Boguslaw Lustyk (born 1940 in Warsaw, Poland) [1] is a poster artist of the Polish School of Posters. [2] [3]
He graduated summa cum laude from the Academy of Fine Arts in Warsaw in 1965. Lustyk has worked as a painter, poster designer and graphic artist since 1965. His style is poetic and creative, lighthearted and amusing, usually employing muted tones. He specializes in equine posters. [4]
Major one-man exhibitions include:
Other exhibitions:
WojciechBonawentura Fangor, also known as Voy Fangor, was a Polish painter, graphic artist, sculptor. Described as "one of the most distinctive painters to emerge from postwar Poland," Fangor has been associated with Op art and Color field movements and recognized as a key figure in the history of Polish abstract art. As a graphic artist, Fangor is known as a co-creator of the influential Polish School of Posters. Between 1953 and 1961, he designed over one hundred posters working alongside Henryk Tomaszewski, Jan Lenica and others.
Wiesław Rosocha was a Polish illustrator and graphic designer. Rosocha attended Warsaw Academy of Fine Arts from 1969 to 1974.
Wiesław Wałkuski is a graphic designer born in Poland. Today he is much exhibited and works as a freelancer painter and poster artist.
Jan Młodożeniec was a Polish graphic designer. He worked in posters, drawing, book and publication design, and illustration.
Roman Cieślewicz was a Polish graphic artist and photographer.
Jan Sawka was a Polish-born American artist and architect.
Ursula von Rydingsvard is a sculptor who lives and works in Brooklyn, New York. She is best known for creating large-scale works influenced by nature, primarily using cedar and other forms of timber.
Józef Mroszczak was a Polish graphic designer and representative of the Polish School of Posters.
Félix Juan Alberto Beltrán Concepción was a Cuban artist and one of the most important Latin American designers. He had a career as a graphic designer, painter, draftsman, and engraver.
Waldemar Świerzy was a Polish artist.
Tadeusz Jodłowski was a Polish artist.
Eduard Ovčáček was a Czech graphic artist, sculptor, lettrist, painter, and professor at the University of Ostrava. His main artistic focus was classical graphic art, visual and concrete poetry, serigraphic art (screen-print), collage, lettrist photography, events and installations, structural and digital graphic art. Paintings, sculptures, and geometrical objects fell within his interest as well.
Laurence Whitfield is an English artist. He was a member of The Peterloo Group, and studied at Manchester Regional College of Art, now known as Manchester College of Arts and Technology (MANCAT).
The Poster Museum at Wilanów is the world's oldest poster museum. Founded in 1968, the museum is housed at the Wilanów Palace complex in Warsaw, Poland.
Igor Alekseevich Novikov, also Igor Alexejewitsch Nowikow, (Russian): Новиков, Игорь Алексеевич is a Swiss- Russian painter, art theorist, philosopher, a bbrght representative of sotsarta, member of the Russian Academy of Arts. Art Igor Novikov belongs to one of the areas of postmodern art, Sots Art. He belongs to the generation of Moscovian Soviet Nonconformist Art painters who have been shaped by the demise of the Soviet Union. Igor Novikov creates his own style of drawing, his philosophy in painting, his own direction – suggestisms.
Urszula Plewka-Schmidt was a Polish artist and teacher, a co-founder of the "Polish school of tapestry", creator of monumental wall compositions.
Anna Ziaja is a Polish contemporary painter and print maker.
Bogusław Szwacz was a Polish-born artist, painter, sculptor, professor and lecturer at Warsaw Academy of Fine Arts.
Lubomir Wojciech Tomaszewski was a Polish-American painter, sculptor and designer born in Warsaw, Poland. He lived in United States since 1966.
Jan Le Witt (1907–1991) was a Polish-born British abstract artist, graphic designer and illustrator. He had a long professional partnership with George Him. As a design company, Lewitt-Him brought an innovative use of colour, abstraction and symbolism to commercial design. They established a reputation for fine poster work during World War Two and for exhibition displays, most notably with the Guinness clock for the Festival of Britain. The partnership dissolved in 1955 when Le Witt decided to concentrate upon his own, often abstract, art.