Synthesis (Evanescence album)

Last updated

Synthesis
Evanescence - Synthesis.png
Studio album by
Evanescence
ReleasedNovember 10, 2017 (2017-11-10)
RecordedFebruary–August 2017
Studio
Genre
Length62:17
Label BMG
Producer
Evanescence chronology
Lost Whispers
(2016)		Synthesis
(2017)		 The Bitter Truth
(2021)
Singles from Synthesis
  1. "Imperfection"
    Released: September 15, 2017
  2. "Hi-Lo"
    Released: June 8, 2018

Synthesis is the fourth studio album by American rock band Evanescence. It was released on November 10, 2017, through BMG Rights Management. The album includes reworked orchestral and electronica arrangements of some of the band's previous material, in addition to two new songs, "Imperfection" and "Hi-Lo", and instrumentals. The orchestra was arranged and conducted by David Campbell, with the album's production handled by Will Hunt (Spaceway) and Amy Lee.

Contents

Synthesis received generally positive reviews. It debuted at number eight on the US Billboard 200 and peaked at number one on the Classical Albums, Independent Albums, and Alternative Albums charts. It also charted internationally in 20 countries. Evanescence embarked on the Synthesis Live concert tour across North America, Europe, and Oceania from October 2017 to September 2018, accompanied on stage by a different orchestra in every city.

Background

After the end of the world tour for their 2011 self-titled third studio album, Evanescence took a hiatus from November 2012 to April 2015, during which the members pursued their own projects, [5] while Lee and Evanescence parted ways with long-term record label Wind-up Records, becoming independent artists. [6] [7] In an October 2015 interview, Lee stated that she was focusing on solo projects so there were no current plans for new Evanescence music yet, but the band would continue to tour through 2016. "It feels really good to have a lot of different things going on at once in the sense that I feel like I'm not just flexing one muscle", she said. [3] [8]

In February 2016, Lee said the band was working on the six-LP vinyl box set The Ultimate Collection (2017). [9] [10] In October, she confirmed in an interview that "there is Evanescence in the future", adding that she wants to take things step-by-step. [11] She said in another interview that the band was not making a new album yet but working on a project that was "not exactly the most traditional thing", something that would take fans on a "different path that we wanna try". [12] In February 2017, it was confirmed that the band was working in the studio, [12] [13] and Lee said the following month that the new project would be released later that year. [14]

Conception

Lee announced Synthesis in a video posted on Evanescence's Facebook page on May 10, 2017. She stated that the album's title emerged from it being "the synthesis, the combination, the contrast, the synergy between the organic and the synthetic and also the past and present". [15] The album is about "orchestra and electronica". Lee and the band went through their music catalog and selected songs "that are made to be heard in this way". The traditional rock instruments were replaced with "full orchestration and a completely synthetic world of beats and sounds" for this album. Lee said that it is not a remix, but songs re-worked "from the ground up", with "different tempos, different parts, intros and outros, segways and new pieces, and putting this all together like one big piece of music", likening it to a soundtrack. [15] The album employs an entire orchestra with a variety of instruments. [15] It contains two new original songs. [15]

Lee felt inspired and challenged with Synthesis; part of the approach was "sometimes less is more", Lee adding that "at some point, you have to take something away to hear more of the raw power of a song, to expose its fragile but courageous heart." [16] Lee acknowledged that the project is a risk, "because you're taking music that already worked, people already liked it and it's been there for a long time, and you're gonna go in and mess with it, change it, and show it to them in a different way that they might not like". [17] Synthesis is a "total passion project", she said. "There are so many layers in our music underneath the huge drums and guitars. I've always wanted to shine a light on some of the gorgeous David Campbell arrangements and programming elements in our songs, and that idea snowballed into completely re-doing them with full orchestra, not just strings, elaborate programming and experimentation". [18] [19] She deemed it a fun experience that became "something bigger because you're really starting from scratch on the songs", and found the musical journey to be therapeutic. [17] Lee said that she was excited about the new instrumental material on the album, as well as touring with an orchestra for the first time in Evanescence's career. [18]

Composition and recording

Lee collaborated with Campbell, who arranged the strings for their previous three albums. [15] [19] Lee said that collaborating with Campbell on a more intricate level than before was essential to Synthesis. [16] Will Hunt (Spaceway) and Lee produced the album, and Campbell arranged and conducted the orchestra. [18] [20] The orchestral sessions were recorded by Nashville Music Scoring Orchestra at Ocean Way Studios in Nashville, Tennessee. [21]

"Imperfection", one of the original songs written for the album, is an electronic-symphonic track that features trip hop beats and a "swaggering cadence" and belting from Lee. [22] [23] The song is preceded in the album by a piano solo that serves as a segue; this piano piece introduces the song in its music video. [16] Lee wrote the song from the perspective of a person who has lost someone to suicide and depression, and described it as a "plea to fight for your life". For Lee, the song was the most important on the album. [22]

"Hi-Lo", the other original song on Synthesis, is a track originally written in 2007 by Lee with Hunt in their first collaboration ever. [24] [19] Lee wrote it about moving on, "but in a very non-confrontational, non-angry way. It's just, 'Hey, everything that happened, I'm over it and I'm not mad at you'." [25] She said of its rebirth on Synthesis: "I've always had it at the top of my pile to release, but it never quite fit, it was never finished. The song is now finally home. I imagined it with strings and a full orchestra in that epic place". [24] [19] Hi-Lo contains "glacial industrial rhythms" and a violin solo from Lindsey Stirling. [23]

