The Bitter Truth | ||||
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Studio album by | ||||
Released | March 26, 2021 | |||
Recorded | January–November 2020 | |||
Studio | ||||
Genre | ||||
Length | 47:19 | |||
Label | BMG | |||
Producer | Nick Raskulinecz | |||
Evanescence chronology | ||||
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Singles from The Bitter Truth | ||||
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The Bitter Truth is the fifth studio album by American rock band Evanescence. After pandemic delays, it was released on March 26, 2021, through BMG Rights Management. Produced by Nick Raskulinecz, it is the band's first album of all-new material since their 2011 self-titled third album. The Bitter Truth received a generally positive critical reception. It reached number 11 on the US Billboard 200, top five on the Billboard Independent, Alternative, Hard Rock, and Rock Albums charts, and the top 10 of multiple international album charts.
Lead vocalist Amy Lee first spoke about a new studio album for the band in July 2018. In an interview with Detroit radio station WRIF, Lee confirmed that the band planned to work on a new album following the end of their tour in support of Synthesis . [1] [2]
In an interview with Sirius XM backstage at Epicenter Festival at Rockingham Speedway in May 2019, Lee again confirmed that a new album was in the works. [3] Blabbermouth.net reported that Lee was hoping the album would be ready for release in 2020. "We're just gonna get together and see what happens this month," she said, "and start doing that more regularly until we feel like we're ready to do it." [4]
Lee then provided an update on the album in November 2019, while taking part in a Reddit AMA. [5] Responding to a question pertaining to new music from the band, Lee commented that she was "absolutely living in it" and was "listen[ing] to our new music every day." [6]
I can't wait for you to hear it. It's dark and heavy. Its also got moments of weird and sparse. Little bit of everything. Definitely some of The Open Door vibes but not the same. [6]
The band entered the studio in January 2020 with Nick Raskulinecz, [7] with whom they had previously worked on 2011's Evanescence. [8] Although originally planning to work with several producers across the album, [7] the band's plans changed due to the COVID-19 pandemic. This then turned Raskulinecz into The Bitter Truth's sole producer. In August, the U.S.-based band members returned into the studio to finish writing and recording after taking COVID tests, and German guitarist Jen Majura had to work remotely. [9] On September 9, the album was nearing completion, with "70% done". [10] Recording was completed in November. [11]
The album was announced in April 2020, and was originally planned for release in late 2020. [12] The pandemic delayed the album's completion, however, and eventually pushed it to a March 2021 release. [13]
Lee talked about the core theme of the album:
A lot of this album is about face the truth, face the bitter truths of our world and of my life and of heart. Whatever the cost of that might be on the inside. So then we can start talking about climbing out. Then we can start talking about getting to a better place. You can't appreciate the beauty of life, you can't fully experience all the good moments in life if you don't also fully experience the challenging ones, the tough ones, the painful ones. [14]
The album is described as alternative metal, [15] gothic metal, [16] heavy metal, [17] and hard rock. [18]
Amy Lee disclosed the inspiration behind the new songs in a Marie Claire interview:
"There are songs that are a part of this album that have been in the works for a decade, and songs that just started up this year. I get inspired being in nature, walking through the woods, looking up close at weird bugs." But her biggest inspirations are the emotional experiences she's had in her life, something that makes Evanescence's music "as dramatic as it is." "Things like losing someone you love, being a part of creating a new life. [They] rock me on a deep level to a point where I feel like I have to make music." [19]
"Yeah Right", "Feeding the Dark", and "Take Cover", the latter previously debuted live in the 2016 live shows, were originally written for the 2011 self-titled album, but were reworked a decade later. [20] [21] [22] [23]
The Bitter Truth was first announced with the release of its lead single, "Wasted on You", in April 2020. [24] Its second single, "The Game Is Over", followed in July. [25] The band released an additional two singles in August's "Use My Voice" [26] and December's "Yeah Right" (as a promotional one). [27] The former featured guest vocalists from bands such as Veridia, Within Temptation, The Pretty Reckless and Halestorm. [28] The latter, meanwhile, was released to coincide with the announcement of the album's tracklist and release date. [27] The fourth single, "Better Without You", was released on March 5, 2021. [29]
