James Henry Miller, better known by his stage name Ewan MacColl, was an English folk singer-songwriter, folk song collector, labour activist and actor. Born in England to Scottish parents, he is known as one of the instigators of the 1960s folk revival as well as for writing such songs as "The First Time Ever I Saw Your Face" and "Dirty Old Town".
The redcap is a type of malevolent, murderous goblin found in Border folklore. He is said to inhabit ruined castles along the Anglo-Scottish border, especially those that were the scenes of tyranny or wicked deeds and is known for soaking his cap in the blood of his victims. He is also known as Redcomb and Bloody Cap.
"Lamkin", "Lambkin", "Long Lankin", or "Bolakins" is an English-language ballad. It gives an account of the murder of a woman and her infant son by a man, in some versions, a disgruntled mason, in others, a devil, bogeyman or a motiveless villain. Versions of the ballad are found in Scotland, England and the US.
"The Three Ravens" is an English folk ballad, printed in the songbook Melismata compiled by Thomas Ravenscroft and published in 1611, but the song is possibly older than that. Newer versions were recorded up through the 19th century. Francis James Child recorded several versions in his Child Ballads.
"The Unquiet Grave" is an Irish / English folk song in which a young man's grief over the death of his true love is so deep that it disturbs her eternal sleep. It was collected in 1868 by Francis James Child as Child Ballad number 78. One of the more common tunes used for the ballad is the same as that used for the English ballad "Dives and Lazarus" and the Irish pub favorite "Star of the County Down".
"Captain Wedderburn's Courtship" is an old Scottish ballad dating from 1785 or earlier. It is Child Ballad #46, Roud 36. It is known by a number of titles, including "Lord Roslin's Daughter" and "The Laird of Rosslyn's Daughter".
"The Two Sisters" is a traditional murder ballad, dating at least as far back as the mid 17th century. The song recounts the tale of a girl drowned by her jealous sister. At least 21 English variants exist under several names, including "Minnorie" or "Binnorie", "The Cruel Sister", "The Wind and Rain", "Dreadful Wind and Rain", "The Bonny Swans" and the "Bonnie Bows of London". The ballad was collected by renowned folklorist Francis J. Child as Child Ballad 10 and is also listed in the Roud Folk Song Index. Whilst the song is thought to originate somewhere around England or Scotland, extremely similar songs have been found throughout Europe, particularly in Scandinavia.
"The Great Silkie of Sule Skerry" or "The Grey Selkie of Sule Skerry" is a traditional folk song from Orkney and Shetland. A woman has her child taken away by its father, the great selkie of Sule Skerry which can transform from a seal into a human. The woman is fated to marry a gunner who will harpoon the selkie and their son.
"Geordie" is an English language folk song concerning the trial of the eponymous hero whose lover pleads for his life. It is listed as Child ballad 209 and Number 90 in the Roud Folk Song Index. The ballad was traditionally sung across the English speaking world, particularly in England, Scotland and North America, and was performed with many different melodies and lyrics. In recent times, popular versions have been performed and recorded by numerous artists and groups in different languages, mostly inspired by Joan Baez's 1962 recording based on a traditional version from Somerset, England.
"Seventeen Come Sunday", also known as "As I Roved Out", is an English folk song which was arranged by Percy Grainger for choir and brass accompaniment in 1912 and used in the first movement of Ralph Vaughan Williams' English Folk Song Suite in 1923. The words were first published between 1838 and 1845.
Cruel Sister is an album recorded in 1970 by folk-rock band Pentangle. It was the most folk-based of the albums recorded by the band, with all the tracks being versions of traditional songs. Whereas their previous album had been produced by Shel Talmy, and featured quite a heavily produced, commercial sound, Cruel Sister was produced by Bill Leader, noted for his recordings of folk musicians.
Minstrelsy of the Scottish Border is an anthology of Border ballads, together with some from north-east Scotland and a few modern literary ballads, edited by Walter Scott. It was first published by Archibald Constable in Edinburgh in 1802, but was expanded in several later editions, reaching its final state in 1830, two years before Scott's death. It includes many of the most famous Scottish ballads, such as "Sir Patrick Spens", "The Young Tamlane", "The Twa Corbies", "The Douglas Tragedy", "Clerk Saunders", "Kempion", "The Wife of Usher's Well", "The Cruel Sister", "The Dæmon Lover", and "Thomas the Rhymer". Scott enlisted the help of several collaborators, notably John Leyden, and found his ballads both by field research of his own and by consulting the manuscript collections of others. Controversially, in the editing of his texts he preferred literary quality over scholarly rigour, but Minstrelsy of the Scottish Border nevertheless attracted high praise from the first. It was influential both in Britain and on the Continent, and helped to decide the course of Scott's later career as a poet and novelist. In recent years it has been called "the most exciting collection of ballads ever to appear".