The Synthesis version of "Bring Me to Life" replaces the drums and guitars from the original version with a strings arrangement, and excludes the rap. [26] [27] Its instrumentation includes crashing cymbals, "tension-building" timpani drums, and electronic elements alongside "soaring" strings. [28] Several journalists described its new arrangement as "dramatic", "epic" and "cinematic". [26] [29] [28] Lee described the song as "new" to her again as she incorporated vocals and musical elements she had "heard in [her] head" since its release. [29]

For "The End of the Dream", Lee wanted to re-record it in a way "that exposed the completely post-traumatic healing of a survivor- taking the time to focus on the pain, and then look up and past it, gathering the strength to live on, better [and] stronger." [16] On the re-remake of "Your Star", Hunt used a vintage Roland SVC-350 vocoder for some beat processing, which "accidentally began picking up some distorted and very otherworldly sounding Mexican radio station's frequency at the end [of the song]". Lee said it added "a subtle level of authentic creepiness to the song", and mistakes like this are some of her favorite parts. [16] [30]

Release

On August 14, 2017, Evanescence announced that the album was in its final stages of recording. [31] The reworked version of "Bring Me to Life" was made available for digital download and streaming on August 18, 2017. [32] [33] "Imperfection" was released as the lead single on September 15, 2017. [34] [35] That day, the album's pre-order and release date of November 10, 2017, was announced, [34] [36] and the band uploaded YouTube video clips titled Inside Synthesis of their process in the studio. [37] The reworked version of "Lacrymosa" was made available to stream on October 27, 2017. [38]

Synthesis, their fourth studio album, [39] was released by BMG Rights Management. [40] [41] The deluxe edition of the album included a DVD documentary of the making of Synthesis, as well as instrumental and 5.1 surround mixes. [34] On June 8, 2018, Evanescence released a performance-based video of "Hi-Lo", featuring violinist Lindsey Stirling. [42]

Critical reception

Professional ratings
Aggregate scores
SourceRating
Metacritic 69/100 [43]
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [44]
Beat Magazine 9.5/10 [45]
Belfast Telegraph 7/10 [46]
Classic Rock Star full.svgStar full.svgStar full.svgStar half.svgStar empty.svg [47]
Kerrang! Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [48]
Loudwire Positive [27]
Metal Hammer Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [49]
The New Zealand Herald Star full.svgStar full.svgStar half.svgStar empty.svgStar empty.svg [50]
Renowned for Sound Positive [51]
Rolling Stone Star full.svgStar full.svgStar full.svgStar half.svg [23]

Synthesis received generally positive reviews. [52] At Metacritic, which applies a weighted average to reviews from mainstream critics, the album was given a score of 69 based on four reviews, indicating "generally favorable reviews". [43] Renowned for Sound 's Rachael Scarsbrook regarded it as Evanescence's "most ambitious project to date", writing, "there is a beating heart and spirit within this release that still hurts and evokes the most cathartic of responses". [51] Suzy Exposito of Rolling Stone said that the remake of "Bring Me to Life" is an "act of artistic justice" for Lee and highlighted the album's two new "ambitious" songs. [23] Kerri-Ann Roper of Belfast Telegraph felt Lee's vocal performance is "as powerful as ever" and Synthesis "is proof that old can be the, well, new new and still be just as satisfying." [46] Chad Bowar of Loudwire considered the album "dynamic and compelling", and praised Lee's vocals, the mix of various instruments and the production, describing it as "grandiose and bombastic in parts, quiet and subdued in others". [27]

Christa Titus of Billboard called Synthesis a "risk" and said the "elegant orchestrations" enhance "aspects of [Evanescence's] music that are often ignored". [53] Siena Yates of The New Zealand Herald complimented Lee's voice and the "cinematic" classical foundation of Synthesis but found the album "weird" and "largely unnecessary", believing that stripping down and reworking the hits removed the "nostalgia" and "hooks" that made Evanescence stand out in their early days. [50] Writing for Classic Rock , Stephen Dalton said that the "guitar-free remakes have a windswept grandeur and widescreen sonic palette lacking in the original recordings", and complimented the new songs, dubbing the album a "successful experiment". [47] Blabbermouth.net deemed it Evanescence's "most ambitious effort to date", writing that "Lee's incredible vocal range and the group's expressive, multi-layered music naturally lends itself to orchestral accompaniment", creating a "truly dynamic, cinematic sound" while the passion "undoubtedly shines through". [54] [55] Beat Magazine hailed it a "riveting" album that takes the listener on a "sensory journey", with vocals that convey "piercing emotion". [45] Variety 's Roy Trakin wrote that "Lee firmly re-establishes herself as one of rock's pre-eminent vocalists", while the songs become "full-throttle, wide-screen epics" and the album evolves Evanescence's sound. [56]

Catherine Morris of Metal Hammer considered Synthesis "an ambitious and unexpected move", stating that it impels Evanescence's music "into a new, alternate dimension", giving songs an "ethereal, cinematic makeover" and drawing the listener's attention to the "core melodies". [49] Jim Fusilli of The Wall Street Journal felt that "the shift in style isn't without its risks" and "for the most part, the new approach works well" while the electronic percussion "gives the music yet another new trait". [57] Reviewing for Kerrang! , Paul Travers expressed that the orchestral elements aren't a radical transformation as Evanescence's rock music "works with space and texture and [is] built around Lee's vocal and piano". Lee's vocals are "more confident" and the album "changes the format if not the feel" of songs, but the "electronic embellishments" felt distracting. [48] AllMusic's Stephen Thomas Erlewine called Synthesis a "successful fusion" that "amounts to a step forward" for Evanescence, regarding it a "natural fit" for Lee, whose "powerhouse vocals often wrestle the orchestra into submission", and the "layered, skittering electronic rhythms" help give it "a steel spine". [44] Alan Sculley of The Morning Call deemed it an "ambitious" project. [58] In Music Week , George Graner characterized the album as inspired and a "bold artistic statement". [40] Writing for Gig Wise , Catherine Verrechia said that introducing an orchestra feels like a "natural progression", and "surprisingly, the music still has many doses of heavy, atmospheric aspects". Evanescence "have progressed to another level musically" and Synthesis "is a prime example of showing growth". [59]

