"Bat Out of Hell" | ||||
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Single by Meat Loaf | ||||
from the album Bat Out of Hell | ||||
B-side | "Heaven Can Wait" | |||
Released | May 1978 | |||
Genre | Hard rock, progressive rock, heavy metal | |||
Length |
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Label | Epic | |||
Songwriter(s) | Jim Steinman | |||
Producer(s) | Todd Rundgren | |||
Meat Loaf singles chronology | ||||
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Music video | ||||
"Bat Out of Hell" on YouTube |
"Bat Out of Hell" is a song written by Jim Steinman for the 1977 album Bat Out of Hell and performed by Meat Loaf. In Australia,the song was picked as the second single from the album in May 1978,accompanied by a music video. In January 1979,the song was released as a single in the UK and other European countries,and re-released in 1993.
Like most songs on the album,the song was written about Peter Pan and the Neverland story. Steinman had intended for the song to appear on "a rock 'n roll sci-fi version of Peter Pan". [1] Steinman finally completed the musical (which he started writing in 1968) in 2017.
The song was also inspired by teenage tragedy songs such as "Leader of the Pack","Terry" and "Tell Laura I Love Her",the latter being the first single Jim Steinman had ever bought. Steinman wanted to write the "most extreme crash song of all time": [2]
There is something so thrilling to me about that operatic narrative that involves a cataclysmic event,especially one so perfectly intune with a teenager's world,and rock and roll,as a car or motorcycle crash. [2]
On a musical and thematic level,"Bat Out of Hell",both single and album,are often compared to the work of Bruce Springsteen,particularly the Born to Run album,and especially the song "Thunder Road". Steinman says that he finds that "puzzling,musically," although they share influences. "Springsteen was more an inspiration than an influence." [3] A BBC article suggested,"...the fact that Max Weinberg and Roy Bittan from Springsteen's E Street Band played on the album only helped reinforce the comparison." [4]
According to Meat Loaf,the song is "constructed from" a shot near the beginning of Alfred Hitchcock's Psycho in which the viewer looks down a valley and sees the lights of a city. He says all the clients in the Bates Motel "wish they would have left like a bat out of hell... It had nothing to do,believe it or not,with Bruce Springsteen. It had to do with Alfred Hitchcock and Psycho." [5]
The song,along with "Heaven Can Wait" and "All Revved Up with No Place To Go",originally featured in Steinman's Peter Pan-inspired 1977 un-finished musical Neverland,which was finally completed in 2018 and renamed Bat Out of Hell. Steinman and Meat Loaf,who were touring with The National Lampoon Show ,felt that the three songs were "exceptional" and Steinman began to develop them as part of a seven-song set they wanted to record as an album. [6] In the musical,the character of Baal describes to Wendy what Neverland feels like:" The sirens are screaming and the fires are howling..." After the first chorus,Wendy screams "Don't leave me." There is some rapid dialogue after the second chorus between Tink,Baal and Wendy,concluding:
Baal yells "Destiny",and continues into the motorcycle part of the song.
The song opens with an instrumental section lasting nearly two minutes, predominantly featuring piano and guitar. The lyrics begin to set the scene of evil, guns, knives and "blood shot streets."
The song then focuses upon a "pure" girl, which Sounds magazine commented is "always an important symbol". [8]
Oh baby you're the only thing in this whole world
That's pure and good and right
And wherever you are and wherever you go
There's always gonna be some light
In the Bat Out of Hell Musical Steinman confirmed that the "pure girl" is a character called Raven, who was based on the Neverland character Wendy Darling. The protagonist singing to her is "Strat" who is based on Peter Pan.
Steinman says that Rundgren vetoed two of his ideas. The first idea involved this section (the second concerns a later part of the song).
In the soft section, I wanted to have a boy’s choir... Todd wanted to do it with the existing vocal backup section and then speed up the tape and use other technical tricks to get the boy’s choir sound. I said that we needed a real boy’s choir but he insisted. But it didn’t work out so we weren’t able to use it. You see, I’d heard this symphony by Mahler and I really wanted a boy’s choir. There’s nothing more beautiful than the sound of 20 boy sopranos singing. [9]
Steinman insisted that the song should contain the sound of a motorcycle, and complained to producer Todd Rundgren at the final overdub session about its absence. Rather than use a recording of a real motorcycle, Rundgren himself played the section on guitar, leading straight into the solo without a break. [2] In his autobiography, Meat Loaf relates how everyone in the studio was impressed with his improvisation. Meat Loaf commends Rundgren's overall performance on the track:
In fifteen minutes he played the lead solo and then played the harmony guitars at the beginning. I guarantee the whole thing didn't take him more than forty-five minutes, and the song itself is ten minutes long. The most astounding thing I have ever seen in my life. [10]
Steinman also wanted a choir in this section of the song, but Rundgren vetoed it. Steinman says that he wanted it to sound "just like in the film 2001: A Space Odyssey , they used a choir sounding like it was singing whole clusters of notes. I wanted to use an entire orchestra, and I wanted to use them viciously." [9]
Rundgren and Meat Loaf were angry with Steinman when he refused to stop writing when the track was already six minutes long. He knew that he had to do the crash. [2]
The lyrics describe how the biker is riding "faster than any other boy has ever gone." He is so involved that he "never [sees] the sudden curve till it's way too late." Drums and a roaring guitar indicate the crash.