To promote the album in advance, the band performed the first single "Wasted on You" at the Jimmy Kimmel Live! show on February 19, 2021. [30] The band also toured Europe in 2022, in a co-headlining tour alongside Within Temptation. [31] [32]
Aggregate scores | |
---|---|
Source | Rating |
AnyDecentMusic? | 6.5/10 [33] |
Metacritic | 78/100 [34] |
Review scores | |
Source | Rating |
AllMusic | [35] |
Atwood Magazine | [36] |
Consequence of Sound | A− [37] |
The Daily Telegraph | [38] |
Gigwise | [39] |
Hysteria Magazine | 8/10 [40] |
Kerrang! | [41] |
Metal Hammer | [42] |
Rolling Stone | [43] |
Upset Magazine | [44] |
The Bitter Truth received a positive critical reception. [45] [46] On Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album has a weighted average score of 78 based on eight reviews, indicating "generally favorable reviews". [34] Dannii Leivers of Metal Hammer deemed the album "darkly emotional, empowering and politically charged", which is "nestled between the bold and the familiar" and has "some surprises up its sleeve". [42] [47] Writing for Rolling Stone , Jon Dola complimented Lee's songwriting and her ability to "sound intimate and revealing even when the music engulfs her in a maelstrom", calling the album a "take-no-prisoners battle for redemption" that bares "life's battle scars". [43] In Renowned for Sound , Mike Corner said the record "remains satisfyingly heavy throughout", and in combination with Lee's vocals it reminds how deftly Evanescence can "harness the power of heavy rock music". [48]
Josh Weiner from Atwood Magazine praised the album's energy, instrumental work, emotional range and uplifting theme of perseverance, concluding that "Evanescence prove that they're still a hugely compelling act" and "all of the band's positive virtues have endured". [36] Entertainment Weekly writer Sydney Bucksbaum said Lee's voice "has never sounded more passionate than it does on The Bitter Truth". [49] Neil McCormick of The Daily Telegraph felt that the mature tone and sharp lyrics "make up for an old-fashioned sound". [38] For Gigwise , Vicky Greer regarded the album a "bold show of emotions that occasionally gets lost in translation" as the "vocals and lyrics are somewhat lost in production, lacking a certain emphasis – if you don’t listen at maximum volume, you might miss out on some of the finer details of the album." [39] Los Angeles Times 's Suzy Exposito said Lee wrote "her fiercest songs to date" and "Evanescence continues to own the space where frosty electronic currents collide with volcanic surges of metal catharsis and coagulate into hard rock candy". [50] The Bitter Truth is a "beast of many moods" endowed with "stellar" musicianship and vocals, Garry Bushell reviewed in Daily Express . [51] Danielle Chelosky wrote in Spin that Lee's strength "is clearer than ever, and she's reclaiming even more this time", while the "reckoning and pain" of experiences permeates the album with "vivid imagery", vulnerability and empowerment alongside a "bigger and bolder" sound. [52]
Kerrang! 's Nick Ruskell said The Bitter Truth offers "comfort, catharsis and a new perspective", with Lee's contemplations looking outward as much as inward in forward-thinking notion alongside an "ever-expanding musical palette, still rooted in the vaguely gothy metal of old, but now with the heaviness taken further and punctuated with electronics and keyboards". [41] Thomas Green of The Arts Desk considered the album "a sturdy testament to lead singer and band-boss Amy Lee's continuing surety of vision". [53] Reviewing for Consequence , Claire Colette viewed the record as an "triumphant" return, "reminiscent of the band's older material but also entirely fresh", with the band's passion and energy "evident throughout" and Lee's "immense talent as a vocalist and songwriter consistently shining through". [37] The album was deemed "emotionally charged" by Scott Mervis of Pittsburgh Post-Gazette , [54] and "dynamic" by Chicago Sun-Times writer Selena Fragassi. [55] Neil Z. Yeung of AllMusic called it "one of the band's most engaging works, balancing sonic power with Lee's inimitable vocals and songwriting", and carrying listeners "on a journey both familiar and fresh ... pushing Evanescence into the future with a graceful maturity and worldly perspective." [35] Revolver called The Bitter Truth a "triumphant statement of perseverance, with Lee seizing her role as alt-metal elder stateswoman for some of the hardest hitting songs of her career." [56]
