 First edition | |
| Author | Wyndham Lewis |
|---|---|
| Illustrator | Wyndham Lewis |
| Cover artist | Wyndham Lewis |
| Country | United Kingdom |
| Language | English |
| Publisher | Eyre & Spottiswoode (UK) |
Publication date | 1937 |
Blasting and Bombardiering is the autobiography of the English painter, novelist, and satirist Percy Wyndham Lewis. It was published in 1937. It was in this work that Lewis first identified the critically oft-mentioned "Men of 1914" group of himself, Ezra Pound, T. S. Eliot, and James Joyce. [1]
Ezra Weston Loomis Pound was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a fascist collaborator in Italy during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos (c. 1917–1962).
Imagism was a movement in early-20th-century Anglo-American poetry that favored precision of imagery and clear, sharp language. It is considered to be the first organized modernist literary movement in the English language. Imagism is sometimes viewed as "a succession of creative moments" rather than a continuous or sustained period of development. The French academic René Taupin remarked that "it is more accurate to consider Imagism not as a doctrine, nor even as a poetic school, but as the association of a few poets who were for a certain time in agreement on a small number of important principles".
Percy Wyndham Lewis was a British writer, painter and critic. He was a co-founder of the Vorticist movement in art and edited BLAST, the literary magazine of the Vorticists.
Vorticism was a London-based modernist art movement formed in 1914 by the writer and artist Wyndham Lewis. The movement was partially inspired by Cubism and was introduced to the public by means of the publication of the Vorticist manifesto in Blast magazine. Familiar forms of representational art were rejected in favour of a geometric style that tended towards a hard-edged abstraction. Lewis proved unable to harness the talents of his disparate group of avant-garde artists; however, for a brief period Vorticism proved to be an exciting intervention and an artistic riposte to Marinetti's Futurism and the post-impressionism of Roger Fry's Omega Workshops.
William Hugh Kenner was a Canadian literary scholar, critic and professor. He published widely on Modernist literature with particular emphasis on James Joyce, Ezra Pound, and Samuel Beckett. His major study of the period, The Pound Era, argued for Pound as the central figure of Modernism, and is considered one of the most important works on the topic.
Blast was the short-lived literary magazine of the Vorticist movement in Britain. Two editions were published: the first on 2 July 1914 and featured a bright pink cover, referred to by Ezra Pound as the "great MAGENTA cover'd opusculus"; and the second a year later on 15 July 1915. Both editions were written primarily by Wyndham Lewis. The magazine is emblematic of the modern art movement in England, and recognised as a seminal text of pre-war 20th-century modernism. The magazine originally cost 2/6.
Thomas Ernest Hulme was an English critic and poet who, through his writings on art, literature and politics, had a notable influence upon modernism. He was an aesthetic philosopher and the 'father of imagism'.
Dorothy Shakespear was an English artist. She was the daughter of novelist Olivia Shakespear and the wife of American poet Ezra Pound. One of a small number of women vorticist painters, her art work was published in BLAST, the short-lived but influential literary magazine.
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos", and published a number of controversial works, such as parts of Ulysses. Today, it is considered "England's most important Modernist periodical."
Richard Humphreys was the Curator of Programme Research at Tate Britain and Deputy Chairman of the London Consortium, of which he was a founding member.
The Eneados is a translation into Middle Scots of Virgil's Latin Aeneid, completed by the poet and clergyman Gavin Douglas in 1513.
Omar Shakespear Pound was an Anglo-American writer, teacher, and translator. The son of Dorothy Shakespear and her husband, Ezra Pound, Pound was the author of Arabic & Persian Poems (1970) and co-author of Wyndham Lewis: A Descriptive Bibliography (1978). He also wrote poems of his own and published material about his parents.
A Lume Spento is a 1908 poetry collection by Ezra Pound. Self-published in Venice, it was his first collection.
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese language. The volume's 15 poems are seen less as strict translations and more as new pieces in their own right; and, in his bold translations of works from a language he was unfamiliar with, Pound set the stage for modernist translations.
William Brooke Smith was an American painter and friend of Ezra Pound. His death from tuberculosis greatly affected Pound, who dedicated his first poetry collection, A Lume Spento, to Smith.
Jefferson and/or Mussolini: L'Idea Statale Fascism as I Have Seen It is a book by the American ex-patriate poet and fascist collaborator Ezra Pound. It was first published in 1935 by Stanley Nott Ltd in London.
If This Be Treason ... is a 33-page booklet published privately in Italy in early 1948 by Olga Rudge, mistress of the American poet Ezra Pound. Pound, who lived in Italy with his wife from 1924 to 1945, was indicted in absentia for treason in 1943 by the United States District Court for the District of Columbia after he made hundreds of radio broadcasts, pro-Axis and deeply antisemitic, on behalf of Fascist Italy during World War II and the Holocaust in Italy. The title phrase had previously been used in a speech by Patrick Henry in 1765.
Guide to Kulchur is a non-fiction book by the American poet Ezra Pound. Published in London in July 1938 by Faber & Faber, the book examines 2,500 years of cultural history, beginning with the Analects of Confucius. The first chapter was published in Milan in June 1937 as a pamphlet, Confucius/Digest of the Analects, by Giovanni Scheiwiller.
The Vienna Café was a coffee house and restaurant at 24–28 New Oxford Street, London. Located opposite Mudie's Lending Library and near the British Museum Reading Room in Bloomsbury, it became known in the early 20th century as a meeting place for writers, artists, and intellectuals. Regular visitors included Ezra Pound, H. G. Wells, and W. B. Yeats.
Ezra Pound is a portrait of the American poet Ezra Pound, made by his friend Wyndham Lewis in 1939.
 | This article about a biographical book on writers or poets is a stub. You can help Wikipedia by expanding it. |