Knowing You is a 2005 album by jazz singer and swing jazz guitarist John Pizzarelli. The album is composed of primarily jazz and pop standards and received a very favorable review at Allmusic by music critic Matt Collar.
The Rare Delight of You is a 2002 album by jazz guitarist John Pizzarelli accompanied by pianist George Shearing and his quintet. Interspersed throughout are some established jazz standards as well as a few traditional pop ballads.
The Best of Bucky and John Pizzarelli is a compilation album of song choices selected from the combined careers of Bucky Pizzarelli and John Pizzarelli from the 1990s, released in 2006 by LRC, Ltd.
Nirvana is a Bucky Pizzarelli studio album of jazz standards. Also on the album is his son, the jazz guitarist John Pizzarelli.
P.S. Mr. Cole is a tribute album by jazz guitarist and vocalist John Pizzarelli, along with his trio of brother Martin Pizzarelli on double-bass and Ray Kennedy on piano. The album contains covers of Nat King Cole songs as well as an original composition titled "That's Nat". It was Pizzarelli's second album of Nat King Cole covers, after the 1994 album Dear Mr. Cole.
John Pizzarelli Meets the Beatles is a studio album of tributes to The Beatles performed by John Pizzarelli and his working trio of brother Martin Pizzarelli and pianist Ray Kennedy. The selections are all given a swinging dimension.
New Standards is a studio album by a young John Pizzarelli attempting to create modern standards in the Great American Songbook. The release was not met with much enthusiasm, as most critics felt Pizzarelli was capable of much better offerings. Aside from his regular trio of himself, Martin Pizzarelli and Ray Kennedy, a host of other musicians join Pizzarelli on this album.
All of Me is a studio album by American jazz singer and guitarist John Pizzarelli, backed by a string orchestra that includes his brother, Martin Pizzarelli. Also on the album is his father, guitarist Bucky Pizzarelli.
Sitting In Limbo is the 2007 album by torch song singer Jessica Molaskey, featuring herself and her husband John Pizzarelli. Also on the album is John's younger brother Martin Pizzarelli, interspersed with guest appearances by tenor saxophonist Harry Allen.
Make Believe is the third album by torch song singer Jessica Molaskey, accompanied by an all-star musical group that includes Bucky Pizzarelli and John Pizzarelli. Guest singer Adam Guettel joins her for a duet on Glad to Be Unhappy.
Pentimento is the 2002 debut album by singer Jessica Molaskey performing standards of the 1920s and 1930s. She is joined by an all-star cast of musicians, including her husband John Pizzarelli, father-in-law Bucky Pizzarelli, violinist Johnny Frigo and her brother-in-law, Martin Pizzarelli.
A Good Day is an album by singer Jessica Molaskey. She is accompanied by her husband John Pizzarelli ; her father-in-law, Bucky Pizzarelli, also played guitar on this recording.
Brazil is a 2000 album by Rosemary Clooney. John Pizzarelli accompanies Clooney on vocals on five of the tracks, and sings Antonio Carlos Jobim's "Wave". Diana Krall duets with Clooney on "The Boy from Ipanema".
I'm Hip is the debut album by American jazz guitarist John Pizzarelli.
Double Exposure is a vocal jazz album by John Pizzarelli, released in 2012 with Telarc. It consists of tributes to Pizzarelli's favorite songs from his adolescence, framed in traditional jazz arrangements.
John Pizzarelli Salutes Johnny Mercer: Live at Birdland is a tribute album by John Pizzarelli to American songwriter Johnny Mercer. It was recorded live at the Birdland jazz club in New York in 2014, and released in 2015 by his Vector Records label. The album was recorded as a medley, interspersed with commentary by Pizzarelli.
Midnight McCartney is a tribute album by John Pizzarelli to Paul McCartney, including tracks from Wings. It was released in 2015 with Concord.
Sinatra & Jobim @ 50 is a latin jazz album by John Pizzarelli, released in 2017 with Concord Jazz. It's a tribute to the 1967 album Francis Albert Sinatra & Antônio Carlos Jobim, released fifty years ago at the time of recording. It's also Pizzarelli's first foray into the genre since his 2004 album Bossa Nova.
