Billy Bremner | |
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Background information | |
Birth name | William Murray Bremner |
Born | Aberdeen, Aberdeenshire, Scotland | 4 August 1946
Genres | Rock, rock and roll, rockabilly, country music |
Occupation(s) | Musician, songwriter |
Instrument(s) | Guitar, vocals |
Years active | 1964–present |
William Murray Bremner (born 4 August 1946, in Aberdeen, Aberdeenshire, Scotland) is a Scottish guitarist, best known for his work in the band Rockpile and on many of Nick Lowe and Dave Edmunds' albums. He has also played with The Pretenders, Shakin' Stevens, Carlene Carter and The Coal Porters, as well as issuing four solo albums. [1]
Bremner first became known playing with The Luvvers, who served as Lulu's backing band. [2] However, by the time Bremner joined the group in 1966, they were on the wane; Bremner did not play on any of Lulu's recorded material, and joined just after the group recorded their only single without Lulu ("The House on the Hill"/"Most Unlovely") for Parlophone in 1966. The Luvvers disbanded in 1967.
In 1971, Bremner added some guitar work to March Hare, the first solo album from ex-Honeybus member Colin Hare. He then became a member of the Neil Innes band Fatso, which went on to record the soundtrack for the original Rutland Weekend Television series. [2]
As "Bill Murray" he released two singles produced by Kris Ife: "Downtown Hoedown" / "Rhyme And Reason" (Polydor 2058 881, 1977) and "Heart and the Stone" / "I Don't Wanna Be No Hero" (State Records STAT 72, 1978).
Next, he joined Rockpile, who only released one album under their own name, but also served as the band for most of Nick Lowe's and Dave Edmunds' albums in the 1970s. [2] In addition to his guitar playing, Bremner occasionally sang lead, as he did on "Heart" and "You Ain't Nothing But Fine" on the 1980 Rockpile album Seconds of Pleasure . He also wrote Edmunds' hit "Trouble Boys" (which Edmunds would let him sing live), but used an alias, Billy Murray, on the writing credits, so as not to be confused with the more famous Scottish footballer, of the same name. "Trouble Boys" was covered by Thin Lizzy on a single in 1981. Another song by him, "The Creature from the Black Lagoon", appeared on Edmunds' third solo album, Repeat When Necessary . [3]
After Rockpile split in 1981, Bremner released two solo singles on Stiff Records "Loud Music In Cars" / "The Price is Right" (BUY 125) [2] and "Laughter Turns to Tears" / "Tired and Emotional" (BUY 143). [4] Bremner then played lead guitar on The Pretenders' 1982 hit single "Back On The Chain Gang" [2] / "My City Was Gone" and later provided lead guitar for their 1990 album Packed! .
Bremner released his first solo album, Bash!, in 1984, [1] containing songs co-written with The Records' Will Birch, and covers of songs by Elvis Costello, and Chris Difford and Glenn Tilbrook of Squeeze. [5] Bash! featured a rhythm section of Dave Kerr-Clemenson from Fast Buck on bass and Terry Williams from Rockpile on drums. Bremner played all the guitar parts and sang the harmonies with Kerr-Clemenson.
After stints in Los Angeles, California, (where he played in the bands of Pat McLaughlin and Rosie Flores) and Nashville, Tennessee Bremner moved to Sweden in the 1990s where he met The Refreshments, [1] producing and playing on their album It's Gotta Be Both Rock 'n' Roll. A second solo album, A Good Week's Work, followed in 1999 and a third No Ifs, Buts, Maybes in 2006, both recorded in Sweden. His most recent solo album, Rock Files, was issued in 2012.
Bremner was also a member of Stockholm-based band Trouble Boys with Sean Tyla and two Swedish musicians, [6] who released an album called Bad Trouble in September 2012
Stiff Records is a British independent record label formed in London, England, by Dave Robinson and Jake Riviera. Originally active from 1976 to 1986, the label was reactivated in 2007.
Nicholas Drain Lowe is an English singer-songwriter, musician and producer. A noted figure in pub rock, power pop and new wave, Lowe has recorded a string of well-reviewed solo albums. Along with being a vocalist, Lowe plays guitar, bass guitar, piano and harmonica.
