Blues a la Mode | ||||
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Studio album by Budd Johnson | ||||
Released | 1958 | |||
Recorded | February 11 and 14, 1958 | |||
Studio | NYC | |||
Genre | Jazz | |||
Label | Felsted FAJ.7007 | |||
Producer | Stanley Dance | |||
Budd Johnson chronology | ||||
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Blues a la Mode is an album by saxophonist Budd Johnson which was recorded in 1958 and released on the Felsted label. [1] [2]
Albert J. "Budd" Johnson III was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines.
Felsted Records was the name of two record labels. The UK version began as a subsidiary of Decca Records in July 1954 with music mainly in the jazz and dance band genres and recordings leased from the French Blue Star, Riviera, and Classique labels. The label took its name from the village where Sir Edward Lewis, the head of UK Decca, lived. The British label's only release of note was "Smokie", the first single by Bill Black's Combo, Black having been Elvis Presley's bassist, licensed from Hi Records.
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Review scores | |
Source | Rating |
AllMusic |
Scott Yanow of AllMusic states, "The leader contributed all six numbers and stars in prime form throughout; Shavers and Bryant also fare quite well". [3]
AllMusic is an online music database. It catalogs more than 3 million album entries and 30 million tracks, as well as information on musical artists and bands. It launched in 1991, predating the World Wide Web.
All compositions by Budd Johnson except where noted.
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B♭ (while the Alto is pitched in the key of E♭), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F♯ key have a range from A♭2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists".
Charles James Shavers was an American swing era jazz trumpeter who played with Dizzy Gillespie, Nat King Cole, Roy Eldridge, Johnny Dodds, Jimmie Noone, Sidney Bechet, Midge Williams, and Billie Holiday. He was an arranger and composer, and one of his compositions, "Undecided", is a jazz standard.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
High Blues Pressure is an album by trumpeter Freddie Hubbard. It was his second release on the Atlantic label and features performances by Hubbard, James Spaulding, Bennie Maupin, Herbie Lewis, Roman "Dog" Broadus, Weldon Irvine, Kenny Barron, Freddie Waits, Louis Hayes, Howard Johnson, and Kiane Zawadi.
Great Jazz Standards is an album by jazz composer, arranger, conductor and pianist Gil Evans recorded in 1959 by Evans with an orchestra featuring Johnny Coles, Steve Lacy, Curtis Fuller, Jimmy Cleveland, Budd Johnson, Ray Crawford, and Elvin Jones.
First Time! The Count Meets the Duke is an album by American pianists, composers and bandleaders Duke Ellington and Count Basie with their combined Orchestras recorded and released on the Columbia label in 1961.
Hawk Eyes is an album by saxophonist Coleman Hawkins which was recorded in 1959 and released on the Prestige label.
Color Changes is an album by trumpeter Clark Terry featuring performances recorded in late 1960 and originally released on the Candid label.
Jazz Giant is an album by saxophonist Benny Carter that was recorded in 1957 and 1958 and released by Contemporary Records.
Salute to the Flute is an album by American jazz flautist Herbie Mann featuring tracks recorded in 1957 for the Epic label.
The Great Wide World of Quincy Jones is an album by Quincy Jones that was released by Mercury.
On Stage is an album by the Gerald Wilson Orchestra recorded in 1965 and released on the Pacific Jazz label.
Swinging Like Tate is an album by saxophonist Buddy Tate which was recorded in 1958 and released on the Felsted label.
The High and Mighty Hawk is an album by saxophonist Coleman Hawkins which was recorded in 1958 and released on the Felsted label.
Rendezvous with Rex is an album by cornetist Rex Stewart which was recorded in 1958 and released on the Felsted label.
Bones for the King is an album by trombonist Dicky Wells which was recorded in 1958 and released on the Felsted label.
All About Memphis is an album by clarinetist Buster Bailey which was recorded in 1958 and released on the Felsted label.
Budd Johnson and the Four Brass Giants is an album by saxophonist Budd Johnson which was recorded in 1960 and released on the Riverside label.
Let's Swing! is an album by saxophonist Budd Johnson which was recorded in 1960 and released on the Swingville label.
French Cookin' is an album by saxophonist Budd Johnson which was recorded in 1963 and released on the Argo label.
Triple Play is an album by American jazz saxophonist Johnny Hodges recorded in 1967 and released on the RCA Victor label.
Creole Cookin', is an album by cornetist Bobby Hackett which was released on the Verve label in 1967.
Blue Stompin' is an album by the saxophonist Hal Singer with trumpeter Charlie Shavers that was recorded in 1959 for the Prestige label.