Bram van Sambeek

Last updated
Bram van Sambeek
Born1980
Groningen
Genres Classical Music
Occupation Bassoonist
Instrument Bassoon
Labels BIS Records
Website http://www.bramvansambeek.com

Bram van Sambeek (born 1980) is a Dutch bassoon soloist and teacher.

Contents

He was principal bassoonist in the Rotterdam Philharmonic Orchestra (2002–2011) and played as a regular guest principal in the London Symphony Orchestra and Mahler Chamber Orchestra. He has performed as a soloist with many orchestras like the Gothenburg Symphony Orchestra, Lahti Symphony Orchestra, and the Rotterdam Philharmonic Orchestra, and has an ongoing cooperation with BIS Records. [1]

Van Sambeek held a professorship [2] at the Hochschule für Musik und Tanz Köln from 2017 until 2021. Since 2019 he teaches exclusively at the Royal Conservatory of The Hague.

Early life and education

Bram van Sambeek started playing the bassoon when he was 10 years old. Initially he took classes with Fred Gaasterland. At the Royal Conservatory of The Hague he was taught by Joep Terwey and Johan Steinmann. After graduating the took classes with Gustavo Núñez and master classes with Klaus Thunemann and Sergio Azzolini. At the age of 15, he joined the National Youth Orchestra of the Netherlands, and from the age of 18 until 20 he played in the Gustav Mahler Jugendorchester. [3]

The Heckel bassoon that Van Sambeek plays was made in 1970 [4] and is the Heckel #11174. This instrument was previously used by Klaus Thunemann and Sergio Azzolini.

Career

From 1997 onwards, Van Sambeek played chamber music with, among others, the Orlando Quintet. [5] He also plays regularly at chamber music festivals such as the Delft Chamber Music Festival, the Lockenhaus Chamber Music Festival, the West Cork Chamber Music Festival, and the Storioni Festival [6]

In the past, he was part of the Schulhoff Trio [7] and formed a duo with Izhar Elias, with whom he played on the album Bassoon Kaleidoscope.

From 2012 to 2015, van Sambeek was admitted [8] to and participated in, The Bowers Program [9] of the Chamber Music Society of the Lincoln Center in New York.

In 2002, van Sambeek started out as solo and first bassoonist at the Rotterdam Philharmonic Orchestra. In 2011, he left the Rotterdam Philharmonic Orchestra because he wanted to focus on chamber music and his soloist career.

From 2007 onwards, van Sambeek is a regular guest solo bassoonist at the London Symphony Orchestra, the Mahler Chamber Orchestra, and many other orchestras.

Van Sambeek also teaches bassoon:

Van Sambeek is involved with special projects:

Awards

Discography

Albums:

Related Research Articles

<span class="mw-page-title-main">Bassoon</span> Double-reed woodwind instrument

The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet and Heckel systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.

Vanessa Lann is an American-Dutch composer living in the Netherlands.

Archie Camden was a British bassoonist, a pedagogue and soloist who won international acclaim. In 1968 The Times said "If the bassoon is no longer considered to be the orchestra's clown, its rehabilitation is the result of Mr Camden's work as an orchestral player, soloist and teacher".

<span class="mw-page-title-main">Judith LeClair</span> American bassoonist

Judith LeClair, from Newark, Delaware, is an American bassoonist.

Fabio Bidini is an Italian pianist. He was a top prize winner at the Ferruccio Busoni International Piano Competition in 1992 and the Van Cliburn International Piano Competition in 1993. He is currently on the faculty at the Colburn School in Los Angeles where he holds the Carol Colburn Grigor Piano Chair.

Gordan Nikolitch, also spelled Gordan Nikolić, is a Franco-Serbian violinist. He was the first concertmaster of the London Symphony Orchestra for nearly 20 years, having stepped down in October 2017 to concentrate on directing and teaching.

George Chlitsios is a Greek conductor and composer.

Klaus Thunemann is a German bassoonist, considered "one of the finest bassoonists of his generation".

<span class="mw-page-title-main">Gustavo Núñez</span> Musical artist

Gustavo Núñez is a Uruguayan bassoonist trained at Musikhochschule Hannover and the Royal College of Music. He has been principal bassoon of the Royal Concertgebouw Orchestra, together with Ronald Karten, since 1995. In Madrid, at the Reina Sofía School of Music, Núñez is referred to as 'el gran profesor de fagot' in recognition of his expertise and contribution to the field.

<span class="mw-page-title-main">K. David Van Hoesen</span> American bassoonist

Karl David Van Hoesen was an American bassoonist and second professor of bassoon at the Eastman School of Music where he succeeded his teacher, Vincent Pezzi. During his career, Van Hoesen was second bassoon of the Cleveland Orchestra, and principal bassoon of the Rochester Philharmonic. Van Hoesen became known as a prolific bassoon pedagogue, and his students went on to occupy positions in the majority of American symphony orchestras.