Commercial performance

Synthesis debuted at number eight on the US Billboard 200 in the week ending on November 16, 2017, with 34,000 equivalent album units sold, 30,000 of which were traditional album sales. [60] [61] The album peaked at number one on the Classical Albums chart, [62] the Independent Albums chart, [63] and the Alternative Albums charts. [64] It also debuted at the top of the Rock Albums chart. [65]

Tour

Evanescence performing at the 2017 Synthesis Live concert in Los Angeles, California Evanescence 10 15 2017 -5 (38553106846).jpg
Evanescence performing at the 2017 Synthesis Live concert in Los Angeles, California

In August 2017, Evanescence announced Synthesis Live, [39] a concert tour during which they were accompanied on stage by a different 28-piece orchestra in every city. [66] [67] Synthesis Live received critical acclaim, [68] [69] with several publications calling it an ambitious tour. [57] [58] [70]

The tour kicked off in North America in October 2017, with 29 stops across the US and Canada, ending in December. [71] [72] It then traveled to Australia for four concerts performed in February 2018, [73] followed by the European leg with 18 concerts in March and April 2018. [34] [74] The final leg of the tour was in North America with violinist Lindsey Stirling, for 31 concert dates from July to September 2018. [75]

Track listing

Standard edition [76]
No.TitleWriter(s)Original albumLength
1."Overture" Amy Lee  0:57
2."Never Go Back"Evanescence Evanescence 4:50
3."Hi-Lo" (featuring Lindsey Stirling)
  • Lee
  • Will B. Hunt
 5:07
4."My Heart Is Broken"EvanescenceEvanescence4:34
5."Lacrymosa"
 The Open Door 3:42
6."The End of the Dream"
  • Evanescence
  • B. Hunt
Evanescence4:54
7."Bring Me to Life"
 Fallen 4:18
8."Unraveling" (interlude)Lee 1:40
9."Imaginary"
  • Lee
  • Moody
Fallen4:03
10."Secret Door"
  • Evanescence
  • B. Hunt
Evanescence3:48
11."Lithium"LeeThe Open Door4:05
12."Lost in Paradise"EvanescenceEvanescence4:43
13."Your Star"
  • Lee
  • Balsamo
The Open Door4:38
14."My Immortal"
  • Lee
  • Moody
Fallen4:25
15."The In-Between" (piano solo)Lee 2:11
16."Imperfection"
  • Lee
  • B. Hunt
 4:22
Total length:62:17
International deluxe edition bonus DVD [77] [78]
No.TitleLength
1."From the Inside: The Creation of Synthesis" 
2."Synthesis" (instrumental album) 
3."Synthesis" (5.1 surround mix) 
4."Photo gallery" 

Personnel

Credits adapted from the liner notes of Synthesis. [20]

Evanescence

Additional musicians

Technical

  • Will Hunt (Spaceway) – production, engineering
  • Amy Lee – production
  • Damian Taylor – mixing
  • Reese Murphy – additional engineering
  • Robbie May – engineering assistance
  • Nick Spezia – orchestral engineering
  • Jasper LeMaster – orchestral engineering assistance
  • Gary Hedden – additional audio editing
  • Emily Lazar – mastering
  • Chris Allgood – mastering assistance
  • Ethan Mates – additional engineering on "Hi-Lo"

Artwork

Charts

Notes

  1. 1 2 Engineering
  2. ↑ Orchestral engineering

Related Research Articles

<span class="mw-page-title-main">Evanescence</span> American rock band

Evanescence is an American rock band founded in 1994 by singer and keyboardist Amy Lee and guitarist Ben Moody in Little Rock, Arkansas. After releasing independent EPs as a duo in the late '90s and a demo CD, Evanescence released their debut studio album, Fallen, on Wind-up Records in 2003. Propelled by the success of hit singles like "Bring Me to Life" and "My Immortal", Fallen sold more than four million copies in the US by January 2004, garnering Evanescence two Grammy Awards out of six nominations. The band released their first live album and concert DVD, Anywhere but Home, in 2004, which sold over one million copies worldwide.

<i>Fallen</i> (Evanescence album) 2003 studio album by Evanescence

Fallen is the debut studio album by American rock band Evanescence, released on March 4, 2003 by Wind-up Records. Co-founders singer and pianist Amy Lee and guitarist Ben Moody began writing and recording songs as Evanescence in 1994, and after releasing two EPs and a demo CD, they signed to Wind-up in January 2001. Several of the songs from their earlier independent releases feature on Fallen. The album was recorded between August and December 2002 in several studios in California. It is Evanescence's only studio album to feature Moody, who left the band in October 2003.

<span class="mw-page-title-main">Bring Me to Life</span> 2003 song by Evanescence

"Bring Me to Life" is the debut single by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up as the album's lead single on January 13, 2003, following its inclusion in the soundtrack of the film Daredevil. The song was written by Amy Lee when she was 19 about having been desensitized in an abusive relationship and realizing things she had been missing in life. Guitarist Ben Moody and David Hodges also share songwriting credits on the song, which features guest vocals from Paul McCoy of the band 12 Stones. Produced by Dave Fortman, "Bring Me to Life" is primarily a nu metal song. The male vocals, which are rapped, were forced by the label against Lee's wishes in order to market it in the musical landscape of the time.

<i>Anywhere but Home</i> 2004 live album by Evanescence

Anywhere but Home is the first live album and concert DVD release by American rock band Evanescence. It was released on November 23, 2004, by Wind-up Records. It includes a recording of a concert at Le Zénith in Paris, an hour of behind the scenes footage, three previously-unreleased songs, and all four of the Fallen music videos.

