"Cruel Summer" | ||||
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Single by Bananarama | ||||
from the album Bananarama | ||||
B-side | "Cairo" | |||
Released | 27 June 1983 | |||
Genre | ||||
Length |
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Label | London | |||
Songwriter(s) |
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Producer(s) | Jolley & Swain | |||
Bananarama singles chronology | ||||
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Music video | ||||
"Cruel Summer" on YouTube | ||||
Music video | ||||
"Cruel Summer '89" on YouTube |
"Cruel Summer" is a song by English girl group Bananarama. It was written by Bananarama and Steve Jolley,Tony Swain,and produced by Jolley and Swain. Released in 1983,it was initially a stand-alone single but was subsequently included on their self-titled second album a year later. The song reached number eight on the UK Singles Chart in 1983 and the group appeared on the BBC's Top of the Pops that summer (July 1983),and after its inclusion in the 1984 film The Karate Kid ,it reached number nine on the US Billboard Hot 100.
Bananarama singer Sara Dallin said the song "played on the darker side (of summer songs):it looked at the oppressive heat,the misery of wanting to be with someone as the summer ticked by. We've all been there!" [4] It was ranked number 44 on VH1's 100 Greatest Songs of the '80s. [5] Billboard named the song number 13 on their list of the "100 Greatest Girl Group Songs of All Time". [6]
"Cruel Summer" was an immediate success when it was released in the UK,reaching number eight on the UK Singles Chart,and the group performed the song live on the BBC's Top of the Pops in July 1983. [7] Its international popularity soared after its inclusion in the 1984 feature film The Karate Kid ;this was a year after the song's original release (the song was released in 1984 in the US). The group did not allow the song to be included on the film's soundtrack album,but it still reached number nine in the US,their first top-10 hit there. When Bananarama were still struggling to make money in their early years,they even performed the song at a beauty contest in Hawaii. The song's biggest chart success was in South Africa,where it peaked at number three.
The song has since been revived in various forms. It has appeared in several television commercials,and was covered by other acts,such as Ace of Base,who had an international hit with it (their version reached gold in the US). Blestenation sampled and remixed the song to make their own,also named "Cruel Summer" but with interspersed rap lyrics and altered structure;there are two edits of this song,one of which appeared on the 2002 Blue Crush soundtrack.
Since the original release of the song,Bananarama recorded another three versions. "Cruel Summer '89" was released in 1989,and given a new jack swing makeover,featuring Dallin and Woodward's vocals as a duo for the first time. It reached number 19 on the UK Singles Chart in June. This version was not included on any Bananarama album until 2005's Really Saying Something:The Platinum Collection . Another version of the song was recorded and featured on their 2001 album Exotica . This version featured Latin instrumentation and additional lyrics,but it was not released as a single. They released another updated version in 2009,as a B-side of their single "Love Comes". In 2023,Bananarama released a new version to celebrate the song's 40th anniversary called "Cruel Summer 3AM".
The music video was directed by Brian Simmons,and shot primarily in the Dumbo section of New York City's Brooklyn borough in mid-1983. [8] It opens with a shot of Manhattan in the background,including the decade-old World Trade Center.
"[It] was just an excuse to get us to the fabled city of New York for the first time," Siobhan Fahey has said. She recalled the shoot,conducted during a heatwave,as a difficult experience. "It was August,over one hundred degrees (38 °C). Our HQ was a tavern under the Brooklyn Bridge,which had a ladies' room with a chipped mirror where we had to do our makeup." [9]
After an exhausting morning shooting in the city in brutal August heat,the band returned to the tavern for lunch. They made the acquaintance of some local dockworkers,who,upon learning of their situation,shared vials of cocaine with them. "That was our lunch," said Fahey,who had never tried the drug before. "When you watch that video,we look really tired and miserable in the scenes we shot before lunch,and then the after-lunch shots are all euphoric and manic." [9]
The music video for the 1989 remix was a compilation of different shots from Bananarama's earlier videoclips. Notably missing are clips from the original 1983 video. Fahey is only featured in a pair of frames. Bananarama were unable to record a proper video for the song,because they were in the middle of a world tour at the time of its release.
In the video,Bananarama members are depicted as working at a Texaco gas station and are picked up by a man driving a Mack truck.
