Black Artists Group | |
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Also known as | BAG |
Origin | St. Louis, Missouri, United States |
Genres | Jazz |
Years active | 1968 | –1972
Past members |
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The Black Artists Group (BAG) was a multidisciplinary arts collective that existed in St. Louis, Missouri, from 1968 to 1972. BAG is known for the convergence of free jazz and experimental theater. [1] [2]
Members included saxophonists Julius Hemphill, [3] Oliver Lake, [3] J. D. Parran, Hamiet Bluiett, and Luther Thomas; trumpeters Baikida Carroll [3] and Floyd LeFlore; trombonist Joseph Bowie; [3] drummers Bensid Thigpen and Charles "Bobo" Shaw; [3] bassist Bobby Reed, Arzinia Richardson; stage directors Malinke Robert Elliott, Vincent Terrell, and Muthal Naidoo; actors LeRoi S. Shelton; poets Ajule (Bruce) Rutlin [3] and Shirley LeFlore; dancers Georgia Collins and Luisah Teish; and painters Emilio Cruz and Oliver Lee Jackson. While Jackson was not officially a member, he was deeply involved with BAG and is usually listed as a member. [4] In addition, Ronnie Burrage was considered one of the youngest members (11 and 12 years old) of BAG as he began to perform with various members in 1971 and 1972. [5]
Members Oliver Lake, Lester Bowie, and Floyd LeFlore studied music in the jazz program at Sumner High School. They continued music education at Lincoln University alongside Julius Hemphill. Several members were drafted into military service, and all played music in St. Louis through the 1960s. Frustration with discrimination and limited opportunities brought the musical artists together with black actors marginalized from the theater scene, and they began collaborating on artistic productions around LaClede Town, the Circle Coffee Shop, and Berea Church. [2]
While strongly influenced by Chicago's Association for the Advancement of Creative Musicians, the Black Artists Group was unique in including artists from dance, theater, visual arts, and creative writing. They incorporated as a not-for-profit organization under the name "The Black Artists' Group, Inc" in 1968. [2] BAG received major grant funding from the Danforth Foundation and the Rockefeller Foundation. In July 1969, the group paid $1 annual rent for a building at 2665 Washington Blvd. [1]
Many of the BAG members relocated to Paris and then New York in the 1970s. [1] A recording of a 1973 performance in Paris was released on an LP titled In Paris, Aries 1973 ; [6] it was the only album ever issued under the BAG name until the 2024 release of For Peace And Liberty, In Paris Dec 1972. [7]
BAG inspired other groups and artistic collectives to form around the United States and influenced Chicago's Association for the Advancement of Creative Musicians. [8]
Oliver Lake, Julius Hemphill and Hamiet Bluiett formed the African Continuum and organized the 1971 multimedia concert "Images: Sons/Ancestors" at Powell Symphony Hall, which was delayed by a bomb threat. [2] They went on to form the World Saxophone Quartet and were notable in the "loft-jazz" scene of New York's underground in the 1980s. [1]
Albums
The World Saxophone Quartet was an American jazz ensemble founded in 1977, incorporating elements of free jazz, R&B, funk and South African jazz into their music.
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
Oliver Lake is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. Lake worked in the group Trio 3 with Reggie Workman and Andrew Cyrille. Lake has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey.
Hamiet Bluiett was an American jazz saxophonist, clarinetist, and composer. His primary instrument was the baritone saxophone, and he was considered one of the finest players of this instrument. A member of the World Saxophone Quartet, he also played the bass saxophone, E-flat alto clarinet, E-flat contra-alto clarinet, and wooden flute.
J. D. Parran is an American multi-woodwind player, educator, and composer specializing in jazz and free improvisation. He plays the soprano, alto, tenor, baritone, and bass saxophone, as well as the E-flat clarinet, alto clarinet, bass clarinet, contra-alto clarinet, piccolo, alto flute, bamboo flute, Native American flute, bamboo saxophone, and nagaswaram.
Dogon A.D. is an album by saxophonist Julius Hemphill. It was recorded in February 1972 in St. Louis, Missouri, and was initially released on LP in limited quantities later that year by Hemphill's own Mbari Records, a label he created for the express purpose of issuing his own music. The album was reissued on LP by the Freedom label in 1977, and was reissued on CD in 2011, with extra liner notes and reproductions of the artwork from both the Mbari and Freedom releases, by International Phonograph. A fourth track from the recording session, titled "Hard Blues," and featuring guest saxophonist Hamiet Bluiett, was originally released on Hemphill's 1975 album Coon Bid'ness, and was included as a bonus track on the 2011 reissue of Dogon A.D., bringing together all the music from the session.
Charles Wesley "Bobo" Shaw was an American free jazz drummer, known as a prominent member of the Human Arts Ensemble and Black Artists Group. He was born in Pope, Mississippi, United States.
Ronnie Burrage is an American jazz drummer. His style draws from jazz, funk, and soul.
Baikida Carroll is an American jazz trumpeter.
Steppin' with the World Saxophone Quartet is an album by the jazz group the World Saxophone Quartet, released on the Italian Black Saint label in 1979. The album features performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Revue is an album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label. The album features performances and compositions by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
W.S.Q. is a 1980 album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label. The album features performances and compositions by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Live in Zurich is an album by the jazz group the World Saxophone Quartet recorded in 1981 and released on the Italian Black Saint label.
Live at Brooklyn Academy of Music is a live album by the jazz group the World Saxophone Quartet released on the Italian Black Saint label.
Dances and Ballads is an album by the jazz group the World Saxophone Quartet, released in 1988 and featuring performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray.
Rhythm and Blues is an album by the jazz group the World Saxophone Quartet released on the Elektra label. The album features performances by Hamiet Bluiett, Julius Hemphill, Oliver Lake and David Murray and was first released in 1989.
Requiem for Julius is an album by the jazz group the World Saxophone Quartet released by the Justin Time label. The album features performances by Hamiet Bluiett, John Purcell, Oliver Lake and David Murray and is dedicated to the band's founding member Julius Hemphill.
Phillip Sanford Wilson was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.
Floyd LeFlore (1940–2014) was a jazz composer, trumpet player, and poet from St. Louis. In 1968, LeFlore helped to found the Black Artists Group (BAG).
In Paris, Aries 1973 is a live album by the Black Artists Group, featuring saxophonist Oliver Lake, trumpeters Baikida Carroll and Floyd LeFlore, trombonist Joseph Bowie, and drummer Charles "Bobo" Shaw. The album was recorded in 1973 in Paris, and was initially self-released in very limited quantities. It was reissued in 2011 in a limited edition of 500 LPs by Rank and File Records, and was remastered and reissued on LP by Aguirre Records in 2018, with extensive liner notes by Julian Cowley, again in a limited edition of 500 copies.