 songs of 1992.
The year-end charts for the Hot Latin Songs chart are published in the last issue of Billboard magazine every year. Initially, the chart was based on information provided by Nielsen Broadcast Data Systems, which collected airplay information from Latin radio stations in the United States. On the week ending October 20, 2012, the methodology was changed to track the best-performing Spanish-language songs based on digital downloads, streaming activity, and airplay from all radio stations in the country. The Year-End charts represent aggregated numbers from the weekly charts that were compiled for each artist, song and record company.