Blaze | |
---|---|
Directed by | Del Kathryn Barton |
Written by | Huna Amweero Del Kathryn Barton |
Produced by | Samantha Jennings |
Starring | Julia Savage Simon Baker Yael Stone Josh Lawson |
Cinematography | Jeremy Rouse |
Edited by | Dany Cooper |
Music by | Angel Olsen Sam Petty |
Production company | Causeway Films |
Release date |
|
Running time | 101 minutes |
Country | Australia |
Language | English |
Blaze is a 2022 Australian drama film co-written and directed by Del Kathryn Barton and produced by Causeway Films. The film premiered in New York in the International Narrative Competition at the 2022 Tribeca Festival and was released in a limited theatrical release in Australia on August 27, 2022 and in the US in January 2023. The film was met with critical acclaim, with praise for the performance of its 13-year-old lead Julia Savage.
Blaze, a young teenager, is the sole witness to a shocking crime. Struggling to make sense of what she saw, she unleashes the wrath of her imaginary dragon.
The film review website Metacritic lists 5 critics and assessed 5 reviews as positive. It give a weighted average score of 85 out of 100, which it said indicated "Universal acclaim". [1] Rotten Tomatoes lists 17 critics with 15 assessed as fresh and two as rotten. It gave the film a score of 88%. [2]
Peter Debruge of Variety writes "'Blaze' marks the feature directing debut of a distinctive new voice, and though there's a certain woodenness to the narrative, the visuals—glitter dreams of a 10-foot fuchsia dragon—radiate with originality." [3] Luke Buckmaster of The Guardian gave it 4 stars, writing "The result is a hot, sticky, trippy fusion of wild style and painfully genuine emotion, with plenty of moments that take your breath away." [4] The Sydney Morning Herald 's Sandra Hall gives it a 3 1/2 star review concluding "It's a bold piece of filmmaking. Barton has tried to take us inside the mind of a traumatised sub-teen by way of charting her changing relationship with a fantasy that has kept her company since childhood. She has used the aesthetic sensibility that shapes her painting to bring this about, but it's only the power and the subtlety of Savage's performance that saves the narrative from being swamped by the intricacies of the production design." [5]
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