The biker lies fatally injured, "torn and twisted at the foot of a burning bike." He can see his "heart still beating", which is also represented musically through bass guitar, a section devised by Kasim Sulton. [5] Steinman says "I don't think there's ever been a more violent crash... the guy basically has his body opened up and his heart explodes like a bat out of hell." [2]
Throughout the song, the chorus "I'll be gone when the morning comes" is a double entendre of leaving his lover and of his impending death.
The song ends with the line "like a bat out of hell" repeated three times, each ending on a high C. [2]
The video intersperses shots of a motorcyclist riding through a graveyard, lit by a full moon, with shots of Meat Loaf and backing singers at microphones.
Despite being released more than a year after the album became available, the single reached number 15 in the UK in 1979, becoming his first top 20 UK hit and the highest-charting song off the Bat Out of Hell album [11] and was reissued in December 1993 following the huge chart success of "I'd Do Anything for Love (But I Won't Do That)" in 1993. This time it reached number 8 giving Meat Loaf two singles in the UK Top Ten at the same time - a feat not repeated by any artist until 2002. A live version of the song, from the album Live at Wembley , was released as a single on 26 October 1987 but failed to chart in the UK. [12]
Sounds magazine described it as "heavy metal thunder with Bruce Springsteen overtones (it's L-O-U-D, but this fellow sang with Ted Nugent...), a lyrical, white-noise tale of screaming sirens, silver black phantom bikes, the Ultimate Girl and her purity (always an important symbol), ending in the final death crash when his heart tears out of his chest and flies away." [8]
The song was honored at the Q Awards 2008 with the "Classic Song" award. [11] Paul Rees, Q's editor in chief, said: "There are some songs that transcend such things as time and genre, and "Bat Out Of Hell" is assuredly one of them. It sounded extraordinary when it was first released, and it appears no less so now—like something beamed in from another planet. Extraordinary, and magnificent too, thanks in large part to one of the great vocal performances on record." [13]
This song placed third of Top Gear's Top 5 Ultimate Driving Songs, as voted by the audience of the show. It was ranked below Queen's "Don't Stop Me Now" and Golden Earring's "Radar Love". The song was viewed negatively by the show's hosts, Jeremy Clarkson, James May, and Richard Hammond, who implored viewers of the show to not vote for the song, with Clarkson calling Meat Loaf a "fat oaf". [14]
Brett Milano of udiscovermusic.com rated this motorcycle guitar solo as one of the 100 all-time greatest. [15]
Chart (1993) | Peak position |
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UK Singles (OCC) [16] | 8 |
Chart (2022) | Peak position |
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US Hot Rock & Alternative Songs ( Billboard ) [17] | 23 |
Region | Certification | Certified units/sales |
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Australia (ARIA) [18] | Platinum | 70,000‡ |
United Kingdom (BPI) [19] | Platinum | 600,000‡ |
‡ Sales+streaming figures based on certification alone. |
Michael Lee Aday, known professionally as Meat Loaf, was an American singer and actor known for his powerful, wide-ranging voice and theatrical live shows. He is one of the best selling music artists in history. His Bat Out of Hell trilogy—Bat Out of Hell (1977), Bat Out of Hell II: Back into Hell (1993), and Bat Out of Hell III: The Monster Is Loose (2006)—has sold more than 100 million records worldwide. The first album stayed on the charts for over nine years, as of 2016 still sold an estimated 200,000 copies annually, and is on the list of bestselling albums.
James Richard Steinman was an American composer, lyricist and record producer. He also worked as an arranger, pianist, and singer. His work included songs in the adult contemporary, rock, dance, pop, musical theater, and film score genres. He wrote songs for Bonnie Tyler and Meat Loaf, including Bat Out of Hell, and also wrote and produced Bat Out of Hell II: Back into Hell and Tyler's Faster Than the Speed of Night.
Bat Out of Hell is the 1977 debut album by American rock singer Meat Loaf and composer Jim Steinman. The album was developed from a musical, Neverland, a futuristic rock version of Peter Pan, which Steinman wrote for a workshop in 1974. It was recorded during 1975–1976 at various studios, including Bearsville Studios in Woodstock, New York, produced by Todd Rundgren, and released in October 1977 by Cleveland International/Epic Records. Bat Out of Hell spawned two Meat Loaf sequel albums: Bat Out of Hell II: Back into Hell (1993) and Bat Out of Hell III: The Monster Is Loose (2006).