Weekly chartsOriginal version
"Cruel Summer '89"
| Year-end chartsOriginal version
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Region | Certification | Certified units/sales |
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United Kingdom (BPI) [30] "Cruel Summer '89" | Silver | 200,000‡ |
‡ Sales+streaming figures based on certification alone. |
"Cruel Summer" | ||||
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Single by Ace of Base | ||||
from the album Flowers and Cruel Summer | ||||
B-side | "Into the Night of Blue" | |||
Released | 16 June 1998 | |||
Recorded | 1997 | |||
Genre | Dance-pop | |||
Length |
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Label | Mega | |||
Songwriter(s) |
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Producer(s) |
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Ace of Base singles chronology | ||||
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Music video | ||||
"Cruel Summer" on YouTube "Cruel Summer (U.S. Version)" on YouTube "Cruel Summer (feat. Alliage)" on YouTube |
In 1998, Swedish pop group Ace of Base recorded the song at the request of their German and American record labels PolyGram and Arista Records. It was released as the second single from their third album, Flowers (1998), and as the lead single from the American version of the album titled Cruel Summer . A different "dancier" version of the song (known as the Big Bonus mix on the album), produced by Stephen Hague, Jonas "Joker" Berggren, Ulf "Buddha" Ekberg, and Johnny Jam & Delgado, was released on mainland Europe. The original album version, produced by Cutfather & Joe, was released in North America and UK.
"Cruel Summer" reached number 10 on the US Billboard Hot 100 and was certified gold. In the United Kingdom, the song reached number eight on the UK Singles Chart, matching the peak of the original Bananarama version. It also became Ace of Base's 4th and final Top 10 single in the US.
Quentin Harrison of Albumism described the song as an "engaging cover" in his retrospective review of Flowers , and added that "one variant is closer to the originating take, albeit with a spike of hip-hop flavor for a bit of modish spunk", while "the second rendition is a surprisingly danceable, Spanish flecked trip." [31] AllMusic editor Stephen Thomas Erlewine said it is "the melodic high point" of the Cruel Summer album. [32] Larry Flick from Billboard wrote that "the act that gave the such ABBA-esque ditties as "All That She Wants" and "The Sign" turns its attention toward Bananarama, faithfully covering one of that group's bigger '80s-era hits. Producers Cutfather & Joe bring a few new rhythm ideas to the table dropping the tempo to a jeep-inspired funk beat and injecting an ear-tickling keyboard twist or two. However, the vocals hold few surprises, which is exactly what fans of both Ace Of Base and the original recording will want. In all, a potential smash that could keep this Swedish quartet on the front burner of top 40 radio for much of the summer." [33] Kelly Pickerel from Daily Kent Stater said she liked this remake better than Bananarama's original, noting that "it’s also one of those songs you can never get out of your head as soon as you hear it". [34]
Chuck Campbell from The Daily News noted it as a "slick-but-faithful remake". [35] A reviewer from Entertainment Weekly commented that "it's clear what Ace of Base Svengali Jonas Berggren is aiming for — the iridescent sonic symmetry of Swedish forebears ABBA. A pretty lofty ambition. But he and his seraphic singing sisters, Linn and Jenny, actually attain ABBA's perfect pop-Euro-disco balance on this third outing. There isn't a note out of concordant place, no potential hook overlooked. Excepting the pointless title track, Berggren has done his homework. Just don't hate him because they sound so pretty." [36] Evening Herald said it is a gem, adding "more of the same can often be a good thing". [37] Swedish newspaper Expressen stated that the song "shows why Ace of Base once ruled the pop world". [38] Gary Shipes from The Stuart News wrote in his review, that "the bubble-gum juvenilia of the original is replaced with updated hardware and a contemporary dance arrangement that launches the arc the rest of the CD will follow. At once melancoholic and jovial, the band's driving rhythmic force leaves no option but to fill dance floors on a dime." [39]
"Cruel Summer" was successful on the charts in Europe, Canada and the US. In Europe, it made it to the top 10 in Hungary, on MTV's European Top 20 and in the United Kingdom. In the latter, the single peaked at number eight in its first week at the UK Singles Chart, on 4 October 1998. [40] Additionally, it climbed into the top 20 in Scotland, as well as on the Eurochart Hot 100, where "Cruel Summer" reached its highest position as number 16. It was a top 30 hit in Austria, Belgium, Germany, Iceland and Switzerland. Outside Europe, it peaked at number two on the RPM Dance/Urban chart and number six on the RPM Top Singles chart in Canada, number 10 on both the Billboard Hot 100 and the Billboard Hot Dance Club Play chart in the United States. It earned a gold record in the US, with a sale of 500,000 singles.
