Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
The Pirates of Penzance; or, The Slave of Duty is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert. Its official premiere was at the Fifth Avenue Theatre in New York City on 31 December 1879, where it was well received by both audiences and critics. Its London debut was on 3 April 1880, at the Opera Comique, where it ran for 363 performances.
H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London on 25 May 1878, and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.
This article contains information about the literary events and publications of 1829.
Douglas William Jerrold was an English dramatist and writer.
Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera Cox and Box.
Pineapple Poll is a Gilbert and Sullivan-inspired comic ballet, created by choreographer John Cranko with arranger Sir Charles Mackerras. Pineapple Poll is based on "The Bumboat Woman's Story", one of W. S. Gilbert's Bab Ballads, written in 1870. The Gilbert and Sullivan opera H.M.S. Pinafore was also based, in part, on this story. For the ballet, Cranko expanded the story of the Bab Ballad and added a happy ending. All the music is arranged from Sullivan's music.
Events from the year 1829 in the United Kingdom.
Billee Taylor, or The Reward of Virtue is "a nautical comedy opera" by Edward Solomon, with a libretto by Henry Pottinger Stephens.
The Surrey Theatre, London began life in 1782 as the Royal Circus and Equestrian Philharmonic Academy, one of the many circuses that provided entertainment of both horsemanship and drama (hippodrama). It stood in Blackfriars Road, near the junction with Westminster Bridge Road, just south of the River Thames in what is now the London Borough of Southwark.
Harriett Everard was an English singer and actress best known for originating the role of Little Buttercup in the Gilbert and Sullivan hit H.M.S. Pinafore in 1878. The character regretfully reveals a key secret that sets up the ending of the opera.
John Cooke was an experienced and highly regarded officer of the Royal Navy during the American War of Independence, the French Revolutionary Wars and the first years of the Napoleonic Wars. Cooke is best known for his death in hand-to-hand combat with French forces during the Battle of Trafalgar in 1805. During the action, his ship HMS Bellerophon was badly damaged and boarded by sailors and marines from the French ship of the line Aigle. Cooke was killed in the ensuing melee, but his crew successfully drove off their opponents and ultimately forced the surrender of Aigle.
Hollywood Pinafore, or The Lad Who Loved a Salary is a musical comedy in two acts by George S. Kaufman, with music by Arthur Sullivan, based on Gilbert and Sullivan's H.M.S. Pinafore. The work premiered on May 8, 1945, at Ford's Grand Opera House in Baltimore for tryouts. It opened on Broadway at the Alvin Theatre on May 31, 1945, and closed on July 14, 1945, after 52 performances. It was directed by Kaufman and starred Annamary Dickey as Brenda Blossom, Shirley Booth as Louhedda Hopsons, Victor Moore as Joseph W. Porter, George Rasely as Mike Corcoran, William Gaxton as Dick, and Mary Wickes as Miss Hebe. The costumes were designed by Mary Percy Schenck. The adaptation transplants the maritime satire of the original Pinafore to a satire of the glamorous world of 1940s Hollywood film making, but Sullivan's score is retained with minor adaptations.
For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".
Thomas F. Lawlor was an Irish opera singer. In the 1960s, he became known for his performances in mostly baritone roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company. In the 1970s and 1980s, he performed over 60 operatic roles, usually as a bass-baritone, with various British opera companies. He was also a director in the opera department of the Royal Academy of Music and at Trinity College of Music. In later years, he moved to the US, where he continued to perform, direct and teach.
Thomas Potter Cooke was an English actor.
John Thomas Haines (c.1799–1843) was a British actor and dramatist.
William John Hammond was a British actor-manager and singer of comic songs of the early 19th-century. He played Sam Weller in Samuel Weller, or, The Pickwickians in 1837.
Runs of several thousand performances were familiar in West End theatres in the 21st century. The closure of London theatres in the Covid-19 pandemic halted the continuous runs of eight shows that had been running for more than 4,000 performances. Such long runs were a phenomenon not seen before the late 20th century: in earlier years, much shorter runs were the norm, even for shows considered great successes.