Publication | Accolade | Rank | Ref. |
---|---|---|---|
AllMusic | Favorite Metal Albums 2021 | — | [57] |
Audio Ink Radio | Best 50 Rock And Metal Songs of 2021 ("Better Without You") | — | [58] |
Carretera y Manta | Top 15 Best Albums of the Year | 8 | [59] |
Confraria Floydstock | The 25 Best Albums of 2021 | — | [60] |
Consequence | Top Metal & Hard Rock Albums | 26 | [61] |
Global Metal Apocalypse | Global Metal Apocalypse (GMA) Awards 2021 - The Results | 5 | [62] |
Goldmine | Fabulous Albums of 2021 | 6 | [63] |
Fabulous Songs of 2021 ("Use My Voice") | 3 | ||
Kerrang! | The 50 Best Albums of 2021 | 49 | [64] |
Reader's Poll Results - Song Of The Year ("Better Without You") | 4 | [65] | |
Knac.com | Halo's Top Ten Releases for 2021 | 2 | [66] |
Lost Between the Pages | Favorite Albums of 2021 | — | [67] |
Loudwire | The 45 Best Rock + Metal Albums of 2021 | 25 | [68] |
The 35 Best Rock Songs Of 2021 ("Better Without You") | 9 | [69] | |
Metal Hammer | Top 10 Alternative Metal Albums of 2021 | 3 | [70] |
Notizie Musica | Top 10 Albums of 2021 | 8 | [71] |
Quarter Rock Press | The 50 Best Albums of the Year 2021 | 8 | [72] |
The 50 Best Songs of the Year 2021 ("Better Without You") | 11 | [73] | |
Revolver | Fan Poll: 10 Best Albums of 2021 | 3 | [74] |
Riff | 108 Best Albums of 2021 | 41 | [75] |
Roadie Crew | Best Of 2021 (Fan Poll) | 8 | [76] |
Rock Sound | Albums of the Year 2021 | — | [77] |
Wikimetal | Top 50 Best Rock & Metal Albums of 2021 | 4 | [78] |
All tracks are written by Evanescence, except where noted
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Artifact/The Turn" | 2:26 | |
2. | "Broken Pieces Shine" | 3:50 | |
3. | "The Game Is Over" | 4:22 | |
4. | "Yeah Right" |
| 3:29 |
5. | "Feeding the Dark" |
| 4:14 |
6. | "Wasted on You" | 4:24 | |
7. | "Better Without You" |
| 4:05 |
8. | "Use My Voice" |
| 4:01 |
9. | "Take Cover" |
| 3:14 |
10. | "Far from Heaven" | Lee | 4:57 |
11. | "Part of Me" | 3:59 | |
12. | "Blind Belief" | 4:13 | |
Total length: | 47:19 |
No. | Title | Writer(s) | Length |
---|---|---|---|
13. | "Cruel Summer" (Bananarama cover; Live from Home) | 3:23 | |
14. | "The Chain" (Fleetwood Mac cover; from Gears 5 ) | 4:12 | |
Total length: | 54:55 |
No. | Title | Length |
---|---|---|
1. | "The Making of The Bitter Truth" | 13:13 |
2. | "The Making of Use My Voice" | 2:45 |
Total length: | 15:58 |
No. | Title | Length |
---|---|---|
1. | "Wasted on You" (Live studio session) | 4:24 |
2. | "The Game Is Over" (Live studio session) | 4:23 |
3. | "The Only One" (Live studio session) | 4:32 |
4. | "Sick" (Live studio session) | 3:30 |
5. | "Going Under" (Live studio session) | 3:39 |
6. | "Use My Voice" (Live studio session) | 4:01 |
7. | "Bring Me to Life" (Live studio session) | 3:30 |
8. | "Lost in Paradise" (Live studio session) | 5:05 |
9. | "Glory Box" (Portishead cover; Live studio session) (Portishead, Isaac Hayes) | 3:56 |
10. | "Across the Universe" (The Beatles cover) (John Lennon, Paul McCartney) | 3:42 |
Total length: | 40:42 |
No. | Title | Length |
---|---|---|
1. | "Wolves" | |
2. | "GIO" | |
3. | "UMV" | |
4. | "Will Can't Catch" | |
5. | "Without a Sound" | |
6. | "Take Cover" | |
7. | "WOY Bells" | |
8. | "Writing" | |
9. | "Smurfs on Fire" | |
10. | "Blind Belief" | |
11. | "Music Box" | |
12. | "Red Stickers" | |
13. | "Avocado Cream" | |
14. | "Yeah Right" | |
15. | "Back to the Future" | |
16. | "BPS #7.1" | |
17. | "On My Own" | |
18. | "Teleportation" | |
19. | "Farther" | |
20. | "The Game Is Over" (Instrumental) | |
21. | "Yeah Right" (Instrumental) | |
22. | "Use My Voice" (Instrumental) | |
23. | "Better Without You" (Instrumental) | |
24. | "Wasted on You" (Instrumental) | |
25. | "Far from Heaven" (Instrumental) | |
26. | "Blind Belief" (Instrumental) | |
Total length: | 48:47 |
Credits adapted from the liner notes of The Bitter Truth. [84]
Evanescence
Additional musicians
| Additional personnel
|
Weekly charts
| Year-end charts
|
Region | Date | Format(s) | Edition(s) | Label | Ref. |
---|---|---|---|---|---|
Japan | March 24, 2021 | CD | Japanese | [80] | |
| Deluxe | [81] [82] |
Evanescence is an American rock band founded in 1994 by singer and keyboardist Amy Lee and guitarist Ben Moody in Little Rock, Arkansas. After releasing independent EPs as a duo in the late '90s and a demo CD, Evanescence released their debut studio album, Fallen, on Wind-up Records in 2003. Propelled by the success of hit singles like "Bring Me to Life" and "My Immortal", Fallen sold more than four million copies in the US by January 2004, garnering Evanescence two Grammy Awards out of six nominations. They released their first live album and concert DVD, Anywhere but Home, in 2004, which sold over one million copies worldwide.