A music video was filmed and directed by English director Nigel Dick. It was shot in Rome, Italy between 27 and 29 June 1998. There are three versions of the video:
The original video and the video using the Big Bonus Mix contain identical and similar footage, whereas the Frenglish version contains completely new footage. The Big Bonus Mix video was uploaded to YouTube in January 2015. As of August 2022, it had more than 17 million views on Youtube . [41]
Weekly charts | Year-end charts
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Region | Certification | Certified units/sales |
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United States (RIAA) [70] | Gold | 500,000 [71] |
Region | Date | Format(s) | Label(s) | Ref. |
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United States | 16 June 1998 | Arista | [72] | |
Europe | 10 August 1998 | CD | [51] | |
Canada | 11 August 1998 | Arista | [73] | |
United Kingdom | 28 September 1998 |
| London | [74] |
"Cruel Summer" | ||||
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Single by Ace of Base and Alliage | ||||
from the album Musics | ||||
Released | 30 June 1998 | |||
Studio | Rock-stone (London) | |||
Genre |
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Length | 3:24 | |||
Label |
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Songwriter(s) |
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Producer(s) | Steve Mac | |||
Alliage singles chronology | ||||
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Ace of Base singles chronology | ||||
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Music video | ||||
"Cruel Summer" (Ace of Base / Alliage version) on YouTube |
Ace of Base united with the French boy band Alliage and re-recorded as a duet in a release designed specifically for the French markets. It is bilingual in English and French with added lyrics to the original. The joint version peaked at number 24 on SNEP,the official French Singles Chart.
Chart | Peak position |
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France (SNEP) [75] | 24 |
"Cruel Summer" | |
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Single by Rico Bernasconi vs Ace of Base | |
Released | 2009 |
Genre | House,progressive house,electronic dance |
Songwriter(s) |
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Music video | |
"Cruel Summer" (Rico Bernasconi vs Ace of Base version) on YouTube |
Rico Bernasconi released a remix EP with 8 remix versions of Ace of Base version of "Cruel Summer" which peaked at #69 in Germany. [76]
Bananarama are an English pop group formed in London in 1980. The group,originally a trio,consisted of friends Sara Dallin,Siobhan Fahey,and Keren Woodward. Fahey left the group in 1988 and was replaced by Jacquie O'Sullivan until 1991,when the trio became a duo. Their success on both pop and dance charts saw them listed in the Guinness World Records for achieving the world's highest number of chart entries by an all-female group. Between 1982 and 2009,they had 32 singles reach the Top 50 of the UK Singles Chart.
"Venus" is a song by Dutch rock band Shocking Blue,released as a single in the Netherlands in the summer of 1969. Written by Robbie van Leeuwen,the song topped the charts in nine countries.
Cruel Summer is a 1998 studio album by the Swedish pop group Ace of Base,released as the band's third album in North America on 14 July 1998 and in Japan on 25 August 1998,by Arista Records. Flowers was the group's third album worldwide,but Arista decided to release a different version in North America,Japan,and Latin America,retitled Cruel Summer. This version of the album featured the new track "Everytime It Rains" and several new versions of songs that were first featured on Flowers. As executive producer,Clive Davis enlisted collaborators including production team Cutfather &Joe and songwriter Billy Steinberg. While primarily a pop album,Cruel Summer explores Eurodisco,Motown,and dance.
"Travel to Romantis" is the third single from Flowers,an album by Swedish pop band Ace of Base. The song was released on 16 November 1998 in Germany and Scandinavia and followed the singles "Life Is a Flower" and "Cruel Summer".
"Whenever You're Near Me" is the second single from Swedish group Ace of Base's third American record,Cruel Summer. The original version of the song,"Life Is a Flower",was a huge hit in Europe and Japan. The lyrics were rewritten by song composer Mike Chapman,and the song was released to radio stations in North and South America on October 6,1998. This version peaked at number 76 in the United States and number 51 in Canada;it was the band's last charting hit in both countries.
The Greatest Hits Collection is a compilation album released by Bananarama which features their single releases and greatest hits. It was issued by London Records in 1988,eight months after the departure of group member Siobhan Fahey. The track listing differed between versions released in the United States and Canada,as well as those released throughout Europe and other territories.
"Beautiful Life" is a song by Swedish band Ace of Base,released on 20 October 1995 from their second album,The Bridge (1995). In North America,it was the first single released from the album;in Europe,it followed "Lucky Love" as the second single. Co-written by band member Jonas Berggren and produced by him with Denniz Pop and Max Martin,the single reached number 15 on both the US Billboard Hot 100 and the UK Singles Chart in December 1995. It reached number one on the Canadian RPM Dance/Urban chart and Billboard's Hot Dance Club Play chart. In 2017,BuzzFeed ranked "Beautiful Life" number 51 in their list of The 101 Greatest Dance Songs Of the '90s.