<span class="mw-page-title-main">My Immortal (song)</span> 2003 song by Evanescence

"My Immortal" is a song by American rock band Evanescence from their debut studio album, Fallen (2003). It was released by Wind-up Records on December 8, 2003 as the album's third single, following its inclusion on the soundtrack to the film Daredevil. The song was written by singer and pianist Amy Lee and guitarist Ben Moody when they were 15. Several versions were recorded, with the earliest in 1997. Wind-up used the recording from their 2000 demo CD on Fallen against Lee's wishes, which featured Lee's demo vocals and a MIDI keyboard. Strings from Daredevil composer Graeme Revell were added during the production of Fallen. The single, dubbed "band version", is the re-recording Lee and Moody made for Fallen, featuring guitar, drums and bass after the bridge and a string arrangement by David Campbell. An alternative version of the song appears on the band's fourth studio album Synthesis (2017).

<span class="mw-page-title-main">Everybody's Fool</span> 2004 song by Evanescence

"Everybody's Fool" is a song by American rock band Evanescence from their debut studio album, Fallen. Wind-up Records released the song on May 31, 2004, as the album's fourth and final single. It was written by Amy Lee in 1999 about the promotion of unrealistic and hyper-sexualized ideals of perfection in the industry, with detrimental influence on the youth's expectations and self-image. Guitarist Ben Moody and David Hodges also share songwriting credits on the song, which was produced by Dave Fortman.

<i>The Open Door</i> 2006 studio album by Evanescence

The Open Door is the second studio album by American rock band Evanescence, released on September 25, 2006, by Wind-up Records. Amy Lee had full creative control of the record, incorporating new elements into their previous musical styles, including her classical influences, homemade sounds, industrial rock, symphonic metal, progressive rock, electronica and the use of choirs on several songs. The album was written in the course of 18 months, and the recording process was delayed as a result of guitarist Terry Balsamo's stroke. Most of the songs were co-composed by Lee and Balsamo, with production handled by Dave Fortman.

<span class="mw-page-title-main">Evanescence discography</span>

American rock band Evanescence has released five studio albums, two live albums, one compilation album, two demo albums, three extended plays, eighteen singles, nine promotional singles, two video albums, and eighteen music videos. Evanescence was founded in 1994 by Amy Lee and Ben Moody in Little Rock, Arkansas. The band's lineup comprises Lee, guitarist Troy McLawhorn, guitarist Tim McCord, drummer Will Hunt, and bassist Emma Anzai. As of 2022, the band has sold over 31.9 million albums.

<span class="mw-page-title-main">Call Me When You're Sober</span> 2006 song by Evanescence

"Call Me When You're Sober" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released as the album's lead single on September 4, 2006. The track was written by Amy Lee and guitarist Terry Balsamo, and produced by Dave Fortman. A musical fusion of alternative metal, symphonic rock, and electropop, the song was inspired by the end of Lee's relationship with singer Shaun Morgan as well as Lee's other experiences at the time.

<span class="mw-page-title-main">Lithium (Evanescence song)</span> 2006 single by Evanescence

"Lithium" is a song by American rock band Evanescence from their second studio album, The Open Door. It was released by Wind-up Records on December 4, 2006 as the album's second single. "Lithium" was written by singer and pianist Amy Lee and produced by Dave Fortman. Lee initially wrote it on guitar when she was 16 years old, and later reworked it on piano, recording it with the band's performance. The song is a power ballad with lyrics about uncertainty between feelings of sorrow and happiness.

<span class="mw-page-title-main">Amy Lee</span> American musician (born 1981)

Amy Lynn Lee is an American singer-songwriter and musician. She is the co-founder, lead vocalist, lead songwriter and keyboardist of the rock band Evanescence. A classically trained pianist, Lee began writing music at age 11 and co-founded Evanescence at age 13, inspired by various musical genres and film scores from an early age. Lee has also participated in other musical projects, including Nightmare Revisited and Muppets: The Green Album, and composed music for several films, including War Story (2014), Indigo Grey: The Passage (2015), and the song "Speak to Me" for Voice from the Stone (2017). She has also released the covers EP Recover, Vol. 1 (2016), the soundtrack album to War Story, the children's album Dream Too Much (2016), and collaborated with other artists such as Korn, Seether, Bring Me the Horizon, Lindsey Stirling, Body Count, and Wagakki Band. Amy Lee has a mezzo-soprano voice type.

"Lacrymosa" is a song by American rock band Evanescence from their second studio album, The Open Door (2006). The song was composed by singer and pianist Amy Lee and guitarist Terry Balsamo, with production by Dave Fortman and choral arrangements by Lee. It incorporates the Lacrimosa sequence from Mozart's Requiem (1791), which was originally performed in the key of D minor and transposed into E minor for the song.

<i>Evanescence</i> (Evanescence album) 2011 studio album by Evanescence

Evanescence is the third studio album by American rock band Evanescence, released on October 7, 2011, by Wind-up Records. The band began writing the album in June 2009. Its release was delayed several times; on February 22, 2010, the band entered the studio with producer Steve Lillywhite but later stopped working with him because he "wasn't the right fit". At the time the album was scheduled for an August or September 2010 release, but Lee later announced that Evanescence had postponed recording to write more material. In April 2011, the band returned to the studio with producer Nick Raskulinecz. Evanescence is the first Evanescence album to be written as a band, with Lee, guitarist Terry Balsamo, guitarist Troy McLawhorn, bassist Tim McCord and drummer Will Hunt co-writing the music together.

