Blueprints of Jazz Vol. 2 | ||||
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Studio album by | ||||
Released | 2008 | |||
Recorded | August 8–10, 2006 | |||
Studio | Talking House Productions | |||
Genre | Jazz | |||
Label | Talking House Records THR0810-019A | |||
Producer | Marc Weibel, Stephen Smith | |||
Billy Harper chronology | ||||
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Blueprints of Jazz Vol. 2 is an album by saxophonist Billy Harper recorded in 2006 and released in 2008 on the Talking House Records label. [1] It is part of the Blueprints of Jazz series conceived, produced and recorded by Talking House Productions [2] with an aim to expose the histories and current work of important but often lesser-known jazz players who had contributed to the sounds of jazz legends from the 50s, 60s, and 70s. Production and recording of the albums was helmed by Talking House producers Marc Weibel and Stephen Smith [3] [4] [5] [6]
Review scores | |
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Source | Rating |
AllMusic | [7] |
In his review for AllMusic, Michael G. Nastos states "Certainly a celebration for fans of the 65-year-old Harper and a welcome addition to his potent discography, this CD represents him playing at an exceptionally high level, staying true to his spirit, and still making powerful music". [7] In JazzTimes Michael J. West wrote "The album is a tableau of Harper's spiritual jazz, bookended with Amiri Baraka poems on the music's evolution in both America and Africa. When it's on point, Blueprints is brilliant; when it's off, it just misses the mark". [8]
All compositions by Billy Harper except where noted.
Michael Jeffrey Clark is an American drummer. He gained worldwide recognition as one of America's foremost jazz and funk drummers while playing with Herbie Hancock in the early 1970s. His incisive playing on Hancock's Actual Proof garnered him an international cult following and influenced generations of drummers throughout the world.
Amiri Baraka, previously known as LeRoi Jones and Imamu Amear Baraka, was an American writer of poetry, drama, fiction, essays, and music criticism. He was the author of numerous books of poetry and taught at several universities, including the University at Buffalo and Stony Brook University. He received the PEN/Beyond Margins Award in 2008 for Tales of the Out and the Gone. Baraka's plays, poetry, and essays have been described by scholars as constituting defining texts for African-American culture.
Coltrane is a studio album by jazz saxophonist, bandleader, and composer John Coltrane. It was recorded in April and June 1962, and released in July of that same year by Impulse! Records. At the time, it was overlooked by the music press, but has since come to be regarded as a significant recording in Coltrane's discography. When reissued on CD, it featured a Coltrane composition dedicated to his musical influence "Big Nick" Nicholas that the saxophonist recorded for his Duke Ellington collaboration Duke Ellington & John Coltrane (1963). The composition "Tunji" was written by Coltrane in dedication to the Nigerian drummer Babatunde Olatunji.
Lee Morgan is the final studio album by jazz trumpeter Lee Morgan, released only after his death in 1972. It was originally released on the Blue Note label in 1972 as a double LP, and features performances by Morgan, Grachan Moncur III, Bobbi Humphrey, Billy Harper, Harold Mabern, Reggie Workman, Jymie Merritt and Freddie Waits.
The Sixth Sense is an album by jazz trumpeter Lee Morgan, released on the Blue Note label in 1970. The album features performances by Morgan, Jackie McLean, Frank Mitchell, Cedar Walton, Victor Sproles and Billy Higgins. The CD reissue added three tracks featuring Harold Mabern and Mickey Bass.
Breaking Point! is an album by trumpeter Freddie Hubbard, recorded on May 7, 1964, and released on the Blue Note label. Although it features performances by Hubbard's recent collaborators Ronnie Mathews and Eddie Khan, it was a departure in style from his work with Mathews and the Jazz Messengers.
Africaine is a collection of 1959 recordings by jazz artist Art Blakey and The Jazz Messengers. The collection was not released until over 20 years after it was recorded. The album features tenor-saxophonist Wayne Shorter in his first recording with The Jazz Messengers, trumpeter Lee Morgan, pianist Walter Davis, Jr. and bassist Jymie Merritt.
Donald Orlando "Duck" Bailey was an American jazz drummer.
Julian "Cannonball" Adderley is the second album by jazz saxophonist Cannonball Adderley, and his first released on the EmArcy label, featuring an octet with Nat Adderley, Jerome Richardson, Cecil Payne, John Williams, Paul Chambers, Jimmy Cleveland or J. J. Johnson, and Kenny Clarke or Max Roach arranged by Quincy Jones.
Mutima is the debut album led by bassist Cecil McBee recorded in 1974 and first released on the Strata-East label.
Libra is the debut album by saxophonist Gary Bartz' Quintet, recorded in 1967 and released on the Milestone label.
Soul of An Angel is an album by saxophonist Billy Harper recorded in 1999 and released on the Metropolitan label.
The Peacocks is an album by pianist Jimmy Rowles featuring saxophonist/album producer Stan Getz which was recorded in 1975 and released on the Columbia label in 1977. The album was one of several released in the 1960s and 1970s where Rowles spelled his first name as "Jimmie".
Spirit Song is an album by pianist Kenny Barron recorded in New York in 1999 and released on the Verve label.
The Jaz Life is an album by the American jazz trumpeter Malachi Thompson, recorded in 1991 and released by the Delmark label the following year. "Mystic Trumpet Man" is a tribute to Miles Davis.
Freebop Now! is an album by the American jazz trumpeter Malachi Thompson recorded and released by the Delmark label in 1998.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
Opus de Life is a live album by the Profound Sound Trio: drummer Andrew Cyrille, saxophonist Paul Dunmall, and bassist/violinist Henry Grimes. It was recorded in June 2008 at the Vision Festival held at the Clemente Soto Velez Cultural and Educational Center in New York City, and was released by Porter Records in 2009.
Call It Art is an album by the New York Art Quartet. It contains previously unissued live and studio tracks recorded in 1964 and 1965, and was released in limited quantities as a five-LP box set by Triple Point Records in 2013. The album includes a 156-page clothbound book containing liner notes by Ben Young, photos, reproductions of manuscripts, and a complete history and itinerary of the group, housed in a custom wooden box. Musicians featured on the album are saxophonist John Tchicai, trombonist Roswell Rudd, bassists Bob Cunningham, Don Moore, Eddie Gómez, Lewis Worrell, and Reggie Workman, and drummers J. C. Moses and Milford Graves. Trumpeter Alan Shorter appears on several tracks, and Amiri Baraka also makes a guest appearance.
An Afternoon in Harlem is an album by trumpeter Hugh Ragin. It was recorded on December 6 and 7, 1998, at Sound on Sound Studios in New York City, and was released in 1999 by Justin Time Records. On the album, Ragin is joined by bass clarinetist David Murray, pianist Craig Taborn, bassist Jaribu Shahid, and drummers Bruce Cox and Andrew Cyrille. Amiri Baraka also appears on the track titled "When Sun Ra Gets Blue."