Blues Everywhere I Go | ||||
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Studio album by | ||||
Released | 1999 | |||
Recorded | March 22–June 21, 1999 | |||
Studio | Tiki Recording Studios, Glen Cove, New York | |||
Genre | Folk, blues | |||
Length | 63:34 | |||
Label | M.C. | |||
Producer | Seth Farber, Mark Carpentieri | |||
Odetta chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
Blues Everywhere I Go is an album by American folk singer Odetta, released in 1999. It was her first new release in more than a decade.
Allmusic said in their review: "... time doesn't appear to have affected her interpretive skills or the range and quality of her voice, which remains one of the most remarkable instruments in American folk and blues music to date."
Blues Everywhere I Go was nominated for a Grammy Award for Best Traditional Blues Album at the 42nd Grammy Awards. It was her first nomination after over 50 years of recording. [2]
Tony Russell "Charles" Brown was an American singer and pianist whose soft-toned, slow-paced nightclub style influenced West Coast blues in the 1940s and 1950s. Between 1949 and 1952, Brown had seven Top 10 hits in the U.S. Billboard R&B chart. His best-selling recordings included "Driftin' Blues" and "Merry Christmas Baby".
Big Bill Broonzy was an American blues singer, songwriter, and guitarist. His career began in the 1920s, when he played country music to mostly African-American audiences. In the 1930s and 1940s, he navigated a change in style to a more urban blues sound popular with working-class black audiences. In the 1950s, a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. His long and varied career marks him as one of the key figures in the development of blues music in the 20th century.
Odetta Holmes, known as Odetta, was an American singer, often referred to as "The Voice of the Civil Rights Movement". Her musical repertoire consisted largely of American folk music, blues, jazz, and spirituals. An important figure in the American folk music revival of the 1950s and 1960s, she influenced many of the key figures of the folk-revival of that time, including Bob Dylan, Joan Baez, Mavis Staples, and Janis Joplin. In 2011 Time magazine included her recording of "Take This Hammer" on its list of the 100 Greatest Popular Songs, stating that "Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music."
Odetta Sings Ballads and Blues is the debut solo album by American folk singer Odetta. It was released in November 1956 by Tradition Records.
Odetta is the 1967 album by Odetta. It is viewed as one of her most "commercial", but it has not subsequently been re-released on CD as many of her other albums were.
Nothin' but the Blues is a 1984 album by the American jazz and blues singer Joe Williams with Red Holloway & His Blues All-Stars. For his work on the album, Williams was awarded the 1985 Grammy for Best Jazz Vocal Performance.
Odetta and the Blues is an album by folk singer Odetta, released in 1962.
City Streets is the 14th album by American singer-songwriter Carole King, released in 1989. It was her first album after six-year hiatus from her recording career, co-produced by Rudy Guess who supported her as a backing guitarist in later years.
Odetta's discography is large and diverse, covering over 50 years and many record labels.
Looking for a Home is an album by American folk singer Odetta, released in 2001. It consists of songs written and/or performed by Huddie Ledbetter, better known as Leadbelly. It was her 18th and final studio album.
Gonna Let It Shine: A Concert for the Holidays, is a live album by American folk singer Odetta, released in 2005. It was recorded at Fordham University in New York City for a public radio broadcast.
Odetta Sings the Blues is an album by American folk singer Odetta, released in 1968. It is a reissue of the 1962 Riverside release Odetta and the Blues.
Best of the M.C. Records Years 1999–2005 is a compilation album by American folk singer Odetta, released in 2006. It contains songs she recorded on the M.C. Records label.
Timeless is a 1986 album by Diane Schuur, accompanied by a big band, arranged by Billy May, Johnny Mandel, Patrick Williams and Jeremy Lubbock.
Yesterday's Love Songs/Today's Blues is a 1963 studio album by Nancy Wilson, arranged by Gerald Wilson. It was her highest charting album, entering the Billboard Top 200 on January 25, 1964, and ultimately reaching No. 4. It remained on the chart for 42 weeks. The 1991 CD edition featured a different cover image and added five bonus tracks drawn from other sessions with Gerald Wilson.
Goin' to the Meeting is an album by saxophonist Eddie "Lockjaw" Davis recorded in 1962 for the Prestige label.
Asphalt Canyon Suite is a studio album by the jazz guitarist Kenny Burrell. It was recorded in 1969 and released on the Verve label.
Please Send Me Someone to Love is an album by American jazz pianist Phineas Newborn Jr. recorded in 1969 and released on the Contemporary label. The album was recorded at the same sessions that produced Harlem Blues.
The Way We Were: Live in Concert is a live album by vocalist Etta Jones and saxophonist Houston Person which was recorded in Cleveland in 2000 but not released on the Highnote label until 2011.
Kidney Stew Is Fine is an album by the American saxophonist/vocalist Eddie "Cleanhead" Vinson recorded in France in 1969, and originally released by the French Black & Blue label as Wee Baby Blues, before being re-released by the Delmark label in the United States.