The Portland Institute for Contemporary Art (PICA) is a contemporary performance and visual arts organization in Portland in the U.S. state of Oregon. PICA was founded in 1995 by Kristy Edmunds. Since 2003, it has presented the annual Time-Based Art Festival (TBA) every September in Portland, featuring contemporary and experimental visual art, dance, theatre, film/video, music, and educational and public programs from local, national, and international artists. As of November 2017, it is led by Executive Director Victoria Frey and Artistic Directors Roya Amirsoleymani, Erin Boberg Doughton, and Kristan Kennedy.
The Portland Art Museum (PAM) is an art museum in downtown Portland, Oregon, United States. The Portland Art Museum has 240,000 square feet, with more than 112,000 square feet of gallery space. The museum’s permanent collection has over 42,000 works of art. PAM features a center for Native American art, a center for Northwest art, a center for modern and contemporary art, permanent exhibitions of Asian art, and an outdoor public sculpture garden. The Northwest Film Center is also a component of Portland Art Museum.
The Pacific Northwest College of Art (PNCA) is an art school of Willamette University and is located in Portland, Oregon. Established in 1909, the art school grants Bachelor of Fine Arts degrees and graduate degrees including the Master of Fine Arts (MFA) and Master of Arts (MA) degrees. It has an enrollment of about 500 students. The college merged with Willamette University in 2021.
The Art Gym was a nonprofit, noncollecting contemporary arts gallery at Marylhurst University in Marylhurst, Oregon, United States. The gallery had been permanently moved to the Portland Art Museum in 2018, as Marylhurst University closed at the end of 2018.
Oregon Center for Contemporary Art is an art center in Portland, Oregon. It is home to the Portland Biennial since 2010, continuing in the tradition of the Portland Art Museum's ended Oregon Biennial.
Jeff Jahn is a curator, art critic, artist, historian, blogger and composer based in Portland, Oregon, United States. He coined the phrase declaring Portland "the capital of conscience for the United States," in a Portland Tribune op-ed piece, which was then reiterated in The Wall Street Journal.
Jessica Jackson Hutchins is an American artist from Chicago, Illinois who is based in Portland, Oregon. Her practice consists of large scale ceramics, multi-media installations, assemblage, and paintings all of which utilize found objects such as old furniture, ceramics, worn out clothes, and newspaper clippings. She is most recognizable for her sloppy craft assemblages of furniture and ceramics. Her work was selected for the 2010: Whitney Biennial, featured in major art collections, and has been exhibited throughout the United States and internationally, in Iceland, the UK, and Germany.
Plazm magazine has been published since 1991 by a collective of designers, writers, and others in Portland, Oregon, United States. The complete catalog of Plazm magazine is included in the permanent collections of the San Francisco Museum of Modern Art, Princeton University, and the Denver Art Museum.
Marriage Records is a small, independent record label formed in Portland, Oregon. It was founded in 2001 by Curtis Knapp and Adrian Orange. The label has released a number of albums by musicians such as Adam Forkner, Dirty Projectors, Little Wings, Lucky Dragons, Tune-Yards, Yacht, and Karl Blau. Artists on the label frequently collaborate and swap members.
The Museum of Contemporary Craft (1937-2016) in Portland, Oregon was the oldest continuously-running craft institution on the west coast of the United States until its closure in 2016. The museum's mission was "to enliven and expand the understanding of craft and the museum experience." It was known as one of the few centers in the United States to focus on the relationships between art and craft, programming robust shows exploring a wide variety of artists, materials and techniques.
Jenene Nagy, a native of New York, is a Los Angeles-based installation artist and curator. She received her Master of Fine Arts from the University of Oregon in 2004 and has co-curated the noted Tilt Gallery and Project Space with Joshua West Smith since 2006.
Matt McCormick is a Spokane, Washington based video installation artist and filmmaker. His work extends documentary and experimental filmmaking, focusing on the sublime decay of contemporary culture and the landscape both urban and rural.
Kristan Kennedy is an American artist, curator, educator and arts administrator. Kennedy is co-artistic director and curator of visual art at the Portland Institute for Contemporary Art (PICA). She is based in Portland, Oregon, and has exhibited internationally, working with various media including sculpture and painting.
The Lovejoy Columns, located in Portland, Oregon, United States, supported the Lovejoy Ramp, a viaduct that from 1927 to 1999 carried the western approach to the Broadway Bridge over the freight tracks in what is now the Pearl District. The columns were painted by Greek immigrant Tom Stefopoulos between 1948 and 1952. In 1999, the viaduct was demolished but the columns were spared due to the efforts of the architectural group Rigga. For the next five years, attempts to restore the columns were unsuccessful and they remained in storage beneath the Fremont Bridge.
Cynthia Lahti is an American contemporary artist from Portland, Oregon, who works in many mediums: "from collage to ceramics, altered books, and painting".
Michele Martin Taylor, is an American fine art painter. She is best known for her Post-Impressionist works in oil, watercolor and intaglio. Her subjects are often gardens, water and verdure, but also portraits, figural studies and interiors.
Mack McFarland is a curator and artist living in Portland, Oregon. He is the Director of Center for Contemporary Art & Culture at Pacific Northwest College of Art.
Miss Mona Superhero, real name unknown, is an American artist, activist, and Northwestern United States personality.
Dan Earl "D.E." May was an American artist, represented by Portland, Oregon art gallery, PDX CONTEMPORARY ART, from 1995 to now. Known in Northwest art circles for his drawings and constructions using found materials that “suggests they are documents or tools left over from the [building] and planning of something larger” whose “purpose is now lost and can only be imagined.” His work is in the collections of numerous art museums, primarily in the Northwest.
