Look up bossa nova in Wiktionary, the free dictionary.
Bossa nova is a style of music.
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Bossa Nova or Bossanova may also refer to:
- Bossa Nova (dance), a dance form associated with the music
Bossa nova is a style of music.
Bossa Nova or Bossanova may also refer to:
Bossa nova is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre.
Latin jazz is a genre of jazz with Latin American rhythms. The two main categories are Afro-Cuban jazz, rhythmically based on Cuban popular dance music, with a rhythm section employing ostinato patterns or a clave, and Afro-Brazilian jazz, which includes samba and bossa nova.
Stanley Getz was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema".
Eumir Deodato de Almeida is a Brazilian pianist, composer, arranger and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.
Sérgio Santos Mendes is a Brazilian musician. His career took off with worldwide hits by his group Brasil '66. He has over 55 releases and plays bossa nova heavily crossed with jazz and funk. He was nominated for an Oscar for Best Original Song in 2012 as co-writer of the song "Real in Rio" from the animated film Rio.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Luiz Floriano Bonfá was a Brazilian guitarist and composer. He was best known for the music he composed for the film Black Orpheus.
Creed Bane Taylor V was an American record producer, best known for his work with CTI Records, which he founded in 1967. His career also included periods at Bethlehem Records, ABC-Paramount Records, Verve, and A&M Records. In the 1960s, he signed bossa nova artists from Brazil to record in the US including Antonio Carlos Jobim, Eumir Deodato, João Gilberto, Astrud Gilberto, and Airto Moreira.
Charlie Lee Byrd was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.
William Correa, better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and blues music.
"Corcovado" is a bossa nova song and jazz standard written by Antônio Carlos Jobim in 1960. English lyrics were later written by Gene Lees. The Portuguese title refers to the Corcovado mountain in Rio de Janeiro.
"Manhã de Carnaval" is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria.
Marcos Kostenbader Valle is a Brazilian singer, songwriter, and record producer. He has produced works in many musical styles, including bossa nova, samba, and fusions of rock, soul, jazz, and dance music with Brazilian styles. Valle is credited for popularizing bossa nova in the 1960s.
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Chris White was an American jazz bassist.
William Frank Reichenbach Sr. was an American jazz drummer and percussionist, who co-developed the jazz-samba drumming style. He was the father of trombonist Bill Reichenbach Jr. and the singer Kurt Reichenbach.
"Só Danço Samba" is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes. English lyrics were later written by Norman Gimbel. On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title.
Jim Hall was an American jazz guitarist, composer, and arranger. His discography consists of 39 studio albums, 10 live albums, 1 EP, 1 single, 10 videos, and 22 compilations, all released between 1957 and 2016. In addition, he was a sideman on numerous albums by other artists.
Edison dos Santos Machado was a self-taught Brazilian drummer and composer. Through his creation of the samba no prato and his early recordings, he helped shape Brazilian samba and bossa nova. Throughout his life, he collaborated frequently with a variety of musicians including Chet Baker and Ron Carter and was recorded in over 50 albums until his sudden death in 1990. Despite the impact he made as one of the founders of bossa nova his name has been largely forgotten.