<span class="mw-page-title-main">My Heart Is Broken</span> 2011 song by Evanescence

"My Heart Is Broken" is a song by American rock band Evanescence. It was released on October 31, 2011, as the second single for their eponymous third studio album (2011). An alternative version appears on the band's fourth studio album Synthesis (2017). The track was written by Amy Lee, Terry Balsamo, Tim McCord, Will Hunt and Zach Williams, while production was handled by Nick Raskulinecz. Musically, "My Heart Is Broken" is an uptempo rock ballad, whose instrumentation consists of piano, guitars and drums. Lee revealed that the song was written after seeing victims of sex trafficking. The recording received favorable reviews from music critics, who praised the combination between Lee's vocals and piano playing, as well as its fellow instrumentation; several of them chose it as a highlight on the album. On music charts, "My Heart Is Broken" reached number 36 on the Austrian Singles Chart, number 92 on the German Singles Chart and number 34 on the US Adult Top 40.

<span class="mw-page-title-main">Lost in Paradise (Evanescence song)</span> 2012 song by Evanescence

"Lost in Paradise" is a song by American rock band Evanescence from their third self-titled studio album, Evanescence (2011). An alternative version appears on the band's fourth studio album, Synthesis (2017). Although initially penned by frontwoman Amy Lee as a personal song and anticipated to become a B-side, it was later recorded for the album. Wind-up Records released the song as the third single from the album on May 25, 2012. It was produced by Nick Raskulinecz. A snippet of the song premiered online on July 15, 2011, prior to its album's release in October. Musically, "Lost in Paradise" is a rock ballad that begins with piano, strings, and Lee's vocals before the band kicks in during the climax. Lyrically, it is inspired by the struggles in Lee's life during Evanescence's hiatus. The song was compared to Björk's song "Jóga" (1997) and the band's own "My Immortal" (2003).

<i>Dystopia</i> (Megadeth album) 2016 studio album by Megadeth

Dystopia is the fifteenth studio album by American thrash metal band Megadeth. It was released on frontman and guitarist Dave Mustaine's Tradecraft label via Universal on January 22, 2016. It is the first Megadeth album to feature guitarist Kiko Loureiro, the only album with drummer Chris Adler, and their last with bassist David Ellefson. The album was produced by Mustaine and Chris Rakestraw and features cover artwork by Brent Elliot White.

<i>Lost Whispers</i> 2016 compilation album by Evanescence

Lost Whispers is a compilation album by American rock band Evanescence. It was released on December 9, 2016 on digital music platforms, and included in the six-LP vinyl box set The Ultimate Collection released on February 17, 2017, by The Bicycle Music Company. The album is a collection of B-sides, outtakes, bonus tracks, and two new recordings: "Lost Whispers", a 2009 tour intro, and a re-recording of "Even in Death", originally on their 2000 demo album, Origin.

<span class="mw-page-title-main">Synthesis Live</span> 2017–18 concert tour by Evanescence

Synthesis Live was a concert tour by American rock band Evanescence, in support of their fourth studio album, the orchestral and electronica-based Synthesis (2017). This was the first tour where the band performed with an orchestra on stage. For each city on the tour, a local orchestra was assembled by conductor Susie Seiter. Synthesis Live included 60 concerts in cities across North America in 2017 and 2018, four concerts in Oceania and 18 concerts in Europe in 2018. The tour received critical acclaim.

<span class="mw-page-title-main">Imperfection (song)</span> 2017 single by Evanescence

"Imperfection" is a song by American rock band Evanescence from their orchestral-electronica fourth studio album, Synthesis (2017). It was released as the lead single from the album on September 15, 2017. Amy Lee wrote the song about fighting for one's life, from the perspective of someone left behind after a loss. Produced by Will "Spaceway" Hunt and Lee, "Imperfection" fuses electronic and symphonic music with trip hop percussion. An accompanying music video was released on October 19, 2017.

<i>The Bitter Truth</i> 2021 studio album by Evanescence

The Bitter Truth is the fifth studio album by American rock band Evanescence. After pandemic delays, it was released on March 26, 2021, through BMG Rights Management. Produced by Nick Raskulinecz, it is the band's first album of all-new material since their 2011 self-titled third album. The Bitter Truth received a generally positive critical reception. It reached number 11 on the US Billboard 200, top five on the Billboard Independent, Alternative, Hard Rock, and Rock Albums charts, and the top 10 of multiple international album charts.

