"Bring Me to Life" | ||||
---|---|---|---|---|
Single by Evanescence | ||||
from the album Daredevil: The Album and Fallen | ||||
B-side | "Farther Away" | |||
Released | January 13, 2003 | |||
Studio | Ocean (Burbank, California) | |||
Genre | Nu metal | |||
Length | 3:56 | |||
Label | Wind-up | |||
Songwriter(s) | ||||
Producer(s) | Dave Fortman | |||
Evanescence singles chronology | ||||
| ||||
Music video | ||||
"Bring Me to Life" on YouTube |
"Bring Me to Life" is the debut single by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up as the album's lead single on January 13, 2003, following its inclusion in the soundtrack of the film Daredevil .
The song was written by Amy Lee at age 19 about having been desensitized in an abusive relationship and realizing things she had been missing in life. Guitarist Ben Moody and David Hodges share songwriting credits on the song, which features guest vocals from Paul McCoy of the band 12 Stones. Produced by Dave Fortman, "Bring Me to Life" is primarily a nu metal song. The male vocals were forced by the label against Lee's wishes in order to market it in the musical landscape of the time.
The song received a generally positive reception, with critics praising Lee's vocals and melody. It reached number one in Australia, Chile, Colombia, Italy, Scotland, and the United Kingdom as well as the top five in Belgium, Canada, Denmark, France, Germany, Greece, Ireland, New Zealand, Norway, Sweden, and the United States. One of Evanescence's most commercially successful songs, "Bring Me to Life" was certified triple-platinum by the Recording Industry Association of America in 2019. It won the Grammy Award for Best Hard Rock Performance and was also nominated for Best Rock Song. Directed by Philipp Stölzl, the music video shows Lee singing and climbing on a skyscraper while having nightmares in her room. The song was re-worked and re-recorded on Evanescence's orchestral-electronica fourth studio album, Synthesis (2017).
Lee wrote "Bring Me to Life" at age 19, [1] after a then-acquaintance (who later became her husband) asked her if she was happy; Lee was in an abusive relationship and in turmoil, and was shocked the person saw through her facade as she felt she "was completely outwardly acting normal". "I felt like he could just see straight into my soul. That inspired the whole song", she explained. [2] [3] [4] The song is about "open-mindedness" and "waking up to all the things you've been missing for so long". After the moment that inspired her to write it, she "realized that for months I'd been numb, just going through the motions of life." [5] [6] In 2022, Lee noted that she was finding her voice lyrically while making the album, realizing "how the more honest I was, the more powerful I felt"; the song was "in a broader way about breaking free from something I knew I had the power to if I was brave enough", and represented "true desires, unspoken frustrations and fears, standing up to the bullshit around me [that] I was just on the cusp of being able to defeat". [4] It expressed a "cry for help", while "Going Under", which she wrote after "Bring Me to Life", was the next stage of her "coming to the realization that I was going to stand up for myself and make a change." [7] [8] Moody and David Hodges share writing credits on the track. [9]
With pressure from the label to refine its production, Evanescence ultimately made around 10 demos of the song, which included changing the synths for the opening piano part, and the addition of real strings by David Campbell, an "expense" Lee "fought hard for over a less expensive synthetic alternative". [4] [7] Most of the song was recorded for the Daredevil soundtrack at Ocean Studios in Burbank, California. [10] [11] It was mixed by Jay Baumgardner in his studio, NRG Recording Studios in North Hollywood, on an SSL 9000 J. A 22-piece string section was recorded by Mark Curry in Seattle, and mixed at the Newman Scoring Stage and Bolero Studios in Los Angeles. [10]