"More,More,More" is a song written by Gregg Diamond and recorded by American artist Andrea True. It was released in February 1976 as the first single from her debut album by same name (1976),becoming her signature track and one of the most popular songs of the disco era. In the US,it reached number four on the Billboard Hot 100 and spent three weeks at number three on the Cash Box Top 100 in July of that year. In Canada it was a number one hit,and reached number five in the UK.
"Superstar" is a song written by Mich Hansen,Joe Belmaati,and Remee and performed by Danish pop singer Christine Milton. It was released in January 2003 as the lead single from Milton's debut studio album,Friday (2004),and spent seven weeks at number one on the Danish Singles Chart. The song was later covered to international success by British singer Jamelia.
"I Heard a Rumour" is a song by English girl group Bananarama from their fourth studio album,Wow! (1987),and was released on 22 June 1987 as the album's lead single. It became a hit in UK where it reached the top 20,but was more successful in North America,where it peaked within the top five.
"Nathan Jones" is a song by American girl group the Supremes from their twenty-third studio album,Touch (1971). It was released on April 15,1971,as the album's lead single. Produced by Frank Wilson and written by Kathy Wakefield and Leonard Caston,"Nathan Jones" was one of eight top-40 entries the Supremes recorded after its original frontwoman,Diana Ross,left the group for a solo career.
"Rollercoaster" is a song recorded by Irish pop girl group B*Witched for their debut album,B*Witched (1998). It was written by B*Witched along with Ray "Madman" Hedges,Martin Brannigan,and Tracy Ackerman. Production helmed by Hedges while addition production was provided by Cutfather &Joe.
"Freak Me" is a song by American R&B group Silk. It was released in February 1993 as the second single from their debut album,Lose Control. It was co-written and co-produced by Keith Sweat,for whom Silk was a touring opening act. Tim Cameron,Jimmy Gates and Gary "Lil G" Jenkins sing lead on the song. The song was the group's highest-charting hit,reaching number-one on both the Billboard Hot 100 for two weeks,and the U.S. Hot R&B Singles chart for eight weeks. On the Hot 100,this song also spent ten weeks at number two. It was certified platinum by the Recording Industry Association of America (RIAA) and sold over 1.3 million copies domestically.
"Missing" is a song by English musical duo Everything but the Girl,taken from their eighth studio album,Amplified Heart (1994). It was written by the two band members,Tracey Thorn and Ben Watt,and was produced by Watt and John Coxon. It was taken as the second single off the album on 8 August 1994 by Blanco y Negro Records in the United Kingdom and by Atlantic Records in the United States. It initially did not achieve much success until it was remixed by Todd Terry and re-released in 1995,resulting in worldwide success,peaking at or near the top of the charts in many countries. The release of the remixed version of "Missing" gave an indication of the band's future experimentation with more electronic dance music on subsequent albums. Its music video was directed by Mark Szaszy.
"He Was Really Sayin' Somethin'" is a soul song written by Motown songwriters Norman Whitfield,William "Mickey" Stevenson,and Edward Holland,Jr. in 1964. The song is notable in both a 1964 version by American Motown girl group the Velvelettes,and a 1982 hit version by British girl group Bananarama.
"Don't Turn Around" is a popular song written by Albert Hammond and Diane Warren. It was originally recorded by American singer Tina Turner and released as the B-side to her 1986 hit single "Typical Male". It has since been included on Turner's compilation album The Collected Recordings:Sixties to Nineties (1994),as well as featuring in the Tina musical since 2018.
"The Right Time" is a song by Celtic folk rock band The Corrs,the third single from their debut album,Forgiven,Not Forgotten (1995). It was released in 1996 and the track was remixed for airplay. The remix replaced a light and breezy rhythm with a hard,pounding beat coupled with reggae-style bass. The remix was produced by Per Adebratt,Tommy Ekman,and Douglas Carr,who had previously worked with Ace of Base. The song was featured in The Corr's live set for several years.
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Greatest Hits is a greatest hits album by Swedish group Ace of Base. It is their second compilation with this title,the first being Arista's 2000 US release Greatest Hits (2000). It was released by Mega Records and Playground Music on 14 November 2008. The compilation was released in multiple formats,including a single disc edition and a 2-CD+DVD compilation which includes 16 of their hits,13 previously released remixes,and 17 music videos. The set also includes four newly recorded remakes of hit songs. Beside previously unreleased songs included on the 2015 compilation album Hidden Gems,this is the last Ace of Base album to date with new material to feature vocalist Jenny Berggren.
...this is essentially the British synth-pop answer song to Lovin' Spoonful's "Summer in the City"
Bananarama's signature '80s hit pulls it off by marrying a pitch-perfect vocal of resentful teenage ennui with a fantastically funky electro-pop bounce...
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