Type | Screen and broadcast school |
---|---|
Established | 1973 |
Academic staff | Film, television, and radio |
Undergraduates | Bachelor of Arts Screen: Production |
Postgraduates | Master of Arts Screen, Master of Arts Screen: Business and Leadership, Graduate Diploma in Radio and Podcasting |
Location | , , Australia 33°53′41″S151°13′43″E / 33.8946°S 151.2285°E |
Campus | The Entertainment Quarter, Moore Park |
Website | aftrs |
The Australian Film Television and Radio School (AFTRS), formerly Australian Film and Television School, is Australia's national screen arts and broadcast school. Opened to students in 1973 as Film and Television School (FTS), after accreditation with CILECT it was renamed Australian Film Television School (AFTS) in 1976. To coincide with a move to a new location around 1986, the school was renamed the Australian Film Television and Radio School. The school is a Commonwealth Government statutory authority, and is ranked by The Hollywood Reporter as one of 15 top global film schools.
AFTRS has been the training ground for many of Australia's most well-known directors and other filmmakers, including Gillian Armstrong, Philip Noyce, Rolf de Heer, Rachel Perkins, Ivan Sen, Warwick Thornton, and Kriv Stenders, as well as many cinematographers, film editors, composers, and screenwriters. In addition, there are many radio and television presenters among its alumni, including David Speers
Writer and broadcaster Phillip Adams and polymath and Labor politician Barry Jones campaigned for the establishment of a government-supported film school in Sydney, [1] as members of the Australian Interim Council for a National Film and Television Training School. [2] They had done similar in Melbourne, leading to the first film courses at Swinburne Technical College in the mid-1960s and the later establishment of Swinburne Film and Television School. [3] Their aim was to encourage the development of an Australian film industry through various means, including a national film school and a screen funding organisation. The latter was created as the Australian Film Commission (AFC). [a] Both major political parties, represented by John Gorton (Liberal) and Gough Whitlam (Labor, prime minister from 1972 to 1974) supported the idea, [1] and in 1972 [4] the Film and Television School (FTS), the new national film school was established. It was opened to students in 1973, with Whitlam officiating at the opening. [5] On 30 May 1973 a bill introduced by Whitlam passed unanimously in the Australian Parliament, establishing the school as an independent body the status of a college of advanced education, receiving its funds from Parliament and directly responsible to the Prime Minister of Australia. Initially it would run three-year, full-time professional training course as well as short-term programs for industry professionals. It was Australia's first national body of its kind, and began with 34 staff members and a consultative panel of nearly 100 industry professionals and educators. On 7 June 1974 the school's inaugural full-time program was issued. Barry Jones, first council chair of the school, said "We must create one of the world's great schools or we must abandon the project at once. We cannot be a hothouse for mediocrity". [6]
The first intake of 12 students on a pilot scheme included future directors and producers Gillian Armstrong, [4] [7] Phillip Noyce, Chris Noonan, James Ricketson, Ron Saunders, and Graham Shirley. [8] In 1973, the staff were led by Storry Walton, [9] who headed the Interim Training Scheme, then became assistant director in 1974, and deputy director in 1976. [10]
In August 1975, the school moved to new purpose-built premises in Lyonpark Road, North Ryde, Sydney. [5] In 1976, FTS was accepted as a full member of the International Association of Film and Television Schools (CILECT), and was renamed the Australian Film Television School (AFTS) in 1976. [5]
In April 1980, deputy director Storry Walton was appointed director after the departure of Toeplitz, [10] who returned to Poland. [2]
In 1978 the school attained its first accreditation, from the Australian Territories Accreditation Committee for Advanced Education, for its "Diploma in Arts, Film and Television". In 1984 it was reaccredited at Bachelor of Arts (university degree level), when it offered specialisations in cinematography, direction, editing, producing, production design, scriptwriting, and sound. Writer/producer/director Kriv Stenders graduated in 1988. [8]
In 1981 A full-time radio course was introduced. In 1986, work began on a new building next to Macquarie University in North Ryde, and AFTS was renamed the Australian Film Television and Radio School (AFTRS). [5]