References

  1. ↑ Bowar, Chad (September 19, 2012). "Amy Lee Says Evanescence Will Take Extended Break After Current Tour". Loudwire . Archived from the original on October 24, 2012. Retrieved November 8, 2012.
  2. ↑ "Evanescence Announces Its First Concert in Three Years". Billboard. April 30, 2015. Archived from the original on April 20, 2022. Retrieved October 7, 2022.
  3. 1 2 Spanos, Brittany (October 30, 2015). "Amy Lee Talks Evanescence Reunion, New Music Plans". Rolling Stone . Archived from the original on October 12, 2022. Retrieved August 15, 2017.
  4. ↑ Rauf, Raziq (October 4, 2016). "How Evanescence Came Back From The Brink". Metal Hammer . No. 223. Archived from the original on February 25, 2021.
  5. ↑ [1] [2] [3] [4]
  6. ↑ Hartmann, Graham (March 20, 2014). "Evanescence's Amy Lee: 'For the First Time in 13 Years, I Am a Free and Independent Artist'". Loudwire . Archived from the original on September 1, 2022. Retrieved August 15, 2017.
  7. ↑ "Evanescence End Three-Year Hiatus With November Tour". Rolling Stone . July 20, 2015. Archived from the original on October 26, 2021. Retrieved November 16, 2022.
  8. ↑ "Evanescence inspired by reaction to new song Take Cover". Louder Sound . November 16, 2016. Archived from the original on October 22, 2022. Retrieved November 16, 2022.
  9. ↑ "Leave your questions below!". Amy Lee. February 29, 2016. Archived from the original on July 9, 2023. Retrieved November 16, 2022– via Facebook. We've also got an Evanescence vinyl boxset in the works with some unexpected surprises
  10. ↑ Bowar, Chad (October 11, 2016). "Evanescence to Release 'The Ultimate Collection' Vinyl Box Set in December". Loudwire. Archived from the original on November 23, 2022. Retrieved August 15, 2017.
  11. ↑ Hartmann, Graham (October 3, 2016). "Amy Lee: 'There Is Evanescence in the Future'". Loudwire. Retrieved August 15, 2017.
  12. 1 2 "Evanescence Working On New Music". Blabbermouth.net . February 14, 2017. Retrieved November 16, 2022.
  13. ↑ "Evanescence's Amy Lee hints at "unique" new project". Louder Sound . March 23, 2017. Retrieved December 12, 2022.
  14. ↑ "Amy Lee Interview: Evanescence Frontwoman on "Very Unique" Band Project and "Voice from the Stone" Film Music". Smashing Interviews. March 20, 2017. Retrieved February 14, 2023.
  15. 1 2 3 4 5 Stutz, Colin (May 10, 2017). "Evanescence to Blend Orchestration With Electronica on New Album 'Synthesis'". Billboard . Archived from the original on November 26, 2022. Retrieved August 15, 2017.
  16. 1 2 3 4 5 "Amy Lee Of Evanescence reflects on the band's career and influence ahead of their Australian tour". Don't Bore Us. December 19, 2017. Archived from the original on December 9, 2022. Retrieved December 10, 2020.
  17. 1 2 "Bring Me To Life: Evanescence Finds Immortal Synthesis With Symphony". Ravinia Festival. July 3, 2018. Retrieved December 13, 2022.
  18. 1 2 3 Kreps, Daniel (August 14, 2017). "Evanescence Announce Orchestral New LP 'Synthesis,' Fall Tour". Rolling Stone. Retrieved August 15, 2017.
  19. 1 2 3 4 "Amy Lee of Evanescence tells how 'Synthesis Live' came to be, playing with an orchestra, and more". Blabbermouth.net . December 6, 2017. Archived from the original on October 25, 2020. Retrieved December 10, 2022.
  20. 1 2 Synthesis (liner notes). Evanescence. BMG. 2017. 538337812.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  21. ↑ "Evanescence Records at Ocean Way Nashville". Ocean Way Nashville. June 1, 2017. Archived from the original on September 20, 2020. Retrieved November 12, 2019.
  22. 1 2 Reed, Ryan (September 15, 2017). "Hear Evanescence's Operatic New Song, 'Imperfection'". Rolling Stone. Archived from the original on May 16, 2022. Retrieved September 16, 2017.
  23. 1 2 3 4 Exposito, Suzy (November 14, 2017). "Review: Evanescence Flourishes With the Classical Makeover of 'Synthesis'". Rolling Stone . Archived from the original on December 1, 2022. Retrieved December 1, 2022.
  24. 1 2 Evanescence (November 20, 2017). "Each day this week we'll feature four songs off the new album, Synthesis, in a track-by-track by Amy Lee" . Retrieved December 4, 2022– via Facebook.
  25. ↑ "Exclusive: Amy Lee on the New Evanescence Album". Spin. March 5, 2010. Retrieved November 11, 2019.
  26. 1 2 Bell, Sadie (August 18, 2017). "Evanescence Share Orchestral 'Bring Me To Life' Reworking Off New Album 'Synthesis'". Billboard. Archived from the original on April 20, 2022. Retrieved August 19, 2017.
  27. 1 2 3 Bowar, Chad (November 10, 2017). "Evanescence Find Orchestral Bliss With 'Synthesis' – Album Review". Loudwire . Retrieved December 1, 2022.
  28. 1 2 Childers, Chad (August 18, 2017). "Evanescence Reveal Reimagined 'Synthesis' Version of 'Bring Me to Life'". Loudwire. Archived from the original on June 26, 2022. Retrieved August 19, 2017.
  29. 1 2 Spanos, Brittany (August 18, 2017). "Hear Evanescence's Orchestral Reworking of 'Bring Me to Life'". Rolling Stone. Archived from the original on May 28, 2022. Retrieved August 19, 2017.
  30. ↑ From the Inside (The Creation of Synthesis) (Documentary). 2017.
  31. ↑ Scott, Katie (August 14, 2017). "Evanescence announces 'Synthesis Live' tour, 2 Canadian dates". Global News . Retrieved August 15, 2017.
