| Blue Note Revisited | |
|---|---|
 | |
| Remix album by various artists | |
| Released | 2004 |
| Genre | Jazz, hip hop |
| Label | Blue Note |
Blue Note Revisited is a 2004 Blue Note Records remix-compilation, released on that label. [1]
| Blue Note Revisited | |
|---|---|
| | |
| Remix album by various artists | |
| Released | 2004 |
| Genre | Jazz, hip hop |
| Label | Blue Note |
Blue Note Revisited is a 2004 Blue Note Records remix-compilation, released on that label. [1]
Donaldson Toussaint L'Ouverture Byrd II was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was known as one of the rare bebop jazz musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock.
Joe Henderson was an American jazz tenor saxophonist. In a career spanning more than four decades, Henderson played with many of the leading American players of his day and recorded for several prominent labels, including Blue Note, Milestone, and Verve.
Melbourne Robert "Bob" Cranshaw was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.
Walter Davis Jr. was an American hard bop pianist. An often remarkable and inventive bebop and hard bop pianist, Walter Davis Jr. once left the music world to be a tailor, but returned. A solid soloist, bandleader, and accompanist, he amassed a good body of work while never becoming a high-profile name even within the jazz community. Davis played with Babs Gonzales’ Three Bips & a Bop as a teen, then moved from Richmond to New York in the early ’50s. He played with Max Roach and Charlie Parker, recording with Roach in 1953. He joined Dizzy Gillespie’s band in 1956, and toured the Middle East and South America. He also played in Paris with Donald Byrd in 1958 and with Art Blakey & the Jazz Messengers in 1959. After retiring from music for a while to run his tailor shop, Davis returned in the ’60s, producing records and writing arrangements for a local New Jersey group. He studied music in India in 1979, and played with Sonny Rollins in the early ’70s.
Arthur S. Taylor Jr. was an American jazz drummer, who "helped define the sound of modern jazz drumming".
Kenneth Earl Burrell is an American jazz guitarist known for his work on the Blue Note label. His collaborations with Jimmy Smith produced the 1965 Billboard Top Twenty hit album Organ Grinder Swing. He has cited jazz guitarists Charlie Christian and Django Reinhardt as influences, along with blues guitarists T-Bone Walker and Muddy Waters. Furthermore, Jimi Hendrix, Stevie Ray Vaughan and Peter Frampton have cited Burrell as an influence.
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
Curtis DuBois Fuller is an American jazz trombonist, known as a member of Art Blakey's Jazz Messengers and contributor to many classic jazz recordings.
Vertigo is an album by American saxophonist Jackie McLean recorded in 1962 and 1963 but not released on the Blue Note label until 1980. The original 1980 release contained only the five tracks from 1963, while the later 2000 limited CD edition, released as part of the "Connoisseur Series", added six tracks from a 1962 session originally marked for release as Jackie McLean Quintet, first issued in 1978 as part of a double LP entitled Hipnosis.
"Little Girl Blue" is a popular song with music by Richard Rodgers and lyrics by Lorenz Hart, published in 1935. The song was introduced by Gloria Grafton in the Broadway musical Jumbo.
Walter Booker was an American jazz musician. A native of Prairie View, Texas, Booker was a reliable bass player and an underrated stylist. His playing was marked by voice-like inflections, glissandos and tremolo techniques.
Troublemakers, is an electronic music band from Marseille. It was formed by Fred Berthet, Lionel Corsini, and Arnaud Taillefer.
"I'm So Hood" is the second single from DJ Khaled's album We the Best (2007). The song features T-Pain, Trick Daddy, Rick Ross and Plies. "I'm So Hood" is one of Khaled's best-known songs.
Edward "DJ Eddie F" Ferrell is an American producer, DJ, songwriter, executive and entrepreneur. He is co-founder and partner of the rap group Heavy D & the Boyz. He is also mostly known for his various work and projects serving as the founder and owner of Untouchables Entertainment Group, Untouchables Records, numerous major label clients and their artists.
Kenny Cox was a jazz pianist performing in the post bop, hard bop and bebop mediums. Cox was pianist for singer Etta Jones during the 1960s and was also a member of a quintet led by trombonist George Bohannon. By the end of the late 1960s he had formed his own Kenny Cox and the Contemporary Jazz Quintet, which recorded two albums for Blue Note Records before the end of the decade. Cox has appeared as a contributor on various albums, and has also performed live with such musicians as Rahsaan Roland Kirk, Eddie Harris, Jackie McLean, Roy Haynes, Ben Webster, Wes Montgomery, Kenny Dorham, Philly Joe Jones, Kenny Burrell, Donald Byrd, Roy Brooks, Charles McPherson, and Curtis Fuller. During the 1980s he formed the Detroit-based Guerilla Jam Band, a group which performed with Regina Carter, James Carter, Tani Tabbal, and Craig Taborn. Cox was responsible for the short-lived Strata Records.
Wendell Marshall was an American jazz double-bassist.
This is the discography of Blue Note Records, the American jazz record label. Most of the records were studio recordings produced by Alfred Lion or Francis Wolff. The two main series were '1500', which ran from 1955 to 1958, and '4000', which ran c.1958 to 1972. The 'BN-LA' series followed during the 1970s: this series contained many compilations and reissues in addition to new studio albums.
The New Groove: The Blue Note Remix Project is a 1996 Blue Note Records remix-compilation, released on that label. The AllMusic reviewer wrote: "almost all of the tracks work well, pointing out the direct lines connecting the groovy hipness of jazz with the best of modern hip-hop".
Free Form is an album by American trumpeter Donald Byrd featuring Byrd with Wayne Shorter, Herbie Hancock, Butch Warren, and Billy Higgins recorded in 1961 and released on the Blue Note label later in 1966. It was remastered in 2003 and reissued on CD. On the CD reissue, the original stereo release is erroneously given as "BST 84106" instead of BST 84118.
One Flight Up is an album by American jazz saxophonist Dexter Gordon recorded in 1964 in Paris and released on the Blue Note label.
