Ira Nadel | |
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Born | Ira Bruce Nadel July 22, 1943 |
Nationality | Canadian |
Alma mater | |
Occupation | Professor of English at University of British Columbia |
Known for | Biography, literary criticism |
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Ira Bruce Nadel (born July 22, 1943) is an American-Canadian biographer, literary critic and James Joyce scholar, and a distinguished professor at the University of British Columbia. He has written books on the twentieth-century Modernists, especially Ezra Pound and Joyce, biographies of Leonard Cohen and Leon Uris, and on Jewish-American authors. He has won Canadian literary awards, and has edited and written the introduction to a number of scholarly books and period pieces. He is a critic of the Olympic torch relay as a legacy of the Nazis.
Nadel was born on July 22, 1943, in Rahway, New Jersey, [1] the son of Isaac David and Francis (Sofman) Nadel. He received a BA in 1965 and an MA in 1967 from Rutgers University, New Jersey, and a PhD in English in 1970 from Cornell University. [2] [3] He joined the University of British Columbia as an assistant professor, was promoted to associate professor in 1977, and then to professor of English in 1985. He was chair of the Department of English graduate program from 1992 to 1995. As of 2004, he was a coeditor of the David Mamet Review, an advisory board member of The Journal of Modern Literature and Joyce Studies Annual, and an editorial board member of English Literature in Transition [2] and Autobiographical/Biographical Studies. [4] He is known in British Columbia as a long-serving book critic for CBC Radio's afternoon show. [1]
Nadel's first marriage on June 5, 1966, ended when his wife died on February 23, 1975. He has two children from his second marriage, on July 4, 1976, to Josephine Margolis, a lawyer. [2] He has protested the use of the Olympic torch as a legacy from the Nazis. [5] Nadel considers the torch relay a fabrication by the Nazis in 1936 in Germany, and not associated with the ancient Olympics. [6]
Nadel's book, Leon Uris: Life of a Best Seller, was the first full-length biography of Uris. It was based on the archives at Harry Ransom Humanities Research Center at the University of Texas, Austin and interviews with Uris's family. Nadel saw Uris's work as attacking antisemitism with a fictional heroic Jewish past, but broadening the appeal to a non-Jewish readership. [7] Nadel revealed that Uris lived the life he described in a fictional setting, with many war experiences and travel to dangerous spots. [8]
Nadel published Joyce and the Jews in 1989, the first book to appear in print tackling the topic. The book explored both Joyce's personal relations with Jews and the influence of Judaic motifs on his writing. Nadel also looked at references to the Talmud in Joyce's Finnegans Wake. As a critic focusing on the influence of Jews and Judaism on Joyce, Nadel did not address the centrality of the Jewishness of Leopold Bloom, one of the central characters of Joyce's masterpiece, Ulysses . [9] :4 Nadel did note the shared impact of the concept of exodus on Jews and on Joyce, a voluntary exile from an Ireland then under the dominion of England. [9] :268
Nadel's biography of David Mamet, David Mamet: A Life in the Theatre, the first such, [10] qualified the playwright's own description of an unhappy childhood. It also tried to place Mamet's prolific output as an artist in a sociobiographical context, in an expanding arc from immediate family to Euro-American cultural influence. [11] :285 Nadel has also published a biography of Leonard Cohen, the singer, songwriter, poet and novelist, titled Various Positions: A Life of Leonard Cohen. He has also written about Ezra Pound.
Nadel co-edited The Victorian Muse, Gertrude Stein, The Making of Literature and a collection of previously unpublished Ezra Pound letters. He has also edited the Cambridge Companion to Ezra Pound, and organized conferences about the work of Joyce. He has edited an Oxford reprint of the American classic, The Education of Henry Adams , and Iolani: or, Tahiti as it was, by Wilkie Collins. Nadel is also the author of Tom Stoppard: A Life, on the prolific British theater playwright.
Nadel depended on primary material and contemporaneous newspaper reports for his biography of Mamet. He focused on facts and less on interpretation and analysis. [11] :284 Tom Stoppard also never interacted with Nadel during the writing of Stoppard's biography, and actually commented on "Ira somebody uninvitedly writing" his biography. [12] To write about Ezra Pound, the author traveled to London to access the newly released MI 5 archives on the poet. [13] For Cohen's biography, Nadel did interview his subject and obtained access to unpublished material and authorization to write the biography. [14] Nadel's philosophy of writing biographies is that biographers need not interact with their subjects, but do need to appreciate their subjects' worth. [12] As per Nadel, a biography should tell the reader who the subject is, not what the subject has achieved. [14] He is concerned that the briefer modes of communication encouraged by social networking media such as Twitter may change how we capture and narrate others' lives. He speculates biographies may become packed into small fragments, as self-expression in general gets condensed by the influence of the new media. [15]
In his literary criticism, Nadel analyzes text content. He thinks of texts as riddles, and in writing about Joyce, has looked at intertextual connections between Charles Dickens's Our Mutual Friend and Joyce's Finnegans Wake. [16] :8
Authored:
Editor of: [1]
Wrote introduction to
David Alan Mamet is an American playwright, filmmaker, and author. He won a Pulitzer Prize and received Tony nominations for his plays Glengarry Glen Ross (1984) and Speed-the-Plow (1988). He first gained critical acclaim for a trio of off-Broadway 1970s plays: The Duck Variations, Sexual Perversity in Chicago, and American Buffalo. His plays Race and The Penitent, respectively, opened on Broadway in 2009 and previewed off-Broadway in 2017.