The International Classical Music Awards (ICMA) are music awards first awarded 6 April 2011. ICMA replace the Cannes Classical Awards formerly awarded at MIDEM. The jury consists of music critics of magazines Andante, Crescendo, Fono Forum, Gramofon, Kultura, Musica, Musik & Theater, Opera, Pizzicato, Rondo Classic, Scherzo, with radio stations MDR Kultur (Germany), Orpheus Radio 99.2FM (Russia), Radio 100,7 (Luxembourg), the International Music and Media Centre (IMZ) (Austria), website Resmusica.com (France) and radio Classic (Finland).

Tamás Benkócs is a Hungarian classical bassoonist.

<span class="mw-page-title-main">Kirill Troussov</span>

Kirill Troussov is a German violinist and violin teacher based in Munich, Germany.

<span class="mw-page-title-main">Sebastian Fagerlund</span> Finnish composer

Sebastian Fagerlund is a Finnish composer. He is described as “a post-modern impressionist whose sound landscapes can be heard as ecstatic nature images which, however, are always inner images, landscapes of the mind”. Echoes of Western culture, Asian musical traditions, and heavy metal have all been detected in his music.

<span class="mw-page-title-main">Mordechai Rechtman</span> Israeli bassoonist (1926–2023)

Mordechai Rechtman was an Israeli bassoonist, conductor, academic teacher and arranger. He was principal bassoonist of the Israel Philharmonic Orchestra from 1946 to 1991. He was professor of bassoon at the Tel Aviv University from 1968 to 2002, and taught as a guest professor internationally, including the Indiana University School of Music, the Juilliard School and the Royal Academy of Music. Rechtmann was also known for transcriptions and arrangements for wind quintets and other ensembles that he had founded and conducted, specifically of concertos.

Sergio Azzolini is an Italian bassoonist and music conductor.

<span class="mw-page-title-main">Nino Gvetadze</span> Georgian classical concert pianist

Nino Gvetadze is a Georgian classical concert pianist.

Wilhelm Stross was a German violinist and composer. He was professor at the Hochschule für Musik und Theater München and the Hochschule für Musik und Tanz Köln as well as first violin of the Stross Quartet.

Andreas Frölich is a German pianist and teacher at the Hochschule für Musik und Tanz Köln.

<span class="mw-page-title-main">Vincent Pezzi</span> Historic bassoonist

Vincenzo “Vincent” Pezzi was an Italian-American bassoonist and inaugural professor of bassoon at the Eastman School of Music. During his career, Pezzi held positions with the Banda Bianca and Banda Rossa of San Severo, the Minnesota Orchestra, the Detroit Symphony, and the Rochester Philharmonic. Pezzi was an instructor at the National Music Camp and was one of the first teachers of Heckel (German) bassoon in the United States.

References

  1. "Bram van Sambeek". BIS Records. Retrieved 19 October 2018.
  2. "Lehrende in Köln (Teachers in Köln Hochschule)". Hochschule für Muzik und Tanz Köln. Archived from the original on 23 October 2018. Retrieved 19 October 2018.
  3. "Former GMJO members in European orchestras". Gustav Mahler Jugendorchester. Retrieved 27 December 2018.
  4. "Heckel Bassoon Informations". Heckel Bassoons. Retrieved 27 December 2018.
  5. "Biografie Bram van Sambeek". Orlando Quintet. Retrieved 27 December 2018.
  6. "Vrouwelijke componisten in 8e editie Storioni Festival". Storioni Festival. Retrieved 28 December 2018.
  7. "Schulhoff Trio + Piano". Hyderabad Western Music Foundation. Retrieved 3 January 2019.
  8. "Bram van Sambeek, Bassoon". Chamber Music Society of Lincoln Center. Retrieved 19 October 2018.
  9. "Alumni". Chamber Music Society of Lincoln Center. Retrieved 27 December 2018.
  10. "Faculty: Bram van Sambeek". Conservatorium van Amsterdam. Retrieved 27 December 2018.
  11. Ticciati, Hugo (2016-10-21). "Hugo Ticciati: Vivaldi the baroque rock god". The Guardian. Retrieved 2018-10-18.
  12. "Backbone". Holland Festival. Retrieved 3 January 2019.
  13. Thorpe, Vanessa (2015-08-01). "Musicians launch campaign to save the bassoon as shortage threatens orchestra". The Guardian. Retrieved 2018-10-18.
  14. Nass, Daniel (6 August 2015). "Bassoonist sets out to 'Save the Bassoon'". Classical MPR. Retrieved 3 January 2019.
  15. Shilling, Jane (2015-08-02). "Why the difficult, eccentric bassoon is well worth saving". ISSN   0307-1235 . Retrieved 2018-10-18.
  16. "Gillet-Fox Archives". International Double Reed Society. Retrieved 23 October 2018.
  17. "The Dutch Music Award". Fonds Podiumkunsten. Retrieved 23 October 2018.
  18. "Bram van Sambeek, BBT Winner 2011". Borletti-Buitoni Trust. Retrieved 23 October 2018.
  19. "BBC Music Magazine Awards Winners 2018". BBC Music Magazine Awards. Archived from the original on 4 June 2020. Retrieved 23 October 2018.
  20. "Fagottist Bram van Sambeek wint muziekprijs het Gouden Viooltje".