Fallen is the debut studio album by American rock band Evanescence, released on March 4, 2003, by Wind-up Records. Co-founders singer and pianist Amy Lee and guitarist Ben Moody began writing and recording songs as Evanescence in 1994, and after releasing two EPs and a demo CD, they signed to Wind-up in January 2001. Several of the songs from their earlier independent releases feature on Fallen. The album was recorded between August and December 2002 in several studios in California. It is Evanescence's only studio album to feature Moody, who left the band in October 2003.
"Bring Me to Life" is the debut single by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up as the album's lead single on January 13, 2003, following its inclusion in the soundtrack of the film Daredevil.
Anywhere but Home is the first live album and concert DVD release by American rock band Evanescence. It was released on November 23, 2004, by Wind-up Records. It includes a recording of a concert at Le Zénith in Paris, an hour of behind the scenes footage, three previously-unreleased songs, and all four of the Fallen music videos.
"My Immortal" is a song by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up Records on December 8, 2003 as the album's third single, following its inclusion on the soundtrack to the film Daredevil. The song was written by singer and pianist Amy Lee and guitarist Ben Moody when they were 15. Several versions were recorded, with the earliest in 1997. Wind-up used the recording from their 2000 demo CD on Fallen against Lee's wishes, which featured Lee's demo vocals and a MIDI keyboard. Strings from Daredevil composer Graeme Revell were added during the production of Fallen. The single, dubbed the "band version", is the re-recording Lee and Moody made for Fallen, featuring guitar, drums and bass after the bridge and a string arrangement by David Campbell. An alternative version of the song appears on the band's fourth studio album Synthesis (2017).
"Everybody's Fool" is a song by American rock band Evanescence from their debut studio album, Fallen. Wind-up Records released the song on May 31, 2004, as the album's fourth and final single. It was written by Amy Lee in 1999 about the promotion of unrealistic and hyper-sexualized ideals of perfection in the music industry, with detrimental influence on the youth's expectations and self-image. Guitarist Ben Moody and David Hodges also share songwriting credits on the song, which was produced by Dave Fortman.
"Going Under" is a song by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up Records as the album's second single on August 18, 2003. Lee wrote the song about coming out of a difficult relationship. Guitarist Ben Moody and David Hodges share songwriting credits on the song, produced by Dave Fortman. Musically, "Going Under" is primarily a nu metal song featuring electronic drum beats and a piano interlude.
The Open Door is the second studio album by American rock band Evanescence, released on September 25, 2006, by Wind-up Records. Amy Lee had full creative control of the record, incorporating new elements into their previous musical styles, including her classical influences, homemade sounds, industrial rock, symphonic metal, progressive rock, electronica and the use of choirs on several songs. The album was written in the course of 18 months, and the recording process was delayed as a result of guitarist Terry Balsamo's stroke. Most of the songs were co-composed by Lee and Balsamo, with production handled by Dave Fortman.
American rock band Evanescence has released five studio albums, two live albums, one compilation album, two demo albums, three extended plays, eighteen singles, nine promotional singles, two video albums, and eighteen music videos. Evanescence was founded in 1994 by Amy Lee and Ben Moody in Little Rock, Arkansas. The band's lineup comprises Lee, guitarist Troy McLawhorn, guitarist Tim McCord, drummer Will Hunt, and bassist Emma Anzai. As of 2022, the band has sold over 31.9 million albums.
