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Into the Open, subtitled "New Paintings, Prints and Sculptures by Contemporary Black Artists", was an exhibition of art by black artists displayed at various venues in the United Kingdom in 1984.
Kimathi Donkor is a London-based contemporary British artist whose paintings are known for their exploration of global, black histories. His work is exhibited and collected by international museums, galleries and biennials including London's National Portrait Gallery, the British Museum, the Diaspora Pavilion at the 57th Venice Biennial, the 29th São Paulo Art Biennial and the 15th Sharjah Biennial. He is of Ghanaian, Anglo-Jewish and Jamaican family heritage, and his figurative paintings depict "African diasporic bodies and souls as sites of heroism and martydom, empowerment and fragility...myth and matter".
Rasheed Araeen is a Karachi-born, London-based conceptual artist, sculptor, painter, writer, and curator. He graduated in civil engineering from the NED University of Engineering and Technology in 1962, and has been working as a visual artist bridging life, art and activism since his arrival in London from Pakistan in 1964.
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Eddie Chambers is a British contemporary art historian, curator and artist, who is Department of Art and Art History professor at the University of Texas at Austin.
Maud Sulter was a Scottish contemporary fine artist, photographer, writer, educator, feminist, cultural historian, and curator of Ghanaian heritage. She began her career as a writer and poet, becoming a visual artist not long afterwards. By the end of 1985 she had shown her artwork in three exhibitions and her first collection of poetry had been published. Sulter was known for her collaborations with other Black feminist scholars and activists, capturing the lives of Black people in Europe. She was a champion of the African-American sculptor Edmonia Lewis, and was fascinated by the Haitian-born French performer Jeanne Duval.
Sutapa Biswas is a British Indian conceptual artist, who works across a range of media including painting, drawing, film and time-based media.
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Five Black Women was an exhibition at the Africa Centre, London, featuring the work of British artists Sonia Boyce, Lubaina Himid, Claudette Johnson, Houria Niati and Veronica Ryan held in 1983. The exhibition was organised by Himid, the first of several "widely respected" exhibitions she organised featuring Black women artists.
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Joseph Adekunle Olubo, was an artist and book illustrator active in the 1980s. He participated in some of the first art exhibitions organized by Black British artists in the United Kingdom. Olubo was one of 22 artists included in the 1983 inaugural exhibition, Heart in Exile, at The Black-Art Gallery, an art space in London which worked with artists of African and Caribbean backgrounds.
Young In Hong is a visual artist from Seoul, Korea, based in Bristol, England. Hong graduated with an MA and a PhD in Art from Goldsmith College in London UK in 2012. From 1992 to 1998, she studied Sculpture at Seoul National University. Hong currently works from her studio at Spike Island in Bristol and is represented by PKM Gallery in Seoul. She teaches at Bath School of Art as Reader in Performance and Textiles.
Nina Edge is an English ceramicist, feminist and writer.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which ARTnews called one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
Amanda Bintu Holiday is a Sierra Leonean-British artist, filmmaker and poet.
Paul Goodwin is a British independent curator, urban theorist, academic and researcher, whose projects particularly focus on black and diaspora artists and visual cultures. He is Director at the Research Centre for Transnational Art, Identity and Nation (TrAIN), University of the Arts London.
References
- 1 2 3 4 Niru Ratnam (2002). "Black Women Time Now". In Alison Donnell (ed.). Companion to Contemporary Black British Culture. Routledge. p. 127. ISBN 978-1-134-70024-0. Archived from the original on 22 February 2021. Retrieved 24 November 2020.
- ↑ Hazel A.Atashroo, Beyond The ‘Campaign for a Popular Culture’: Community Art, Activism and Cultural Democracy in 1980s London, PhD thesis, Southampton, 2017, p.218.
- ↑ Monique Kerman (2017). Contemporary British Artists of African Descent and the Unburdening of a Generation. Springer International Publishing. p. 194. ISBN 978-3-319-65199-6. Archived from the original on 22 February 2021. Retrieved 24 November 2020.
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