Folk rock is a genre of rock music with heavy influences from English folk and American folk music. Combining the elements of folk and rock music, it arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music.
Scottish folk music is a genre of folk music that uses forms that are identified as part of the Scottish musical tradition. There is evidence that there was a flourishing culture of popular music in Scotland during the late Middle Ages, but the only song with a melody to survive from this period is the "Pleugh Song". After the Reformation, the secular popular tradition of music continued, despite attempts by the Kirk, particularly in the Lowlands, to suppress dancing and events like penny weddings. The first clear reference to the use of the Highland bagpipes mentions their use at the Battle of Pinkie Cleugh in 1547. The Highlands in the early seventeenth century saw the development of piping families including the MacCrimmons, MacArthurs, MacGregors and the Mackays of Gairloch. There is also evidence of adoption of the fiddle in the Highlands. Well-known musicians included the fiddler Pattie Birnie and the piper Habbie Simpson. This tradition continued into the nineteenth century, with major figures such as the fiddlers Niel and his son Nathaniel Gow. There is evidence of ballads from this period. Some may date back to the late Medieval era and deal with events and people that can be traced back as far as the thirteenth century. They remained an oral tradition until they were collected as folk songs in the eighteenth century.
The Waterboys are a British-Irish folk rock band formed in London in 1983 by Scottish musician and songwriter Mike Scott. The band's membership, past and present, has been composed mainly of musicians from Scotland, Ireland, Wales and England. Mike Scott has remained the only constant member throughout the band's career. They have explored a number of different styles, but their music is mainly a mix of folk music with rock and roll. They dissolved in 1993 when Scott departed to pursue a solo career. The group reformed in 2000, and continue to release albums and to tour worldwide. Scott emphasises a continuity between the Waterboys and his solo work, saying that "To me there's no difference between Mike Scott and the Waterboys; they both mean the same thing. They mean myself and whoever are my current travelling musical companions."
Celtic rock is a genre of folk rock, as well as a form of Celtic fusion which incorporates Celtic music, instrumentation and themes into a rock music context. It has been extremely prolific since the early 1970s and can be seen as a key foundation of the development of highly successful mainstream Celtic bands and popular musical performers, as well as creating important derivatives through further fusions. It has played a major role in the maintenance and definition of regional and national identities and in fostering a pan-Celtic culture. It has also helped to communicate those cultures to external audiences.
Adam Stemple is a Celtic-influenced American folk rock musician, based in Minneapolis, Minnesota. He is also the author of several fantasy short stories and novels, including two series of novels co-written with his mother, writer Jane Yolen.
The Paperboys are a Canadian folk music band from Vancouver that formed in 1991. The Paperboys blend Celtic folk with bluegrass, Mexican, Eastern European, African, zydeco, soul and country influences. The band has had a variety of members and line-ups since its original formation, with Landa remaining as the sole founding member, although veteran banjoist/bassist Cam Salay often returns as a guest performer. Known for consistently creating pop songs with melodic hooks, their music has been called versatile, with a wide range of influences, melding diverse musical influences more successfully than some other Irish rock bands have previously.
Tír na nÓg are an Irish folk duo formed in Dublin, Ireland, in 1969 by Leo O'Kelly and Sonny Condell. They are often considered one of the first progressive folk bands with other artists like Nick Drake or groups like Pentangle. Their music mainly consists of their own compositions, based on strong Celtic roots and typically featuring intricate acoustic guitar playing and close harmony singing. In their early years, they toured the folk clubs of the United Kingdom or internationally as a support act for several rock bands. Today, they sporadically give concerts, especially in Ireland.
Sharon Shannon is an Irish musician, best known for her work with the button accordion and for her fiddle technique. She also plays the tin whistle and melodeon. Her 1991 debut album, Sharon Shannon, was the best-selling album of traditional Irish music ever released in Ireland. Beginning with Irish folk music, her work demonstrates a wide-ranging number of musical influences. She won the lifetime achievement award at the 2009 Meteor Awards.
A Whisky Kiss is the second studio album by Scottish Celtic fusion band Shooglenifty. After releasing their first album Venus in Tweeds in 1994, the band toured, and then began work on A Whisky Kiss in late 1995. Some of the album's tracks were premiered in early 1996 ahead of its release. The album combines the band's Scottish Celtic music with genres such as worldbeat and techno. The band described the album as "acid croft", whilst one reviewer termed it a unique variation of Celtic rock.