David William Edmunds is a Welsh singer-songwriter, guitarist and record producer. Although he is mainly associated with pub rock and new wave, having many hits in the 1970s and early 1980s, his natural leaning has always been towards 1950s-style rock and roll and rockabilly.
Labour of Lust is an album by British singer-songwriter Nick Lowe. Produced by Lowe, it was released in 1979 by Radar Records in the UK and Columbia Records in the US. It was recorded and released at the same time as Dave Edmunds' Repeat When Necessary and features the same Rockpile personnel. It led off with "Cruel to Be Kind," Lowe's only major US hit.
Repeat When Necessary is the fifth album by Welsh rock musician Dave Edmunds. Produced by Edmunds, it was released in 1979 by Swan Song Records. It was recorded and released at the same time as Nick Lowe's Labour of Lust, and features the same lineup of musicians: Edmunds, Lowe, Billy Bremner and Terry Williams.
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Terrence Williams is a Welsh rock drummer. During the 1970s and early 1980s Williams was drummer with Dave Edmunds / Rockpile and Man. Rockpile split in 1981 and Williams joined Dire Straits from 1982 until 1988.
Rockpile were a British rock and roll group of the late 1970s and early 1980s, noted for their strong pub rock, rockabilly and power pop influences, and as a foundational influence on new wave. The band consisted of Dave Edmunds, Nick Lowe, Billy Bremner and Terry Williams (drums).
Concerts for the People of Kampuchea is a double album credited to Various Artists and released in March 1981. It contains live performances by Wings, the Who, Queen, Elvis Costello, Pretenders, the Clash, the Specials and other artists from the Concerts for the People of Kampuchea, held at London's Hammersmith Odeon in December 1979 to raise money for the victims of war-torn Cambodia. The event was organised by Paul McCartney and Kurt Waldheim.
Seconds of Pleasure is a 1980 album by Rockpile, a band consisting of guitarists/vocalists Dave Edmunds and Billy Bremner, bassist/vocalist Nick Lowe, and drummer Terry Williams. The band had played together on various solo albums by Edmunds and Lowe in previous years, but Seconds of Pleasure would be the first album released under the Rockpile name.
Musical Shapes is the third album by American singer Carlene Carter.
Nick Lowe and His Cowboy Outfit is a 1984 album by British singer-songwriter Nick Lowe. The record marked the official debut of Lowe's new band, the Cowboy Outfit. Nick Lowe and His Cowboy Outfit was reissued in 2000 by Demon Music Group.
Nick the Knife is the third solo album by Nick Lowe, released in 1982 and his first since the 1981 breakup of his band Rockpile.
Twangin... is a 1981 album by Dave Edmunds, and his final recording for Swan Song Records before moving to Columbia Records. The album would also be the last Edmunds solo effort to feature Rockpile.
Quiet Please... The New Best of Nick Lowe is a 49-track career-spanning collection of songs written by British songwriter Nick Lowe. As well as his solo work, it also features many of his collaborations with the likes of Rockpile, Brinsley Schwarz, Paul Carrack and Little Village. The compilation was released by Proper Records in the UK and Europe and by Yep Roc in the US. The collection was compiled by Gregg Geller.
Martin Belmont is an English rock and country-blues guitarist.
"I Knew the Bride (When She Used to Rock 'n' Roll)" is a song written by Nick Lowe and first popularized by Dave Edmunds. It was released on Edmunds's 1977 album Get It and a year later in a live version by Nick Lowe's Last Chicken in the Shop on Live Stiffs Live.
Nick Lowe is an English singer-songwriter, musician, and producer. His discography consists of 14 studio albums, 1 live album, 3 EPs, 23 singles, and 6 compilations. In addition, he has been a performer and producer on numerous albums by other artists.
"Teacher, Teacher" is a 1980 new wave song by Rockpile. Written by Eddie Phillips and Kenny Pickett, the song was released on the band's only album, Seconds of Pleasure. Released as a single that same year, the song was a moderate chart hit in North America, reaching number 51 in the US.