"Bring Me to Life" is stylistically a nu metal-rap rock song. [12] [13] [14] In order to market it, the label forced them to add the male rapping vocal, which Lee did not want, or the song and album would not be released. [18] The male vocal was a compromise after the label originally demanded they include a rap on eight of the songs on the album. [8] During an interview, Lee stated: "It was presented to me as, 'You're a girl singing in a rock band, there's nothing else like that out there, nobody's going to listen to you. You need a guy to come in and sing back-up for it to be successful.'" [19] Lee wrote Paul McCoy's part. [20] On the chorus, Lee sings the lines "'Call my name and save me from the dark' over "surging guitars", [21] and McCoy raps the lines "Wake me up/ I can't wake up/ Save me!". [13] The song is set in common time and performed in a moderate tempo of 95 beats per minute. It is written in the key of E minor, and Lee's vocal range for the song runs from the low note of A3 to the high note of D5. [22]
Rolling Stone 's Kirk Miller said that the song is stylistically a "case of mistaken identity", dooming the band to Linkin Park comparisons "thanks to [its] digital beats, clean metal-guitar riffs, scattered piano lines and all-too-familiar mix of rapping and singing." [23] Blair R. Fischer of MTV called it a "ubiquitous rap-rock confection". [13] Richard Harrington from The Washington Post described its sound as "crunching metallic". [24] Ann Powers from the Los Angeles Times said that "with its lyrical drama and crunchy guitars, [the song] branded the band as overdone nu-metal." [25] "Bring Me to Life" has also been classified as hard rock, [26] alternative rock, [27] and Blender writer Nick Catucci described it as a "crossover goth-metal smash". [28] Nick Catucci of The Village Voice wrote that "piano tinkles, Lee's breathless keen, dramatic pauses, guitars like clouds of locusts, [and] McCoy's passing-12-kidney-stones guest vocals" characterize the song, which "sounds like church-burning, brain-eating European dark metal." [29] Vik Bansal of MusicOMH said the track contains "Lee's temptress vocals, pseudo-electronic beats à la Linkin Park, understated but menacing metallic riffs in the background, and a ripping, radio-friendly rock chorus." [30] MTV described it as "an unrelenting paean that begins as hauntingly delicate before piling on crumpled guitar lines and a rap" while "Lee's vocals soar above the whole sludgy mixture". [6]
"Bring Me to Life" first appeared in a scene of the film Daredevil and was included on the film's soundtrack, released in February 2003. The song was released as Fallen's first single on April 7, 2003. [4] Wind-up Entertainment president Ed Vetri revealed that when the label first introduced the song to radio, radio programmers rejected it, saying, "A chick and a piano? Are you kidding? On rock radio?" [31] Some program directors would hear the female voice and piano at the start of the song and turn it off without listening to the rest of the song. [32] A female voice on rock radio was a rarity, and the song was considered for airplay only after there was a male vocal on it. [33] [34] [35] After the song was released on the Daredevil soundtrack, listeners began requesting air play for it, compelling radio stations to reconsider Evanescence. [36] [37] [33]
Lee said that with the success of the single they "went from playing clubs to arenas in a matter of months" and "people in other countries were listening to it". [4] On its international success, she stated:
"Since we released [the song] on Daredevil it went all over the world, whether they wanted it to or not, so we had fans in countries we had never been to because they had the soundtrack and they heard it on the radio. So, it started blowing up all over the world and then we had a reason to tour all over the world. And that's how the whole international thing happened this early." [21]
The single includes "Farther Away" as a B-side. The first pressing of the Australian single contained the track "Missing" as a B-side, [38] but this was omitted from later pressings and later released as a bonus track on the band's first live album, Anywhere but Home . [39] An acoustic version was recorded and released on the "Bring Me to Life" DVD. In 2003, the song served as the official theme song for WWE's 2003 No Way Out event. [40]