"Call Me When You're Sober" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released as the album's lead single on September 4, 2006. The track was written by Amy Lee and guitarist Terry Balsamo, and produced by Dave Fortman. A musical fusion of alternative metal, symphonic rock, and electropop, the song was inspired by the end of Lee's relationship with singer Shaun Morgan as well as Lee's other experiences at the time.
"Lithium" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released by Wind-up Records on December 4, 2006 as the album's second single. "Lithium" was written by singer and pianist Amy Lee and produced by Dave Fortman. Lee initially wrote it on guitar when she was 16 years old, and later reworked it on piano, recording it with the band's performance. The song is a power ballad with lyrics about uncertainty between feelings of sorrow and happiness.
Amy Lynn Lee is an American singer-songwriter and musician. She is the co-founder, lead vocalist, lead songwriter and keyboardist of the rock band Evanescence. A classically trained pianist, Lee began writing music at age 11 and co-founded Evanescence at age 13, inspired by various musical genres and film scores from an early age. Lee has also participated in other musical projects, including Nightmare Revisited and Muppets: The Green Album, and composed music for several films, including War Story (2014), Indigo Grey: The Passage (2015), and the song "Speak to Me" for Voice from the Stone (2017). She has also released the covers EP Recover, Vol. 1 (2016), the soundtrack album to War Story, the children's album Dream Too Much (2016), and collaborated with other artists such as Korn, Seether, Bring Me the Horizon, Lindsey Stirling, Body Count, and Wagakki Band. Lee has a mezzo-soprano voice type.
Evanescence is the third studio album by American rock band Evanescence, released on October 7, 2011, by Wind-up Records. The band began writing the album in June 2009. Its release was delayed several times; on February 22, 2010, the band entered the studio with producer Steve Lillywhite but later stopped working with him because he "wasn't the right fit". At the time the album was scheduled for an August or September 2010 release, but Lee later announced that Evanescence had postponed recording to write more material. In April 2011, the band returned to the studio with producer Nick Raskulinecz. Evanescence is the first Evanescence album to be written as a band, with Lee, guitarist Terry Balsamo, guitarist Troy McLawhorn, bassist Tim McCord and drummer Will Hunt co-writing the music together.
Aftermath is the soundtrack album for Mark Jackson's drama film War Story. It contains music from and inspired by the film, composed, produced and mixed by keyboardist Amy Lee, cellist Dave Eggar and drummer Chuck Palmer. Aftermath was independently released by Lee on August 25, 2014. It is Lee's first studio album release as a solo artist.
Synthesis is the fourth studio album by American rock band Evanescence. It was released on November 10, 2017, through BMG Rights Management. The album includes reworked orchestral and electronica arrangements of some of the band's previous material, in addition to two new songs, "Imperfection" and "Hi-Lo", and instrumentals. The orchestra was arranged and conducted by David Campbell, with the album's production handled by Will Hunt (Spaceway) and Amy Lee.
Amo is the sixth studio album by British rock band Bring Me the Horizon. Originally scheduled for release on 11 January 2019, it was released on 25 January 2019. The album was announced on 22 August 2018, a day after the release of the lead single "Mantra". It was produced by vocalist Oli Sykes and keyboardist Jordan Fish, and was written and recorded primarily in Los Angeles.
"Wasted on You" is a song performed by American rock band Evanescence. The song was released as a digital download on April 24, 2020 by BMG as the lead single from the band's fifth studio album, The Bitter Truth. The song was written by the band and produced by Nick Raskulinecz.
"The Game Is Over" is a song by American rock band Evanescence. The song was released as a digital download on July 1, 2020 by BMG as the second single from the band's fifth studio album, The Bitter Truth. The song was written by the band and produced by Nick Raskulinecz.
"Use My Voice" is a song by American rock band Evanescence. It was released on August 14, 2020, by BMG as the third single from the band's fifth studio album, The Bitter Truth. It was originally intended as the first single, but "Wasted on You" was released first due to the COVID-19 pandemic. It was nominated for the MTV Video Music Award for Best Rock Video in the 2021 MTV Video Music Awards.
Post Human: Survival Horror is a commercial release by British rock band Bring Me the Horizon. It was released on 30 October 2020 and is intended to be the first in a series of four projects to be released by the band under the Post Human name. The release was produced by frontman Oli Sykes and keyboardist Jordan Fish, with additional production from composer Mick Gordon. Stylistically, the release marks return to the heavier and more aggressive metalcore sound of the band's earlier material.
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