Blum Affair | |
---|---|
Directed by | Erich Engel |
Written by | Robert A. Stemmle |
Produced by | Herbert Uhlich |
Starring | Hans Christian Blech Ernst Waldow Karin Evans |
Cinematography | Friedl Behn-Grund Karl Plintzner |
Edited by | Lilian Seng |
Music by | Herbert Trantow |
Production company | |
Release date |
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Running time | 109 minutes |
Country | East Germany |
Language | German |
Blum Affair (German : Affaire Blum) is a 1948 German drama film directed by Erich Engel and starring Hans Christian Blech, Ernst Waldow and Karin Evans. It is based on a real 1926 case in Magdeburg in which a German Jewish industrialist is tried for murder. [1] The film was produced in the future East Germany and produced by DEFA. It was shot at the Babelsberg Studios and Althoff Studios in the Soviet zone. The film's sets were designed by the art director Emil Hasler.
Bosley Crowther, critic for The New York Times , praised it as "a trenchant dramatic exposition of the way in which an innocent German Jew is almost destroyed by nascent Nazis—back in 1926." [2]
The film sold more than 4,330,000 tickets, making it one of DEFA's all-time most successful productions. [3]
Street Acquaintances is a 1948 German drama film directed by Peter Pewas and starring Gisela Trowe, Alice Treff and Ursula Voß. It was made by the Communist-controlled DEFA studios in the Soviet Zone of Germany Released in both the future West and East Germany it was a popular hit and sold 6,469,626 tickets. While it can be regarded as using a style that resembled the Italian neorealist films of the era, it has also been suggested that it returns to the more traditional style of the Weimar era. It portrays the dangers of spreading venereal disease.
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Gerhard Max Richard Bienert was a German stage and film actor.
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The Green Domino is a 1935 German mystery drama film directed by Herbert Selpin and starring Brigitte Horney, Karl Ludwig Diehl and Theodor Loos. It was shot at the Babelsberg Studios in Berlin and on location in Bavaria around Munich and the Tegernsee. The film's sets were designed by the art directors Otto Hunte and Willy Schiller. It is based on the novel Der Fall Claasen by Erich Ebermayer. A separate French-language version Le Domino vert was also produced, directed by Selpin and Henri Decoin but featuring a different cast.