AllMusic's Johnny Loftus called the song "misleading" due to the vocal duet but "flawless". [41] Kelefa Sanneh of The New York Times said that "Bring Me to Life" "floats like a butterfly, stings like a bee and then hits like a brick." [42] Writing for the Los Angeles Times , Ann Powers wrote that it is a "mix of voluptuous singing and metallic guitar (the latter enhanced by McCoy's rap-rock declamations)". [25] Joe D'Angelo of MTV said the song is an "unrelenting paean that begins as hauntingly delicate before piling on crumpled guitar lines and a rap" and Lee's "vocals soar above the whole sludgy mixture to keep it from sinking into tired mediocrity." [6] Adrien Bengrad from PopMatters called it a "quality single" although hearing it more led him to find it "nothing more than a bombastic distraction from the usual dreck" despite "the refreshing dose of melody". [43] Christopher Gray of The Austin Chronicle deemed it "one of the more curious offerings to be had on the airwaves right now and lingers in the memory like the remnants of a particularly vivid nightmare". [44]
Bryan Reeseman of Mix described "Bring Me to Life" as "grandiose and moody". [10] Nick Catucci of The Village Voice deemed it a "fabulous breakthrough single" that sounds like "church-burning, brain-eating European dark metal." [29] Writing for Kerrang! , Mike Rampton found the "manly rap" forced by their label to be "not good". [45] John Hood of the Miami New Times said it is a "huge, heavy, and mightily histrionic" track that pits Lee's "soaring voice both with and against the rap-infused gruff of McCoy". [46] In his review of Evanescence's second album, Don Kaye of Blabbermouth.net criticized the song for containing "annoying faux-rapping" as a "key component". [47] For NPR, Suzy Exposito wrote that McCoy "came in to insulate chauvinistic rock listeners from Lee's operatic subjectivity". [48] Melissa Maerz of Spin said that Lee thematically tackles death on the song with "grandeur". [49] Rolling Stone called it "haunting, moody and cinematic". [50]
"Bring Me to Life" won the Grammy Award for Best Hard Rock Performance at the 46th Grammy Awards, where it was also nominated in the category Best Rock Song. [51] [52] At the 2003 MTV Video Music Awards the band was nominated in the category for Best New Artist for "Bring Me to Life". [53] The song received a nomination at the 2003 MTV Europe Music Awards for Best Song. [54] At the 14th annual Billboard Music Awards, it won the award for Soundtrack Single of the Year. [55] "Bring Me to Life" ranked number 69 on VH1's 100 Greatest Songs of the 2000s. [56] In 2018, NPR named it one of the 200 greatest songs by 21st century women. [48] In 2023, Rolling Stone ranked the song at number 43 on their "100 Greatest Heavy Metal Songs of All Time" list. [57]
"Bring Me to Life" peaked within the top 10 of more than 15 countries, and within the top 20 of several other countries, making it the band's most successful single to date. It was certified triple-platinum in 2019 for selling more than three million copies in the United States. [58] It topped the Billboard Modern Rock Tracks and Pop 100 charts and peaked at number five on the Billboard Hot 100. [59] It also peaked at number four on the Adult Pop Songs chart. The song initially peaked within the Christian rock charts as well, because its lyrics were interpreted as a call for new life in Jesus Christ by several listeners. [60] [61] "Bring Me to Life" charted at number 73 on Billboard's Best of the 2000s Rock Songs Chart, the only song by a female-led band on that chart. [62] The song topped the charts of Australia, Belgium, Italy and the United Kingdom. It peaked within the top 5 of Austria, Canada, France, Ireland, Germany, New Zealand, Norway, Netherlands, and Sweden. On the ARIA Singles Chart, "Bring Me to Life" peaked at number one where it stayed for six weeks. [63]
"Bring Me to Life" charted within the top 20 of every other country of its release. In the United Kingdom, the song spent four weeks at the top of the UK Singles Chart, which in turn helped Fallen peak at the top of the UK Albums Chart. [64] [65] The song also topped the European Hot 100 chart. [66] On June 4, 2011, the song returned to the top of the UK Rock & Metal Singles Chart, eight years after its original release, remaining at number one for two weeks, on June 11, 2011, to June 25, 2011. It fell to number two, remaining there for three weeks, and on July 17, 2011, "Bring Me to Life" returned to number one again and remained there for three weeks. The song remained within the top 10 into October 2011. [67] As of June 2018 [update] , the song has sold more than 745,000 copies in the United Kingdom. [68]
The music video for "Bring Me to Life" was directed by Philipp Stölzl. [69] Stölzl stated:
On the one hand, it brings out the most catchy part of the song, the bridge, the duet with the male and female vocals. On the other hand, it reflects the ['Daredevil'] soundtrack background of the song. I did not know if I would have to use a stunt double for most of the angles, which would have restricted me a lot, but then it turned out that Amy did everything herself, hanging on Paul's arm for hours without getting tired. In the end, she is the one who made that shot strong." [70]
According to Joe D'Angelo of MTV News, Lee's "teetering on a ledge" in the video shows a "distressed and emotionally wrought heroine." [71] Ann Powers from the Los Angeles Times wrote: "You might not immediately recognize Amy Lee's name, but you would know her if she plummeted past you from the top floor of a tenement building." [25] Corey Moss of MTV felt that "as intense as a superhero movie, the sequence also gives a nice visual to the song's most memorable lyric, 'Save me.'" [70] John Hood of Miami New Times wrote that the video's "gothopolis backdrop" would "make Tim Burton green with envy". [46]
The music video peaked at number nine on MTV's Total Request Live in April 2003. [72] It was nominated at the 2003 MTV Video Music Awards for Best Rock Video, but lost to Linkin Park's "Somewhere I Belong". [53] On February 1, 2022, it surpassed 1 billion views on YouTube, becoming the first Evanescence music video to reach this milestone. [73]
A live performance from the Fallen tour filmed at Le Zénith in Paris is included on Evanescence's first live album and concert DVD Anywhere but Home (2004). The live recording contains a piano and vocal solo before the song's intro. [74] McCoy's studio vocals were performed by tour guitarist John LeCompt during the tour. [13]
In October 2011, the band performed the song at the Rock in Rio festival. [75] Lee performed the song with Japanese band Wagakki Band in February 2020, at Osaka-jō Hall in Osaka, Japan. [76] Evanescence performed the song live with singer Sonny Sandoval in September 2022, [77] and at Rock am Ring festival with guest singer Jacoby Shaddix in June 2023. [78]
"Bring Me to Life" | |
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Song by Evanescence | |
from the album Synthesis | |
Released | August 18, 2017 |
Genre |
|
Length | 4:18 |
Label | BMG |
Songwriter(s) |
|
Producer(s) |
|
Audio video | |
"Bring Me to Life" on YouTube |
In 2017, an orchestral and electronic version of the song was recorded for the band's fourth studio album Synthesis . It was made available for digital download and streaming on August 18, 2017; it was also made available for instant download for concertgoers of the band's Synthesis Tour. [79] The Synthesis version of "Bring Me to Life" replaces the drums and guitar from the Fallen version with string arrangements accompanied by crashing cymbals, "tension-building" timpani drums and various electronic elements throughout. [80] [81] It also removes McCoy's vocal feature. Several critics described its new arrangement as "dramatic", with Billboard's Sadie Bell deeming it "just as rich" as the original and Rolling Stone's Brittany Spanos calling it a "cinematic take". [80] [82] Lee described the song as "new" to her again as she incorporated musical elements and vocals which she had "heard in [her] head" since its release. [82]
Credits are adapted from Fallen liner notes. [9]
|
|
Weekly charts
| Year-end charts
Decade-end charts
|
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [142] | 2× Platinum | 140,000^ |
Belgium (BEA) [143] | Gold | 25,000* |
Brazil (Pro-Música Brasil) [144] | Platinum | 60,000‡ |
Denmark (IFPI Danmark) [145] | Gold | 4,000^ |
France (SNEP) [146] | Gold | 315,000 [147] |
Germany (BVMI) [148] | Platinum | 300,000‡ |
Greece (IFPI Greece) [97] | Gold | 10,000^ |
Italy (FIMI) [149] | 2× Platinum | 200,000‡ |
New Zealand (RMNZ) [150] | Platinum | 10,000* |
Norway (IFPI Norway) [151] | Platinum | 10,000* |
Spain (PROMUSICAE) [152] | Platinum | 60,000‡ |
Sweden (GLF) [153] | Gold | 15,000^ |
Switzerland (IFPI Switzerland) [154] | Gold | 20,000^ |
United Kingdom (BPI) [155] | 3× Platinum | 1,800,000‡ |
United States (RIAA) [156] | 3× Platinum | 3,000,000‡ |
* Sales figures based on certification alone. |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
United States | January 13, 2003 | Alternative radio | Wind-up | [157] |
March 24, 2003 | [158] | |||
Europe | April 7, 2003 | CD |
| [83] |
April 14, 2003 | Maxi-CD | |||
