Blowhard | |
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Directed by | Brad Caslor Christopher Hinton |
Produced by | Jerry Krepakevich Derek Mazur |
Narrated by | Maara Haas |
Edited by | Jerry Krepakevich |
Production company | |
Release date |
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Running time | 10 minutes |
Country | Canada |
Language | English |
Blowhard is a Canadian animated short film, directed by Brad Caslor and Christopher Hinton for the National Film Board of Canada in 1978. [1] A satire of capitalism, the film centres on a businessman who moves to Blowhard, a town populated by dragons but without electrical power, and formulates a plan to profit and become rich by exploiting the dragons as a power source. [2]
The film was made for the NFB's Renewable Society series. [2] It also served as a subtle comment on Western Canadian alienation, as businessman J. B. Edwards was "from the East" and the town of Blowhard was "in the West". [2] It was narrated by Maara Haas, and also featured Wayne Finucan as the voice of J. B. Edwards.
The film received a Canadian Film Award nomination for Best Animated Short Film at the 29th Canadian Film Awards in 1978 [3] and it won a Golden Sheaf Award for Best Animation at the Yorkton Film Festival. [4]
It was later broadcast in the United States on Cartoon Network's O Canada anthology series of NFB animated shorts.
The National Film Board of Canada is a Canadian public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
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