Dr Brentley Frazer | |
---|---|
Born | January 1972 |
Education | Ph.D (creative writing). Master of Arts (writing). |
Occupation | poet/writer |
Known for | Poetry, Scoundrel Days: A Memoir |
Notable work | Scoundrel Days: A Memoir 2017, Aboriginal to Nowhere: new poems 2016, A Dark Samadhi: poems + microtexts 2003 |
Style | Dirty Realism Grunge lit Transgressive fiction creative non-fiction |
Title | Dr |
Website | http://www.brentley.com |
Brentley Frazer is an Australian poet widely known for his dirty realist, gritty, Gen. X memoir Scoundrel Days (UQP, 2017). [1]
Brentley has been a guest at numerous literary festivals, poetry readings, culture conserves and academic conferences, including: The Queensland Poetry Festival, The Australian National Poetry Festival, The Sydney Poetry Festival, Brisbane Writers Festival, The Wellington International Poetry Festival, The Oxfam Bookfest in London, "Spoken" and "Couplet" at the State Library of Queensland, The Sydney Writers Festival, Asia Pacific Writers and Translators and the Australasian Association of Writing Programs (Massey University 2014, [2] Swinburne University 2015, [2] University of Canberra 2016 [3] ).
From 2001-2013 he was publisher and editor of Retort Magazine ISSN 1445-7164 [4] and was co-founder of The Vision Area (1998-2000) [5] and a founding member of the Brisbane spoken word event Speed Poets (2003 - 2017). [6] In 2012 he completed a MA at James Cook University under the supervision of Lindsay Simpson. In December 2017 he was awarded a Doctor of Philosophy from Griffith University under the supervision of Nigel Krauth and the poet Anthony Lawrence. [7]
Brentley's memoir Scoundrel Days: a memoir was published by University of Queensland Press in March, 2017. [8]
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Scoundrel Days is a memoir by Australian contemporary poet Brentley Frazer. Described as "a gritty, Gen X memoir, recounting wild escapades into an under-culture of drugs and violence and sex by ABC Radio National and by the publisher as "Tom Sawyer on acid, a 21st-century On the Road, a Holden Caulfield for punks", literary critic Rohan Wilson compared Frazer's ability to shock, surprise and unsettle with that of Marcel Duchamp, concluding: "Frazer is writing here in the tradition of Helen Garner, Andrew McGahan and Nick Earls.This is dirty realism at its dirtiest ".
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