Australia | April 21, 2003 | CD | [159] | |
Denmark | April 28, 2003 | [160] | ||
United Kingdom | June 2, 2003 |
| Wind-up | [161] |
Welsh singer Katherine Jenkins recorded a cover version of "Bring Me to Life" for her 2009 album Believe . [162] It was released as the album's second single in October 2009. [163]
Evanescence is an American rock band founded in 1994 by singer and keyboardist Amy Lee and guitarist Ben Moody in Little Rock, Arkansas. After releasing independent EPs as a duo in the late '90s and a demo CD, Evanescence released their debut studio album, Fallen, on Wind-up Records in 2003. Propelled by the success of hit singles like "Bring Me to Life" and "My Immortal", Fallen sold more than four million copies in the US by January 2004, garnering Evanescence two Grammy Awards out of six nominations. They released their first live album and concert DVD, Anywhere but Home, in 2004, which sold over one million copies worldwide.
Fallen is the debut studio album by American rock band Evanescence, released on March 4, 2003, by Wind-up Records. Co-founders singer and pianist Amy Lee and guitarist Ben Moody began writing and recording songs as Evanescence in 1994, and after releasing two EPs and a demo CD, they signed to Wind-up in January 2001. Several of the songs from their earlier independent releases feature on Fallen. The album was recorded between August and December 2002 in several studios in California. It is Evanescence's only studio album to feature Moody, who left the band in October 2003.
Origin is a demo album by American rock band Evanescence. A compilation of home-recorded demos from 1996-1999, the CD was self-released and sold at local shows, and then packaged to showcase to record labels. A total of 2,000 copies were made and sold by the Bigwig Enterprises website from November 4, 2000 to 2003. Origin contains demos written and recorded by co-founders Amy Lee and Ben Moody for their earlier independent EPs in the 1990s, including "Whisper", "Imaginary", and "My Immortal", which appear on their debut album Fallen (2003).
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American rock band Evanescence has released five studio albums, two live albums, one compilation album, two demo albums, three extended plays, eighteen singles, nine promotional singles, two video albums, and eighteen music videos. Evanescence was founded in 1994 by Amy Lee and Ben Moody in Little Rock, Arkansas. The band's lineup comprises Lee, guitarist Troy McLawhorn, guitarist Tim McCord, drummer Will Hunt, and bassist Emma Anzai. As of 2022, the band has sold over 31.9 million albums.
"Call Me When You're Sober" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released as the album's lead single on September 4, 2006. The track was written by Amy Lee and guitarist Terry Balsamo, and produced by Dave Fortman. A musical fusion of alternative metal, symphonic rock, and electropop, the song was inspired by the end of Lee's relationship with singer Shaun Morgan as well as Lee's other experiences at the time.
"Lithium" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released by Wind-up Records on December 4, 2006 as the album's second single. "Lithium" was written by singer and pianist Amy Lee and produced by Dave Fortman. Lee initially wrote it on guitar when she was 16 years old, and later reworked it on piano, recording it with the band's performance. The song is a power ballad with lyrics about uncertainty between feelings of sorrow and happiness.
Amy Lynn Lee is an American singer-songwriter and musician. She is the co-founder, lead vocalist, lead songwriter and keyboardist of the rock band Evanescence. A classically trained pianist, Lee began writing music at age 11 and co-founded Evanescence at age 13, inspired by various musical genres and film scores from an early age. Lee has also participated in other musical projects, including Nightmare Revisited and Muppets: The Green Album, and composed music for several films, including War Story (2014), Indigo Grey: The Passage (2015), and the song "Speak to Me" for Voice from the Stone (2017). She has also released the covers EP Recover, Vol. 1 (2016), the soundtrack album to War Story, the children's album Dream Too Much (2016), and collaborated with other artists such as Korn, Seether, Bring Me the Horizon, Lindsey Stirling, Body Count, and Wagakki Band. Lee has a mezzo-soprano voice type.
