Pas de deux | |
---|---|
Directed by | Norman McLaren |
Starring | |
Cinematography | Jacques Fogel |
Distributed by | National Film Board of Canada (NFB) |
Release date | 1968 |
Running time | 13 minutes |
Country | Canada |
Budget | $15,000 [1] |
Pas de deux (released as Duo in the United States) is a 1968 short dance film by Norman McLaren, produced by the National Film Board of Canada. [2]
Pas de deux is choreographed to Romanian pan pipe music by Ludmilla Chiriaeff. [3] Ballerina Margaret Mercier dances by herself (or rather, with images of herself), before being joined by Vincent Warren to perform the pas de deux of the title. [4]
It was filmed in a studio where the walls and floor were painted black. Lighting was from the sides, so only the dancers' silhouettes appear, and their images are repeatedly multiplied.
The film was photographed on high contrast stock, with optical, step-and-repeat printing, for a sensuous and almost stroboscopic appearance. as choreographed by Ludmilla Chiriaeff.
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Roman Kroitor was a Canadian filmmaker who was known as a pioneer of Cinéma vérité, as the co-founder of IMAX, and as the creator of the Sandde hand-drawn stereoscopic 3D animation system. He was also the original inspiration for The Force. His prodigious output garnered numerous awards, including two BAFTA Awards, three Cannes Film Festival awards, and two Oscar nominations.
Ryan Larkin was a Canadian animator, artist, and sculptor who rose to fame with the psychedelic Oscar-nominated short Walking (1968) and the acclaimed Street Musique (1972). He was the subject of the Oscar-winning film Ryan.
Neighbours is a 1952 anti-war film by Scottish-Canadian filmmaker Norman McLaren for the National Film Board of Canada. In 1953, it won the Oscar for Best Documentary, Short Subject.
George Garnett Dunning (1920–1979) was a Canadian filmmaker and animator. He is best known for producing and directing the 1968 film Yellow Submarine.
Don Owen was a Canadian film director, writer and producer who spent most of his career with the National Film Board of Canada (NFB). His films Nobody Waved Good-bye and The Ernie Game are regarded as two of the most significant English Canadian films of the 1960s.
Colin Archibald Low was a Canadian animation and documentary filmmaker with the National Film Board of Canada (NFB). He was known as a pioneer, one of Canada's most important filmmakers, and was regularly referred to as "the gentleman genius". His numerous honors include five BAFTA awards, eight Cannes Film Festival awards, and six Academy Award nominations.
Yorkton Film Festival (YFF) is an annual film festival held in late May in Yorkton, Saskatchewan, Canada.
Paddle to the Sea is a 1966 National Film Board of Canada short live-action film directed, shot and edited by Bill Mason. It is based on the 1941 children's book Paddle-to-the-Sea by American author and illustrator Holling C. Holling, and follows the adventures of a child's hand-carved toy Indian in a canoe as it makes its way from Lake Superior to the Gulf of Saint Lawrence, through Canada's waterways. It was nominated for an Academy Award for Best Live Action Short Film at the 40th Academy Awards.
Tony Ianzelo is a Canadian documentary director and cinematographer.
Hugh O'Connor was a Canadian director and producer who worked for the National Film Board of Canada (NFB). His best- known film is the ground-breaking In the Labyrinth (1967), but his promising career ended shortly after that film's release when he was murdered while filming in Kentucky.
Gerald Potterton was a Canadian director, animator, producer and writer. He is best known for directing the cult classic Heavy Metal and for his animation work on Yellow Submarine.
Hunger/La Faim is a 1973/1974 animated short film produced by the National Film Board of Canada. It was directed by Peter Foldes and is one of the first computer animation films. The story, told without words, is a morality tale about greed and gluttony in contemporary society.
Evelyn Lambart was a Canadian animator and film director with the National Film Board of Canada, known for her independent work, and for her collaborations with Norman McLaren.
Thomas Cullen Daly was a Canadian film producer, film editor and film director, who was the head of Studio B at the National Film Board of Canada (NFB).
Joseph (Joe) Koenig is a Canadian filmmaker and entrepreneur who was the founder and president of Electronics Workbench.
John Kemeny was a Hungarian-Canadian film producer whom the Toronto Star called "the forgotten giant of Canadian film history and...the most successful producer in Canadian history." His production credits include The Apprenticeship of Duddy Kravitz, Atlantic City, and Quest for Fire.
Albert Kish was a Canadian documentarian/filmmaker.
Robert Verrall is a Canadian animator, director and film producer who worked for the National Film Board of Canada (NFB) from 1945 to 1987. Over the course of his career, his films garnered a BAFTA Award, prizes at the Cannes Film Festival and Venice Film Festival, and six Academy Award nominations.
Julian Biggs (1920–1972) was a director and producer with the National Film Board of Canada and its first Director of English Production. Over the course of his 20-year career, he created 146 films, two of which were nominated for Academy Awards. His film 23 Skidoo (1964) received two BAFTA nominations, including the BAFTA United Nations award.