  32. ↑ "Bring Me to Life (Synthesis) – Single by Evanescence". iTunes Store. August 18, 2017. Retrieved September 7, 2017.
  33. ↑ Childers, Chad (August 14, 2017). "Evanescence Announce 'Synthesis Live' Tour for Fall 2017". Loudwire. Retrieved August 15, 2017.
  34. 1 2 3 4 "Evanescence return with new track Imperfection". Metal Hammer. September 15, 2017. Retrieved December 14, 2022.
  35. ↑ "Evanescence Drop New Video For Imperfection". Kerrang!. October 25, 2017. Retrieved December 14, 2022.
  36. ↑ Taylor, Sam (September 15, 2017). "Evanescence's new album 'Synthesis' will be released in November". Upset Magazine. Archived from the original on September 16, 2017. Retrieved September 16, 2017.
  37. ↑ Evanescence – Inside Synthesis: Episode 1 – Introduction. September 15, 2017 – via YouTube.
  38. ↑ "Evanescence share emotional version of "Lacrymosa"—listen". Alternative Press . October 27, 2017. Retrieved December 15, 2022.
  39. 1 2 "New Album Synthesis Out This Fall and Synthesis Live Tour!". Evanescence.com. August 14, 2017. Archived from the original on June 25, 2022. Retrieved January 28, 2018.
  40. 1 2 Graner, George (November 1, 2017). "Back to life: Amy Lee on Evanescence's first album in six years". Music Week . Retrieved December 15, 2022.
  41. ↑ "Evanescence Releases New Studio Album, Synthesis". Parade . November 16, 2017. Retrieved December 15, 2022.
  42. ↑ "Evanescence Unveil 'hi-lo' Video Featuring Lindsey Stirling". Loudwire. June 8, 2018. Retrieved December 15, 2022.
  43. 1 2 "Reviews for Synthesis by Evanescence". Metacritic . Retrieved November 30, 2017.
  44. 1 2 "Evanescence - Synthesis Album Review". AllMusic. Archived from the original on October 22, 2022. Retrieved December 1, 2022.
  45. 1 2 "On 'Synthesis', Evanescence will make you wonder how you can feel so much at once". Beat Magazine . November 15, 2017. Retrieved December 15, 2022.
  46. 1 2 Roper, Kerri-Ann (November 10, 2017). "Albums of the week: DIY SOS's Nick Knowles, Shed Seven, Evanescence and Tears For Fears". Belfast Telegraph . Retrieved December 1, 2022.
  47. 1 2 Dalton, Stephen (November 28, 2017). "Evanescence - Synthesis album review". Classic Rock . Archived from the original on January 22, 2022. Retrieved December 1, 2022.
  48. 1 2 Travers, Paul (November 11, 2017). "Amy Lee and Co. Give Their Back Catalogue an Orchestral Spruce Up". Kerrang! . No. 1696.
  49. 1 2 Morris, Catherine (November 6, 2017). "Evanescence - Synthesis album review". Metal Hammer . Archived from the original on May 26, 2022. Retrieved December 1, 2022.
  50. 1 2 Yates, Siena (November 22, 2017). "Album Review: Evanescence, Synthesis". The New Zealand Herald . Retrieved December 1, 2022.
  51. 1 2 Scarsbrook, Rachael (November 13, 2017). "Album Review: Evanescence – Synthesis". Renowned for Sound . Retrieved December 1, 2022.
  52. ↑ "Evanescence: Making Of 'The Chain' Video". Blabbermouth.net . January 23, 2020. Retrieved December 1, 2022.
  53. ↑ "Evanescence & Lindsey Stirling Embody Fire and Grace at NJ Show". Billboard . August 13, 2018. Archived from the original on March 4, 2022. Retrieved December 1, 2022.
  54. ↑ "Evanescence Announces Spring U.S. Tour Dates; Blabbermouth.net Presale Available". Blabbermouth.net . February 4, 2019. Archived from the original on September 21, 2020. Retrieved December 2, 2022.
  55. ↑ "Evanescence: 'My Immortal' Performance Clip from 'Synthesis Live' DVD". Blabbermouth.net . September 19, 2018. Archived from the original on March 2, 2021. Retrieved December 1, 2022.
  56. ↑ Trakin, Roy (October 17, 2017). "Concert Review: Evanescence Amp Up the Drama With 28-Piece Orchestra at L.A.'s Greek Theatre". Variety . Archived from the original on December 9, 2021. Retrieved December 1, 2022.
  57. 1 2 Fusilli, Jim (November 7, 2017). "Alt-Metal Goes Orchestral". The Wall Street Journal . Archived from the original on June 20, 2021. Retrieved December 1, 2022.
  58. 1 2 Sculley, Alan (November 2, 2017). "Why Evanescence is playing with an orchestra on its tour". The Morning Call . Archived from the original on December 2, 2022. Retrieved December 1, 2022.
  59. ↑ Verrechia, Catherine (April 2, 2018). "Live Review: Evanescence at Royal Festival Hall, London, 30/03/18". Gig Wise . Archived from the original on July 26, 2021. Retrieved December 1, 2022.
  60. ↑ "Evanescence's 'Synthesis' Cracks Billboard Top 10". Blabbermouth.net. November 21, 2017. Retrieved December 4, 2022.
  61. ↑ "On the Charts: Taylor Swift's 'Reputation' Is 2017's Top Album With Platinum Week". Rolling Stone. November 21, 2017. Retrieved December 4, 2022.
  62. 1 2 "Evanescence Chart History (Top Classical Albums)". Billboard. Retrieved November 21, 2017.
  63. 1 2 "Evanescence Chart History (Independent Albums)". Billboard. Retrieved November 21, 2017.
  64. 1 2 "Evanescence Chart History (Top Alternative Albums)". Billboard. Retrieved November 21, 2017.
  65. ↑ "Evanescence's 'Synthesis' Debuts at No. 8, Plus News on Riot Fest 2018, Gary Clark Jr. + More". Loudwire. November 21, 2017. Retrieved December 4, 2022.