"Sweet Sacrifice" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released on May 25, 2007, as the album's third single. The song was written by Amy Lee and Terry Balsamo, and produced by Dave Fortman. It is about coming out of the abusive relationship that inspired much of Lee's writing on the debut album. "Sweet Sacrifice" received generally positive reviews by critics, and was nominated for Best Hard Rock Performance at the 50th Grammy Awards. Its music video was directed by P.R. Brown.
We Are the Fallen is an American hard rock band consisting of Irish singer and former American Idol contestant Carly Smithson, guitarist Ben Moody, guitarist John LeCompt, drummer Rocky Gray, and bassist Marty O'Brien. Moody, LeCompt, and Gray are former members of American rock band Evanescence. Their debut album, Tear the World Down, was released in May 2010.
Evanescence is the third studio album by American rock band Evanescence, released on October 7, 2011, by Wind-up Records. The band began writing the album in June 2009. Its release was delayed several times; on February 22, 2010, the band entered the studio with producer Steve Lillywhite but later stopped working with him because he "wasn't the right fit". At the time the album was scheduled for an August or September 2010 release, but Lee later announced that Evanescence had postponed recording to write more material. In April 2011, the band returned to the studio with producer Nick Raskulinecz. Evanescence is the first Evanescence album to be written as a band, with Lee, guitarist Terry Balsamo, guitarist Troy McLawhorn, bassist Tim McCord and drummer Will Hunt co-writing the music together.
"What You Want" is a song by American rock band Evanescence. It was released as the lead single from the band's third eponymous album on August 9, 2011 through Wind-up Records. The song was written by Amy Lee, Terry Balsamo and Tim McCord and produced by Nick Raskulinecz. Lee described "What You Want" as a departure from the band's previous sound and said she was inspired to write the song by several experiences she had with her fans. Musically "What You Want" contains a variety of musical elements and it uses drums, guitars, synthesizers and a piano. Lyrically, the song has a theme of freedom.
"My Heart Is Broken" is a song by American rock band Evanescence. It was released on October 31, 2011, as the second single for their eponymous third studio album (2011). An alternative version appears on the band's fourth studio album Synthesis (2017). The track was written by Amy Lee, Terry Balsamo, Tim McCord, Will Hunt and Zach Williams, while production was handled by Nick Raskulinecz. Musically, "My Heart Is Broken" is an uptempo rock ballad, whose instrumentation consists of piano, guitars and drums. Lee revealed that the song was written after seeing victims of sex trafficking. The recording received favorable reviews from music critics, who praised the combination between Lee's vocals and piano playing, as well as its fellow instrumentation; several of them chose it as a highlight on the album. On music charts, "My Heart Is Broken" reached number 36 on the Austrian Singles Chart, number 92 on the German Singles Chart and number 34 on the US Adult Top 40.
"Lost in Paradise" is a song by American rock band Evanescence from their third self-titled studio album, Evanescence (2011). An alternative version appears on the band's fourth studio album, Synthesis (2017). Although initially penned by frontwoman Amy Lee as a personal song and anticipated to become a B-side, it was later recorded for the album. Wind-up Records released the song as the third single from the album on May 25, 2012. It was produced by Nick Raskulinecz. A snippet of the song premiered online on July 15, 2011, prior to its album's release in October. Musically, "Lost in Paradise" is a rock ballad that begins with piano, strings, and Lee's vocals before the band kicks in during the climax. Lyrically, it is inspired by the struggles in Lee's life during Evanescence's hiatus. The song was compared to Björk's song "Jóga" (1997) and the band's own "My Immortal" (2003).
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)'Bring Me to Life,' as excerpted above, reads as a solid plea for spiritual revival.