Dúlamán is the third studio album by Irish folk group Clannad. It was released in 1976. It is named for its first track, a rendition of the Irish folk song "Dúlamán".
"Byker Hill" is a traditional English folk song about coal miners, Roud 3488 that has been performed by many contemporary acts. There are at least three different tunes to which the song is sung.
Ninestane Rig is a small stone circle in Scotland near the English border. Located in Roxburghshire, near to Hermitage Castle, it was probably made between 2000 BC and 1250 BC, during the Late Neolithic or early Bronze Age. It is a scheduled monument and is part of a group with two other nearby ancient sites, these being Buck Stone standing stone and another standing stone at Greystone Hill. Settlements appear to have developed in the vicinity of these earlier ritual features in late prehistory and probably earlier.
Boiled in Lead is a folk-punk/worldbeat band based in Minneapolis, Minnesota, and founded in 1983. Tim Walters of MusicHound Folk called the group "the most important folk-rock band to appear since the 1970s." Influential record producer and musician Steve Albini called the band's self-titled first album "the most impressive debut record from a rock band I've heard all year." Their style, sometimes called "rock 'n' reel," is heavily influenced by both traditional folk music and punk rock, and has drawn them praise as one of the few American bands of the 1980s and 1990s to expand on Fairport Convention's rocked-up take on traditional folk. Folk Roots magazine noted that Boiled in Lead's "folk-punk" approach synthesized the idealistic and archival approach of 1960s folk music with the burgeoning American alternative-rock scene of the early 1980s typified by Hüsker Dü and R.E.M. The band also incorporates a plethora of international musical traditions, including Russian, Turkish, Bulgarian, Scottish, Vietnamese, Hungarian, African, klezmer, and Romani music. Boiled in Lead has been hailed as a pioneering bridge between American rock and international music, and a precursor to Gogol Bordello and other gypsy-punk bands. While most heavily active in the 1980s and 1990s, the group is still performing today, including annual St. Patrick's Day concerts in Minneapolis. Over the course of its career, Boiled in Lead has released nearly a dozen albums and EPs, most recently 2012's The Well Below.
Hotheads is the second album by Twin Cities-based alt-rock/world-music band Boiled in Lead. Like its predecessor BOiLeD iN lEaD, it is strongly centered on a blend of alt-rock and traditional Celtic folk, and has been called its "most roundly Celtic" album.
Old Lead is an album by Minneapolis folk punk band Boiled in Lead. It collects the band's first two studio albums, 1985's BOiLeD iN lEaD and 1987's Hotheads, along with two tracks recorded during the Hotheads sessions.
From the Ladle to the Grave is the third album by Minneapolis folk punk band Boiled in Lead. It was the band's first recording with drummer Robin Adnan Anders, whose influence helped push the band further beyond Celtic rock into explorations of other world traditions. These included Bulgarian, Russian-Jewish, and Turkish music, as well as their version of The Hollies’ “Stop! Stop! Stop!” which interpolated a traditional Egyptian melody. The song "Cuz Mapfumo" simultaneously paid tribute to Chicago-based Irish musician Cuz Teahan and Zimbabwean Thomas Mapfumo.
Songs From the Gypsy is the sixth album by Minneapolis folk punk band Boiled in Lead, and its second with lead singer/guitarist Adam Stemple. It is a song cycle based on a Hungarian folk tale, written largely by Stemple and his Cats Laughing bandmate Steven Brust several years prior to Boiled in Lead's recording. Brust, who is best known as a fantasy novelist, collaborated with writer Megan Lindholm on a novel, The Gypsy, based on the songs. Boiled in Lead's album is considered the soundtrack to the novel. Brust had previously co-written two songs on Boiled in Lead's 1994 album Antler Dance, and had released a 1993 solo album, A Rose for Iconoclastes.