In 1989, the Australian Film Commission and Film Victoria established the "Women Applying to Film School" initiative in order to increase the low proportion of women being accepted into film schools around the country. In 1990 it was sponsored by Women in Film and Television (Vic), with assistance from Film Victoria, AFTRS, Swinburne Film and Television Department, and the Victorian Department of Labour. The intensive course was offered to nine women each year, and spanned two weeks. Anna Kokkinos was a participant in the scheme at AFTRS in 1990. [11]
In 1997, a new masters strand was introduced, on documentary filmmaking. [5] In the same year, cinematographer Jan Kenny (the first female cinematographer to attain ACS accreditation) was appointed head of cinematography, a position she held until 2009. Among others, she taught Bonnie Elliott. [8]
In 2008 AFTRS relocated once again, to a state-of-the-art new building at Moore Park. [5]
In 2015, a new degree, Bachelor of Arts (Screen), aiming to provide students with a comprehensive screen education was introduced, and later renamed Bachelor of Arts Screen: Production. [8]
In 2023, on the 50th anniversary of AFTRS, celebrations were held on campus just after O-week, attended by members of the 1973 cohort, including Gillian Armstrong and Philip Noyce. In that year, 38 scholarships were awarded, and an Alumni and Industry Scholarship Fund was established. [1] [12]
For many years AFTRS was located in purpose-built premises at North Ryde, Sydney. In 2008 the school relocated to a purpose-built facility adjacent to Fox Studios, located inside the Entertainment Quarter in Moore Park, Sydney.
The campus includes: a full-size 5.1 sound theatre (seats 126), state-of-the-art mix theatre, two large professional film and television studios, film studios, state-of-the-art sound recording studios, and a host of other facilities and equipment. [13]
Admission into AFTRS degree courses is competitive and based on merit selection. Places are limited. As of 2024 [update] offerings include: [14]
As a statutory body, [15] AFTRS is governed by the Australian Film Television and Radio School Act 1973 with its Council responsible to the Minister for the Arts, representing the Federal Parliament. There are nine members of the Council: [16]
As of April 2024 [update] , Rachel Perkins is chair of the council, [16] while the CEO is the screenwriter Nell Greenwood. [17]
The school is a member of ARTS8: the Australian Roundtable for Arts Training Excellence, a group of arts training organisations funded by the federal government. [18]
On 25 June 2007, producer Sandra Levy was appointed CEO of AFTRS. She had previously been director of television at the ABC, head of drama at Zapruder's Other Films, director of development Nine Network, and head of drama at both Southern Star Group and ABC. [8]
Neil Peplow was director of screen at AFTRS, before spending two years at MetFilm School in London, and was then appointed CEO of AFTRS on 9 October 2015. He remained in the position until 2019. [8]
AFTRS has been ranked in The Hollywood Reporter's list of best film schools in the world since its first appearance in 2010, [19] and is the only Australian one listed. [8] In 2023, the school’s 50th year, THR included it as one of 15 top global film schools. [20]
Amanda Duthie, Adelaide Film Festival artistic Director and virtual reality champion, along with Google Creative Technologist Mathew Tizard and AFTRS Head of Documentary Rachel Landers, sat on the jury for the inaugural AFTRS International VR Award in 2017. Nothing Happens, by Michelle and Uri Kranot, won the award, while The Other Dakar by Selly Raby, based on Senegalese mythology, received a Special Mention. [21] The Unknown Patient, by Australian director Michael Beets won the award in 2018. [22]
Many alumni of the AFTRS have enjoyed success and accolades throughout their careers. Some of them include being nominated for or winning Academy Awards (Oscars). As of 2014, the following students and alumni of AFTRS had been nominated for or won Oscars, including: [23] Four AFTRS student films, nominated: [23]
Three AFTRS Alumni, winners (to 2014): [23]
Four AFTRS alumni, nominated (to 2014): [23]
This article's list of alumni may not follow Wikipedia's verifiability policy.(August 2020) |
The entire list of AFTRS graduates by year, from 1973 to present, can be viewed on the School's website. [24]
Gillian May Armstrong is an Australian feature film and documentary director, best known for My Brilliant Career (1979), Mrs. Soffel (1984), High Tide (1987), The Last Days of Chez Nous (1992), and Little Women (1994). She is a Member of the Order of Australia. She has won many film awards, including an AFI Best Director Award, has been nominated for numerous others, and is the holder of several honorary doctorates.
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