"Blind Before I Stop" | ||||
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Single by Meat Loaf | ||||
from the album Blind Before I Stop | ||||
B-side | "Execution Day" | |||
Released | February 1987 [1] | |||
Genre | Hard rock, pop rock | |||
Label | Arista | |||
Songwriter(s) | Meat Loaf, John Golden | |||
Meat Loaf singles chronology | ||||
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Audio on YouTube |
"Blind Before I Stop" is a single by Meat Loaf released in 1987. It is from the album Blind Before I Stop . It is one of the few songs he has made where he plays rhythm guitar.
On its release, Mat Snow of New Musical Express stated, "This is not a patch on his elephantine 'Rock 'n' Roll Mercenaries', though it might serve as a timely health warning to some of Meat Loaf's more frenzied devotees." [2]
Chart | Position |
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UK Singles Chart | 89 |
"Paradise by the Dashboard Light" is a song written by Jim Steinman. It was released in 1977 on the album Bat Out of Hell, with vocals by the American musician Meat Loaf alongside Ellen Foley. An uncommonly long song for a single, it has become a staple of classic rock radio and has been described as the "greatest rock duet".
Bad for Good is the only studio album by American songwriter Jim Steinman. Steinman wrote all of the songs and performed on most, although Rory Dodd contributed lead vocals on some tracks.
Bat Out of Hell II: Back into Hell is the sixth studio album by American rock singer Meat Loaf and was written and produced by Jim Steinman. It was released in September 1993, sixteen years after Meat Loaf's first solo album Bat Out of Hell. The album reached number 1 in the United States, United Kingdom and Canada. Five tracks were released as singles, including "I'd Do Anything for Love ", which reached number 1 in 28 countries.
"Nowhere Fast" is a song, performed by Fire Inc. in 1984 for the rock movie Streets of Fire. An alternate version of the song was recorded by Meat Loaf the same year. The song was written by Jim Steinman.
Dead Ringer is the second studio album by Meat Loaf, released on September 4, 1981. It is the second of four albums written entirely by Jim Steinman. The album cover was designed by comic book artist and horror illustrator Bernie Wrightson.
Strange Angels is the fifth album overall and fourth studio album by performance artist and singer Laurie Anderson, released by Warner Bros. Records in 1989.
Couldn't Have Said It Better is the eighth studio album by Meat Loaf, released on September 23, 2003. Only for the third time in his career, he released an album without any songs written by Jim Steinman. Although Meat Loaf claimed that Couldn't Have Said It Better was "the most perfect album [he] did since Bat Out of Hell", it was not as successful.
Midnight at the Lost and Found is the third studio album by Meat Loaf, released in May 1983. This would be the final Meat Loaf release under Epic Records until The Very Best of Meat Loaf (1998).
Bad Attitude is the fourth studio album by Meat Loaf and was released in November 1984. Recorded in Britain, it features two songs by Jim Steinman, both previously recorded, and a duet with Roger Daltrey. According to Meat Loaf's autobiography, he approached Steinman about writing the entire album, but waiting for new songs wound up taking so long that Meat Loaf recorded two previously released Steinman songs and moved on with other writers. The album concentrates more on the hard rock side of Meat Loaf, was a minor success around the globe and released a few hit singles, the most successful being "Modern Girl".
Blind Before I Stop is the fifth studio album by American singer Meat Loaf, released in September 1986. The album was produced in Germany by Frank Farian and was the first to fully embrace the '80s sound. Critics were concerned about the album missing the characteristic Steinman-influenced sound by incorporating synth chords and samples. According to Meat Loaf's 1998 autobiography, he would have preferred to wait to work with more Steinman material, but his contractual obligations with Arista required him to complete two more albums by the end of the 1980s, including this album and a live album. Despite that Meat Loaf called Farian the best producer in a 2021 Farian special
Live at Wembley is a 1987 live album by Meat Loaf. It was recorded live at Wembley Arena in London March 1–2, 1987. Meat Loaf's brother-in-law Tom Edmonds co-produced and mixed the album, which featured arrangements by Meat Loaf, Steve Buslowe, and Bob Kulick. The touring continued mainly as a ploy to keep Meat Loaf in the public eye and out of bankruptcy.
Live Around the World is a live album by Meat Loaf, released in 1996 to capitalize on his two recent successes, Bat Out of Hell II: Back into Hell and Welcome to the Neighbourhood. The album was recorded at various times between 1987 and 1996. The album is limited to a release of 250,000 copies worldwide.
Kasim Sulton is an American bass guitarist, keyboardist and vocalist. Best known for his work with Utopia, Sulton sang lead on 1980's "Set Me Free," Utopia's only top 40 hit in the United States. As a solo artist, Sulton hit the Canadian top 40 in 1982 with "Don't Break My Heart".
The Neverland Express is the name for American singer Meat Loaf's live band.
"Bat Out of Hell" is a song written by Jim Steinman, for the 1977 album Bat Out of Hell and performed by Meat Loaf. It was released as a single in 1979, and again in 1993.
Seize the Night is a 2007 world tour by Meat Loaf to promote the album Bat Out of Hell III: The Monster Is Loose.
A Time For Heroes was the theme of the 1987 International Summer Special Olympics World Games. The theme was composed by Jon Lyons; the instrumental versions were performed by Tangerine Dream and the vocal version was performed by Meat Loaf and Brian May.
"Rock 'n' Roll Mercenaries" is a single by Meat Loaf and John Parr, released in 1986. It is from the by Frank Farian produced album Blind Before I Stop.
"Good Girls Go to Heaven " is a song written by Jim Steinman. It was first performed by Pandora's Box on their album Original Sin (1989). Group member Holly Sherwood performed lead vocals.
Hell in a Handbasket is the eleventh studio album by Meat Loaf, released September 30, 2011 in Australia and New Zealand, through Legacy Recordings. A wider global release followed in early 2012.