Bridget Ikin | |
---|---|
Born | Lower Hutt, New Zealand |
Education | University of Auckland London University |
Occupation | Film producer |
Known for | An Angel at My Table Look Both Ways |
Bridget Ikin is a New Zealand film producer who has lived and worked in Australia since 1990.
Ikin was born in Lower Hutt, New Zealand. She took a BA in English literature from the University of Auckland, followed by an MA from London University. [1]
Ikin opened her film production company, Hibiscus Films, in the early 1980s in New Zealand. She was a member of NZ Women in Film and Television, lobbying for support for women filmmakers. [2]
She moved to Australia in 1990. [1] From 1996 to 2000, as head of SBS Independent she commissioned more than 400 hours of programming. [2] She served as feature film evaluation manager at the Film Finance Corporation (now Screen Australia) from 2005 to 2006 and was a board member of the South Australian Film Corporation for many years from 2007. [2] In 2011 Ikin and her partner John Maynard formed Felix Media a specialist production company that focusses on feature films made by visual artists and media environments such as Angelica Mesiti’s installation at the 2019 Venice Biennale 2019. [3]
Ikin is a member of the Academy of Motion Picture Arts and Sciences. [4]
Ikin was awarded an honorary Doctor of Arts by the Australian Film and Television School in 2018. [6]
Year | Nominated Work | Prize | Awards | Ref |
---|---|---|---|---|
1990 | An Angel at My Table | Best Film | New Zealand Film Awards | [7] |
International Critics' Award | Toronto International Film Festival | |||
Grand Special Jury Prize (second prize), the Elvira Notari Prize, Agis Scuola Prize, and the OCIC Catholic award | Venice Film Festival | |||
1992 | Best Foreign Film | Independent Spirit Awards | [7] | |
2005 | Look Both Ways | Best Film | 2005 Australian Film Institute Awards | [7] |
2015 | Sherpa | Grierson Award for Documentary Film | London Film Festival | [7] |
2016 | Best Feature Documentary | Film Critics Circle of Australia Awards | [7] | |
2017 | Best Documentary | Australian Film Critics Association of Australia | [7] |
Lisa Irene Chappell is a New Zealand actress and musician. She is known for her roles as Chelsea Redfern in Gloss (1987–90), her acting debut, and as Claire McLeod in McLeod's Daughters (2001–03), a performance which earned her two Logie Awards, for Most Popular New Female Talent and Most Popular Actress.
The Australian Film Television and Radio School (AFTRS), formerly Australian Film and Television School, is Australia's national screen arts and broadcast school. The school is a Commonwealth Government statutory authority.
Cal Wilson was a New Zealand stand-up comedian, author, radio and television presenter based in Australia. Wilson wrote the New Zealand sitcom Willy Nilly from 2001 until 2003. She then appeared in numerous comedy and television shows, including being the host of Sleuth 101 and voiced Petal and Thorn in the children's TV series Kitty Is Not a Cat. Wilson also co-hosted several radio shows.
Dame Gaylene Mary Preston is a New Zealand filmmaker with a particular interest in documentary films.
Jocelyn Denise Moorhouse is an Australian screenwriter and film director. She is best known for directing films Proof, How to Make an American Quilt, A Thousand Acres and The Dressmaker.
Robyn Jane Malcolm is a New Zealand actress, who first gained recognition for her role as nurse Ellen Crozier on the soap opera Shortland Street. She is best known for playing Cheryl West, matriarch to a sometimes criminal working-class family, in the television series Outrageous Fortune. She has also worked in Australia, including roles in the TV series Rake and Upper Middle Bogan. She plays the lead role in the six-part 2023 NZ drama After the Party.
Carol Ann Hirschfeld is a New Zealand journalist, documentary maker, broadcaster, producer and media executive. She is best known for her role as a TV3 News presenter alongside John Campbell from 1998 until 2005. As a broadcast media executive she has been a powerful advocate for improving the coverage of Māori issues, and of increasing the diversity of voices within the media. “I think the biggest challenge is to have that Māori voice in mainstream media organisations. And one of my concerns has been how to integrate an informed Māori viewpoint into the fabric of our news.”
Philippa Campbell is a New Zealand film and television producer and the Literary Manager at the Auckland Theatre Company.
Robert Connolly is an Australian film director, producer, and screenwriter based in Melbourne, Victoria. He is best known as the director and writer of the feature films Balibo, Three Dollars, The Bank and The Dry and its sequel, as well as the producer of Romulus, My Father and The Boys. He is head of the film distribution company, Footprint Films, owned by Arenafilms.
Merata Mita was a New Zealand filmmaker, producer, and writer, and a key figure in the growth of the Māori screen industry.
Sima Urale is a New Zealand filmmaker. Her films explore social and political issues and have been screened worldwide. She is one of the few Polynesian film directors in the world with more than 15 years in the industry. Her accolades include the Silver Lion for Best Short Film at the Venice Film Festival for O Tamaiti (1996).
Nancy Brunning was a New Zealand actress, director, and writer who won awards in film and television and made a major contribution to the growth of Māori in the arts. She won the best actress award at the New Zealand Film Awards for her lead role in the film What Becomes of the Broken Hearted? (1999). In 2000, she won the Best Actress in Drama award at the New Zealand Television Awards for her lead role in the television series Nga Tohu.
Rachel Jessica Te Ao Maarama House is a New Zealand actress and director. She has received numerous accolades including an Arts Laureate, NZ Order of Merit, 'Mana Wahine' from WIFT NZ and Te Waipuna a Rangi for her contributions as an actor and director.
Alexie Glass-Kantor is an Australian curator. Since 2013, she has held the position of Executive Director of Artspace Visual Arts Centre in Sydney.
Chelsea Jane Winstanley is a New Zealand film producer. She produces short films and documentaries which celebrate Indigenous peoples. She also produced the films What We Do in the Shadows and Jojo Rabbit.
The Australian pavilion is a structure that houses Australia's national representation during the Venice Biennale arts festival. Although Australia has been represented at the festival since 1954, the first pavilion was only built in 1987, and replaced by a permanent structure in 2015.
Angelica Mesiti is an Australian multi-disciplinary artist of Italian descent, best known for her combination of performance with video, sound and spatial installation that result in highly contemplative spaces. Her work is situated at the interstice of diasporic cultures, gestural communication and sensory togetherness.
Vanessa Alexander is an Australian, New Zealand and British screenwriter, director and producer best known for writing on Vikings: Valhalla and The Great.
David Jowsey is an Australian film producer, co-founder of Bunya Productions. He is known for producing many films made by Indigenous Australian filmmakers. Bunya Productions' co-owners are Indigenous filmmaker Ivan Sen, and Jowsey's wife Greer Simpkin.
John Maynard is an Australian film producer and film distributor who also played an important role in the development of New Zealand art museums.