  66. ↑ "Evanescence's Amy Lee talks hmv.com through the making of new album Synthesis". HMV. November 10, 2017. Archived from the original on November 4, 2022. Retrieved December 16, 2022.
  67. ↑ "Evanescence Amy Lee Talks Orchestral Shows: 'I Think This Is Just A Really Cool Moment In Time'". Forbes. November 13, 2017. Archived from the original on July 11, 2021.
  68. ↑ "Evanescence's Amy Lee to Join Wagakki Band Orchestra Show at Japan's Osaka-Jo Hall". Billboard. January 30, 2020. Retrieved December 1, 2022.
  69. ↑ "Evanescence: 'Hi-Lo' Performance Clip from 'Synthesis Live' DVD". Blabbermouth.net . October 4, 2018. Archived from the original on December 15, 2022. Retrieved December 15, 2022.
  70. ↑ "Evanescence Amy Lee Talks Orchestral Shows: 'I Think This Is Just A Really Cool Moment In Time'". Forbes. November 13, 2017. Retrieved December 16, 2022.
  71. ↑ "Shows Archive". Evanescence. Archived from the original on October 15, 2017. Retrieved December 21, 2022.
  72. ↑ "Evanescence Announce 'Synthesis Live' Tour for Fall 2017". Loudwire. August 14, 2017. Retrieved December 16, 2022.
  73. ↑ "Evanescence Announce Australian Tour: Synthesis Live". Heavy Magazine. October 4, 2017. Archived from the original on December 4, 2020. Retrieved December 16, 2022.
  74. ↑ "Shows Archive". Evanescence.com. Archived from the original on November 10, 2017. Retrieved November 10, 2017.
  75. ↑ "Evanescence Heading Out on Tour with Lindsey Stirling". Evanescence.com. March 6, 2018. Retrieved June 1, 2019.
  76. ↑ "Synthesis by Evanescence". iTunes Store . Retrieved October 10, 2017.
  77. ↑ "Synthesis (Limited Deluxe Box)". Amazon Germany (in German). Germany. Retrieved November 10, 2017.
  78. ↑ Synthesis (デラックスエディション) [初回限定盤] [Synthesis (Deluxe Edition) [First Press Limited Edition]] (in Japanese). Universal Music Japan . Retrieved November 10, 2017.
  79. ↑ "Australiancharts.com – Evanescence – Synthesis". Hung Medien. Retrieved November 18, 2017.
  80. ↑ "Austriancharts.at – Evanescence – Synthesis" (in German). Hung Medien. Retrieved November 23, 2017.
  81. ↑ "Ultratop.be – Evanescence – Synthesis" (in Dutch). Hung Medien. Retrieved November 18, 2017.
  82. ↑ "Ultratop.be – Evanescence – Synthesis" (in French). Hung Medien. Retrieved November 18, 2017.
  83. ↑ "Evanescence Chart History (Canadian Albums)". Billboard. Retrieved November 20, 2017.
  84. ↑ "Czech Albums – Top 100". ČNS IFPI. Note: On the chart page, select 48.Týden 2017 on the field besides the words "CZ – ALBUMS – TOP 100" to retrieve the correct chart. Retrieved March 19, 2019.
  85. ↑ "Dutchcharts.nl – Evanescence – Synthesis" (in Dutch). Hung Medien. Retrieved November 18, 2017.
  86. ↑ "Le Top de la semaine : Top Albums – SNEP (Week 46, 2017)". Syndicat National de l'Édition Phonographique . Retrieved November 21, 2017.
  87. ↑ "Offiziellecharts.de – Evanescence – Synthesis" (in German). GfK Entertainment Charts. Retrieved November 17, 2017.
  88. ↑ "Official IFPI Charts – Top-75 Albums Sales Chart (Week: 46/2017)". IFPI Greece. Archived from the original on November 27, 2017. Retrieved November 27, 2017.
  89. ↑ "Irish-charts.com – Discography Evanescence". Hung Medien. Retrieved September 3, 2018.
  90. ↑ "Italiancharts.com – Evanescence – Synthesis". Hung Medien. Retrieved September 3, 2018.
  91. ↑ "Billboard Japan Hot Albums: 2017/11/20 付け". Billboard Japan (in Japanese). Retrieved March 22, 2019.
  92. ↑ 20, 2017/ "Oricon Top 50 Albums: November 20, 2017" (in Japanese). Oricon. Retrieved November 17, 2017.
  93. ↑ "Charts.nz – Evanescence – Synthesis". Hung Medien. Retrieved September 3, 2018.
  94. ↑ "Oficjalna lista sprzedaży :: OLiS - Official Retail Sales Chart". OLiS. Polish Society of the Phonographic Industry. Retrieved November 23, 2017.
  95. ↑ "Portuguesecharts.com – Evanescence – Synthesis". Hung Medien. Retrieved November 22, 2017.
  96. ↑ "Official Scottish Albums Chart Top 100". Official Charts Company. Retrieved November 18, 2017.
  97. ↑ "Spanishcharts.com – Evanescence – Synthesis". Hung Medien. Retrieved September 3, 2018.
  98. ↑ "Veckolista Hårdrock, vecka 46, 2017" (in Swedish). Sverigetopplistan . Retrieved April 19, 2021.
  99. ↑ "Swisscharts.com – Evanescence – Synthesis". Hung Medien. Retrieved November 22, 2017.
  100. ↑ "Official Albums Chart Top 100". Official Charts Company. Retrieved November 18, 2017.
  101. ↑ "Evanescence Chart History (Billboard 200)". Billboard. Retrieved November 21, 2017.
  102. ↑ "Evanescence Chart History (Top Classical Crossover Albums)". Billboard. Retrieved December 17, 2017.
  103. ↑ "Evanescence Chart History (Top Rock Albums)". Billboard. Retrieved November 21, 2017.
  104. ↑ "Evanescence Chart History (Top Tastemaker Albums)". Billboard. Retrieved November 21, 2017.
  105. ↑ "Top Independent Albums – Year-End 2018". Billboard. Retrieved May 18, 2019.
  106. ↑ "Alternative Albums – Year-End 2018". Billboard. Retrieved May 18, 2019.
  107. ↑ "Classical Albums – Year-End 2018". Billboard. Retrieved May 18, 2019.
  108. ↑ "Rock Albums – Year-End 2018". Billboard. Retrieved May 18, 2019.
  109. ↑ "Classical Albums – Year-End 2019". Billboard. Retrieved December 5, 2019.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.