"Paradise by the Dashboard Light" is a song written by Jim Steinman. It was released in 1977 on the album Bat Out of Hell, with vocals by American musicians Meat Loaf and Ellen Foley. An uncommonly long song for a single, it has become a staple of classic rock radio and has been described as the "greatest rock duet".
Bad for Good is the only studio album by American songwriter Jim Steinman. Steinman wrote all of the songs and performed on most, although Rory Dodd contributed lead vocals on some tracks.
Bat Out of Hell II: Back into Hell is the sixth studio album by American rock singer Meat Loaf and the second one in the Bat Out of Hell trilogy, which was written and produced by Jim Steinman. It was released on September 14, 1993, sixteen years after Meat Loaf's first solo album Bat Out of Hell. The album reached number 1 in the United States, United Kingdom and Canada. Five tracks were released as singles, including "I'd Do Anything for Love ", which reached number 1 in 28 countries.
"I'd Do Anything for Love (But I Won't Do That)" is a song written by Jim Steinman, and recorded by American rock singer Meat Loaf featuring Lorraine Crosby. The song was released in August 1993 by MCA and Virgin as the first single from the singer's sixth album, Bat Out of Hell II: Back into Hell (1993). The last six verses feature Crosby, who was credited only as "Mrs. Loud" in the album notes. She does not appear in the accompanying music video, directed by Michael Bay, in which her vocals are lip-synched by Dana Patrick. Meat Loaf promoted the single with American singer Patti Russo.
Couldn't Have Said It Better is the eighth studio album by Meat Loaf, released in the UK on April 21, 2003. For only the third time in his career, he released an album without any songs written by Jim Steinman. Meat Loaf claimed that Couldn't Have Said It Better was "the most perfect album [he] did since Bat Out of Hell".
Midnight at the Lost and Found is the third studio album by Meat Loaf, released in April 1983. This would be the final Meat Loaf release under Epic Records until The Very Best of Meat Loaf (1998).
Bat out of Hell: Live with the Melbourne Symphony Orchestra is a live album released by singer Meat Loaf in 2004 on the Mercury and Sanctuary labels.
Live Around the World is a live album by Meat Loaf, released in 1996 to capitalize on his two recent successes, Bat Out of Hell II: Back into Hell and Welcome to the Neighbourhood. The album was recorded at various times between 1987 and 1996. The album is limited to a release of 250,000 copies worldwide.
Kasim Sulton is an American bass guitarist, keyboardist and vocalist. Best known for his work with Utopia, Sulton sang lead on 1980's "Set Me Free," Utopia's only top 40 hit in the United States. As a solo artist, Sulton hit the Canadian top 40 in 1982 with "Don't Break My Heart".
Bat Out of Hell III: The Monster Is Loose is the ninth studio album by Meat Loaf, and the third and final album in the Bat Out of Hell trilogy. It was released in Ireland on October 20, 2006, 29 years after Bat Out of Hell (1977), and 13 years after Bat Out of Hell II: Back into Hell (1993). It was released in the UK on October 23, 2006, and in the US on October 31, 2006.
"It's All Coming Back to Me Now" is a power ballad written by Jim Steinman. According to Steinman, the song was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create. The Sunday Times posits that "Steinman protects his songs as if they were his children". Meat Loaf, who had collaborated with Steinman on most of his hit songs, had wanted to record the song for years, but Steinman refused, saying he saw it as a "woman's song". Steinman won a court case, which prevented Meat Loaf from recording it. Girl group Pandora's Box went on to record it, and it was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf because he was going to use it for a planned album with the working title Bat Out of Hell III.
Original Sin is a concept album performed by Pandora's Box and produced by Jim Steinman. It was released on November 6, 1989. Steinman wrote the majority of this album, although there are a couple of cover versions. It was the group's only album, and was a commercial flop.
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"Objects in the Rear View Mirror May Appear Closer Than They Are" is a song composed and written by Jim Steinman, and recorded by Meat Loaf. The song was released in 1994 as the third single from the album Bat Out of Hell II: Back into Hell and it reached number 38 on US's Billboard Hot 100, and number 26 in the UK Top 40. With its chart success, this song became the hit with the longest un-bracketed title at fifty-two characters as of 2007. The title is derived from the safety warning on car side mirrors in the US, "Objects in mirror are closer than they appear".
"You Took the Words Right Out of My Mouth" (also known as "You Took the Words Right Out of My Mouth (Hot Summer Night)") is the first solo single by the American singer Meat Loaf, released in 1977. It is a track from his album Bat Out of Hell, written by Jim Steinman.
"Good Girls Go to Heaven (Bad Girls Go Everywhere)" is a song written by Jim Steinman. It was first performed by Megumi Shiina as "Kanashimi Wa Tsudzukanai" (悲しみは続かない, lit. "sadness doesn't last") and used as the opening to the 1986 Japanese TV drama Kono Ko Dare no Ko? The song was first performed in English by Pandora's Box, on their 1989 album, Original Sin, with Holly Sherwood singing lead vocals.
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