Boogie-Doodle | |
---|---|
Directed by | Norman McLaren |
Produced by | Norman McLaren |
Music by | Albert Ammons |
Distributed by | National Film Board of Canada (NFB) |
Release date |
|
Running time | 4 minutes |
Country | Canada |
Language | none |
Boogie-Doodle is a 1940 drawn-on-film visual music short by Norman McLaren, set to the boogie-woogie music of African-American jazz pianist Albert Ammons. [1] [2]
Though released by the National Film Board of Canada (NFB) in 1941, Boogie-Doodle was actually made by McLaren in New York City in 1940, a year before he was invited by John Grierson to Canada to found the NFB's animation unit. [3] McLaren, who had been influenced by the hand-painted films of Len Lye, was in New York exploring the technique on a grant from the Solomon Guggenheim Foundation, creating Boogie-Doodle along with three other cameraless films: Dots, Loops and Stars and Stripes. [4]
The animation in Boogie-Doodle coincides exactly with Ammon's musical piece, with McLaren's animation beginning at the very first bar and concluding at the final note. [5]
The National Film Board of Canada is a Canadian public film and digital media producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary films, animation, web documentaries, and alternative dramas. In total, the NFB has produced over 13,000 productions since its inception, which have won over 5,000 awards. The NFB reports to the Parliament of Canada through the Minister of Canadian Heritage. It has bilingual production programs and branches in English and French, including multicultural-related documentaries.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
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Wilbur Schwichtenberg, known professionally as Will Bradley, was an American trombonist and bandleader during the 1930s and 1940s. He performed swing, dance music, and boogie-woogie songs, many of them written or co-written by Don Raye.
Albert Clifton Ammons was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Kermit Holden "Pete" Johnson was an American boogie-woogie and jazz pianist.
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Joseph Albert Maurice Blackburn was a Canadian composer, conductor, sound editor for film, and builder of string instruments. He is known for his soundtracks for animated film.
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How Wings Are Attached to the Backs of Angels is a 1996 animated short by Canadian animator Craig Welch, produced by the National Film Board of Canada (NFB).
Non-narrative film is an aesthetic of cinematic film that does not narrate, or relate "an event, whether real or imaginary". It is usually a form of art film or experimental film, not made for mass entertainment.
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Guy Glover was a senior National Film Board of Canada (NFB) producer and administrator who was born in London, U.K. and died in Hudson, Canada.