Boiled in Lead is a rock/world-music band based in Minneapolis, Minnesota, and founded in 1983. Tim Walters of MusicHound Folk called the group "the most important folk-rock band to appear since the 1970s." Influential record producer and musician Steve Albini called the band's self-titled first album "the most impressive debut record from a rock band I've heard all year." Their style, sometimes called "rock 'n' reel," is heavily influenced by Celtic music, folk, and punk rock, and has drawn them praise as one of the few American bands of the 1980s and 1990s to expand on Fairport Convention's rocked-up take on traditional folk. Folk Roots magazine noted that Boiled in Lead's "folk-punk" approach synthesized the idealistic and archival approach of 1960s folk music with the burgeoning American alternative-rock scene of the early 1980s typified by Hüsker Dü and R.E.M. The band also incorporates a plethora of international musical traditions, including Russian, Turkish, Bulgarian, Scottish, Vietnamese, Hungarian, African, klezmer, and gypsy music. Boiled in Lead has been hailed as a pioneering bridge between American rock and international music, and a precursor to Gogol Bordello and other gypsy-punk bands. While most heavily active in the 1980s and 1990s, the group is still performing today, including annual St. Patrick's Day concerts in Minneapolis. Over the course of its career, Boiled in Lead has released nearly a dozen albums and EPs, most recently 2012's The Well Below.
BOiLeD iN lEaD, sometimes referred to as BOLD NED, is the first album by Twin Cities-based folk-punk band Boiled in Lead, self-released on its own label, The Crack. It received widespread critical praise after its release; record producer and musician Steve Albini called it "the most impressive debut record from a rock band I've heard all year." It is more strongly centered on a blend of alt-rock and traditional Celtic folk than the band's subsequent albums, though the Hungarian dance tune "Arpad's Guz" gives a hint of the band's later eclecticism. Boiled in Lead's first vocalist, Jane Dauphin, plays a larger role here than on Hotheads, her second and final album with the band, singing lead on most of BOiLeD iN lEaD's songs and helping anchor its sound in traditional folk. Bassist Drew Miller also performs lead vocal on a few songs, including "Byker Hill", but after this album would stay strictly an instrumentalist.
Hotheads is the second album by Twin Cities-based alt-rock/world-music band Boiled in Lead. Like its predecessor BOiLeD iN lEaD, it is strongly centered on a blend of alt-rock and traditional Celtic folk, and has been called its "most roundly Celtic" album.
Old Lead is an album by Minneapolis Celtic rock band Boiled in Lead. It collects the band's first two studio albums, 1985's BOiLeD iN lEaD and 1987's Hotheads, along with two tracks recorded during the Hotheads sessions.
From the Ladle to the Grave is the third album by Minneapolis Celtic rock band Boiled in Lead. It was the band's first recording with drummer Robin Adnan Anders, whose influence helped push the band further beyond Celtic rock into explorations of other world traditions. These included Bulgarian, Russian-Jewish, and Turkish music, as well as their version of The Hollies’ “Stop! Stop! Stop!” which interpolated a traditional Egyptian melody. The song "Cuz Mapfumo" simultaneously paid tribute to Chicago-based Irish musician Cuz Teahan and Zimbabwean Thomas Mapfumo.
Antler Dance is the fourth album by Minneapolis Celtic rock band Boiled in Lead. It was the band's first recording with vocalist/guitarist Adam Stemple, who replaced Todd Menton after his departure in 1992. Founding bassist Drew Miller has called this personnel change the most significant shift in the band's history. Fiddler Josef Kessler also replaced the departed David Stenshoel. Stemple's addition to the band led to a heavier, more heavy metal-influenced sound, as well as a strengthening of the band's ties to the science fiction and fantasy community. Two songs on Antler Dance were co-written by fantasy novelist and Stemple's Cats Laughing bandmate Steven Brust, and "Robin's Complaint" was written by Stemple's mother, novelist Jane Yolen. The album also includes covers of Boney M.'s "Rasputin" and Bruce Springsteen's "State Trooper", originally from his album Nebraska.
Songs From the Gypsy is the sixth album by Minneapolis Celtic rock band Boiled in Lead, and its second with lead singer/guitarist Adam Stemple. It is a song cycle based on a Hungarian folk tale, written largely by Stemple and his Cats Laughing bandmate Steven Brust several years prior to Boiled in Lead's recording. Brust, who is best known as a fantasy novelist, collaborated with writer Megan Lindholm on a novel, The Gypsy, based on the songs. Boiled in Lead's album is considered the soundtrack to the novel. Brust had previously co-written two songs on Boiled in Lead's 1994 album Antler Dance, and had released a 1993 solo album, A Rose for Iconoclastes.
Silver is the seventh album by Minneapolis Celtic rock band Boiled in Lead. The band's first studio album in 13 years, Silver also marked Boiled in Lead's 25th anniversary. The album also reflected a number of significant lineup changes. It was the band's first studio recording after the return of longtime lead singer Todd Menton, and the addition of guitarist Dean Magraw. Longtime drummer Robin Anders played on Silver and at the album's live release show, but would leave the group later that year.
The Well Below is a four-song EP by Twin Cities-based Celtic rock band Boiled in Lead, its eighth collection of new material. It includes a cover of Appalachian folk singer Roscoe Holcomb's "Wedding Dress" as well as the band's take on Irish songwriter Christy Moore's murder ballad "The Well Below the Valley."
Soup of the Century is an album by the British band 3 Mustaphas 3, released in 1990. It was the band's final studio album.
David Rockne Stenshoel was an American musician and visual artist, most well known as a longtime member of Celtic-rock and world-music group Boiled in Lead.
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