Bossa nova is a relaxed style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre. The bossa nova wave became popular around the world; this increased popularity helped to renew samba and contributed to the modernization of Brazilian music in general.
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova".
João Gilberto was a Brazilian guitarist, singer, and composer who was a pioneer of the musical genre of bossa nova in the late 1950s. Around the world, he was often called "father of bossa nova"; in his native Brazil, he was referred to as "O Mito" . In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. Nominated at the Grammy 1978 in the category Best Jazz Vocal Performance, album Amoroso, and winner category in Grammy 2001 with João voz e violão Best World Music Album.
Getz/Gilberto is an album by American saxophonist Stan Getz and Brazilian guitarist João Gilberto, featuring pianist and composer Antônio Carlos Jobim, who also composed many of the tracks. It was released in March 1964 by Verve Records. The album features the vocals of Astrud Gilberto on two tracks, "Garota de Ipanema" and "Corcovado". The artwork was done by artist Olga Albizu. Getz/Gilberto is a jazz and bossa nova album and includes tracks such as "Desafinado", "Corcovado", and "Garota de Ipanema". The last received a Grammy Award for Record of the Year and started Astrud Gilberto's career. "Doralice" and "Para Machucar Meu Coração" strengthened Gilberto's and Jobim's respect for the tradition of pre-bossa nova samba.
Jazz Samba is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. Jazz Samba signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961.
Ella Abraça Jobim or Ella Fitzgerald Sings the Antonio Carlos Jobim Songbook is a 1981 studio album by Ella Fitzgerald, devoted to the songs of Antônio Carlos Jobim.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
Soul Español is an album by jazz pianist Oscar Peterson, released in 1966. It focuses mostly on the music of Brazilian composers.
"Samba de uma Nota Só", known in English as "One Note Samba", is a bossa nova and jazz standard song composed by Antônio Carlos Jobim with Portuguese lyrics by Newton Mendonça. The English lyrics were written by Jon Hendricks. It was first recorded by João Gilberto in 1960 for his album O Amor, o Sorriso e a Flor.
The Swinger from Rio is a 1966 album by Sérgio Mendes. Recorded over three days in December 1964 for the Atlantic label, it features guest artists Phil Woods, Art Farmer, and Hubert Laws, plus Antônio Carlos Jobim on rhythm guitar. It has also been released under the title Bossa Nova York.
Brazil is a 2000 album by Rosemary Clooney. John Pizzarelli accompanies Clooney on vocals on five of the tracks, and sings Antonio Carlos Jobim's "Wave". Diana Krall duets with Clooney on "The Boy from Ipanema". The arrangements primarily feature woodwinds, piano and guitar, and do not feature brass instruments.
Dez Anos Depois is a 1971 double album of bossa nova standards by Brazilian singer Nara Leão.
Getz Au Go Go is a live album by American saxophonist Stan Getz and his quartet, featuring bossa nova singer Astrud Gilberto. It was recorded during two concerts in 1964 and released on Verve the same year as V6-8600.
Do the Bossa Nova with Herbie Mann is an album by American jazz flautist Herbie Mann recorded in 1962 for the Atlantic label.
Bossa Nova Stories is the nineteenth studio album by Brazilian jazz artist Eliane Elias, released on 24 June 2008 by Blue Note Records. The album is a tribute to celebrate the 50th anniversary of the bossa nova music style.
"Só Danço Samba" is a bossa nova song composed in 1962 by Antônio Carlos Jobim, with lyrics by Vinicius de Moraes. English lyrics were later written by Norman Gimbel. On occasion, it has also been known as "Jazz Samba" and "I Only Dance Samba", an English translation of the original Portuguese title.
Rain Forest is a 1966 album by Walter Wanderley. It contains the pop crossover hit "Summer Samba", which reached No. 26 on the US Hot 100; the album itself reached No. 22 on the Top LPs chart.
Inédito was a privately commissioned studio album by Antônio Carlos Jobim, released in 1987 in a limited edition to commemorate his 60th birthday, and re-released in 1995 for the general public. It was released in the United States in 2006 as The Unknown, by DRG Records.
Passarim is a studio album by Antônio Carlos Jobim, released by Verve Records in 1987.
Sinatra & Jobim @ 50 is a latin jazz album by John Pizzarelli, released in 2017 with Concord Jazz. It's a tribute to the 1967 album Francis Albert Sinatra & Antônio Carlos Jobim, released fifty years ago at the time of recording. It's also Pizzarelli's first foray into the genre since his 2004 album Bossa Nova.
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