James Augustine Aloysius Joyce was an Irish novelist, poet, and literary critic. He contributed to the modernist avant-garde movement and is regarded as one of the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914), and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.
Ezra Weston Loomis Pound was an expatriate American poet and critic, a major figure in the early modernist poetry movement, and a collaborator in Fascist Italy and the Salò Republic during World War II. His works include Ripostes (1912), Hugh Selwyn Mauberley (1920), and his 800-page epic poem, The Cantos.
Leon Marcus Uris was an American author of historical fiction who wrote many bestselling books including Exodus and Trinity.
Exodus is a historical novel by American novelist Leon Uris about the founding of the State of Israel beginning with a compressed retelling of the voyages of the 1947 immigration ship Exodus and describing the histories of the various main characters and the ties of their personal lives to the birth of the new Jewish state.
Eustace Clarence Mullins Jr. was an American white supremacist, antisemitic conspiracy theorist, propagandist, Holocaust denier, and writer. A disciple of the poet Ezra Pound, his best-known work is The Secrets of The Federal Reserve, in which he alleged that several high-profile bankers had conspired to write the Federal Reserve Act for their own nefarious purposes, and then induced Congress to enact it into law. The Southern Poverty Law Center described him as "a one-man organization of hate".
Beautiful Losers is the second and final novel by Canadian writer and musician Leonard Cohen. It was published in 1966, before he began his career as a singer-songwriter.
John Rodker was an English writer, modernist poet, and publisher of modernist writers.
Dorothy Shakespear was an English artist. She was the daughter of novelist Olivia Shakespear and the wife of American poet Ezra Pound. One of a small number of women vorticist painters, her art work was published in BLAST, the short-lived but influential literary magazine.
Hillel Halkin is an American-born Israeli translator, biographer, literary critic, and novelist who has lived in Israel since 1970.
The Islamic prophet Muhammad's views on Jews were formed through the contact he had with Jewish tribes living in and around Medina. His views on Jews include his theological teaching of them as People of the Book, his description of them as earlier receivers of Abrahamic revelation; and the failed political alliances between the Muslim and Jewish communities.
Aaron Philip Hart was a businessman in Lower Canada and one of the first Jews to settle in the colony. He is considered the father of Canadian Jewry. He was one of the founding members of the Spanish and Portuguese Synagogue of Montreal, a wealthy man with numerous landed estates, and the married father of four sons, including the future politician Ezekiel Hart, and four daughters.
John Kasper, born Frederick John Kasper, Jr., was a Ku Klux Klan member and segregationist who took a militant stand against racial integration during the civil rights movement.
Jews have a long history in Singapore, dating back to the 19th century, and are currently a significant minority population in the country.
Blasting and Bombardiering is the autobiography of the English painter, novelist, and satirist Percy Wyndham Lewis. It was published in 1937. It was in this work that Lewis first identified the critically oft-mentioned "Men of 1914" group of himself, Ezra Pound, T. S. Eliot, and James Joyce.
Le Testament de Villon is an opera composed in 1923 by the American poet Ezra Pound, with assistance from George Antheil. It is based on Le Testament, a collection of poems written by François Villon in 1461.
Stereotypes of Jews in literature have evolved over the centuries. According to Louis Harap, nearly all European writers prior to the twentieth century projected the Jewish stereotypes in their works. Harap cites Gotthold Lessing's Nathan the Wise (1779) as the first time that Jews were portrayed in the arts as "human beings, with human possibilities and characteristics." Harap writes that, the persistence of the Jewish stereotype over the centuries suggests to some that "the treatment of the Jew in literature was completely static and was essentially unaffected by the changes in the Jewish situation in society as that society itself changed." He contrasts the opposing views presented in the two most comprehensive studies of the Jew in English literature, one by Montagu Frank Modder and the other by Edgar Rosenberg. Modder asserts that writers invariably "reflect the attitude of contemporary society in their presentation of the Jewish character, and that the portrayal changes with the economic and social changes of each decade." In opposition to Modder's "historical rationale", Rosenberg warns that such a perspective "is apt to slight the massive durability of a stereotype". Harap suggests that the recurrence of the Jewish stereotype in literature is itself one indicator of the continued presence of anti-Semitism amongst the readers of that literature.
Cathay (1915) is a collection of classical Chinese poetry translated into English by modernist poet Ezra Pound based on Ernest Fenollosa's notes that came into Pound's possession in 1913. At first Pound used the notes to translate Noh plays and then to translate Chinese poetry to English, despite a complete lack of knowledge of the Chinese language. The volume's 15 poems are seen less as strict translations and more as new pieces in their own right; and, in his bold translations of works from a language he was unfamiliar with, Pound set the stage for modernist translations.
William Brooke Smith was an American painter and friend of Ezra Pound. His death from tuberculosis greatly affected Pound, who dedicated his first poetry collection, A Lume Spento, to Smith.
The 1950–1951 Baghdad bombings were a series of bombings of Jewish targets in Baghdad, Iraq, between April 1950 and June 1951.