Look Both Ways | |
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![]() Promotional poster | |
Directed by | Sarah Watt |
Written by | Sarah Watt |
Produced by | Andrew Myer Barbara Masel Bridget Ikin Vicki Sugars |
Starring | William McInnes Justine Clarke Anthony Hayes |
Cinematography | Ray Argall |
Edited by | Denise Haratzis |
Music by | Amanda Brown Ashley Klose |
Distributed by | Madman Entertainment (Australia) |
Release date |
|
Running time | 100 minutes |
Country | Australia |
Box office | $2.5 million [1] |
Look Both Ways is a 2005 Australian drama film, written and directed by Sarah Watt, starring an ensemble cast, which was released on 18 August 2005. The film was supported by the Adelaide Film Festival Investment Fund and opened the 2005 Adelaide Film Festival. It won four AFI Awards, including Best Film and Best Direction. The film was selected as a film text by the Victorian Curriculum and Assessment Authority for the VCE English Course from 2007 to 2010. [2]
The film charts the stories of several people over a hot summer weekend in Adelaide. Photojournalist Nick (William McInnes) discovers he has testicular cancer that has spread to his lungs. On his way home he goes to the site of a train accident to report on it, and meets Meryl (Justine Clarke) an emotionally vulnerable artist, who has witnessed a man get run over by a train. Over the course of the weekend, their relationship develops sexually as another chance encounter allows them to discover more about each other; the two gradually allow themselves to let go of their fears and form a meaningful relationship.
Meanwhile, Nick's colleague, Andy Walker, has to deal with the news that his estranged girlfriend, Anna, is pregnant, made more difficult because neither of them really wanted or planned for a baby. Andy also has to cope with his ex-wife, who doesn't trust his ability to take good care of his two children. The lives of Julia (the partner of the man run over by the train) and the driver of the train are explored: Both characters are shown going through the seven stages of grief. The train driver bridges the gap with his estranged teenage son during the course of the movie. The rain at the end of the film symbolises relief. [3]
The film ends with a flick-through montage of events: Nick in hospital, suffering the effects of treatment, Nick and Meryl's child, finally holidaying in Europe; enjoying whatever time they have left together.
Look Both Ways grossed $2,969,712 at the box office in Australia. [4]
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