Broadcast Protection Discussion Group

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Broadcast Protection Group
Broadcast Protection Discussion Group
Company type Incentive
Industry working group of content
FoundedNovember 4, 1977
United States
Headquarters United States

The Broadcast Protection Discussion Group (BPDG) is a working group of content providers, television broadcasters, consumer electronics manufacturers, information technology companies, interested individuals and consumer activists. The group was formed specifically for the purpose of evaluating the suitability of the broadcast flag for preventing unauthorized redistribution (including unauthorized redistribution over the Internet of unencrypted digital terrestrial broadcast television (DTV)) and to determine whether there was substantial support for the broadcast flag. The group completed its mission with the release of the BPDG Report.

Contents

The BPDG has reached a consensus on the use of a technical broadcast flag standard for digital broadcast copy protection. The broadcast flag is an electronic marker embedded in over-the-air digital broadcast signals that would block or limit the ability of consumer electronics devices to make copies of the programs. The broadcast flag would also prevent the redistribution of such programs over the Internet. Despite reaching a consensus on this standard, the BPDG did not reach any agreement concerning how to implement the use of the flag or enforce it.

Digital TV programs protection using broadcast flags

The group proposed that digital TV programs be embedded with a "broadcast flag." All digital devices would be required to recognize the flag, which would prevent the protected content from being distributed on the Internet. The report states, "The proposed technical solution does not interfere with the ability of consumers to both make copies of DTV content, and to exchange such content among devices connected within a digital home network."

BPDG publications

After several meetings, the BPDG has published some reports in order to enforce the idea of the broadcast flag. Those publications are:

What is EFF?

The Electronic Frontier Foundation (EFF) is a nonprofit group of passionate people-—lawyers, technologists, volunteers, and visionaries-—working to protect digital rights.

Blending the expertise of lawyers, policy analysts, activists, and technologists, EFF achieves significant victories on behalf of consumers and the general public. EFF fights for freedom primarily in the courts, bringing and defending lawsuits even when that means taking on the US government or large corporations. By mobilizing more than 50,000 concerned citizens through our Action Center, EFF beats back bad legislation. In addition to advising policymakers, EFF educates the press and public. Sometimes just defending technologies is not enough, so EFF also supports the development of freedom-enhancing inventions.

Policy group is not a CPTWG sub-group?

Several CPTWG (Copy Protection Technical Working Group) participants indicated at CPTWG's June 5 meeting that the "parallel group" or "policy group" is "not a sub-group of CPTWG or "not part of CPTWG".

Broadcast flag is not a watermark

Some recent press coverage of BPDG refers to the BPDG proposal as recommending a watermark in digital TV broadcasts. This is a misperception of the nature of the broadcast flag. (There is a distinct proposal called the broadcast watermark which was not discussed extensively within BPDG and is not part of the BPDG's published recommendations.)

A watermark is commingled directly with the signal it marks, and thereby alters the signal (ideally, in an imperceptible way). By contrast, the broadcast flag exists side-by-side with video content it marks.

Terms to describe the broadcast flag, rather than watermark, might include "bit", "indicator", "flag", "descriptor", "tag", "header field", or "notice". But use of "watermark" is sure to generate confusion, especially because watermark proposals distinct from BPDG do exist. Watermarking is likely to be a big issue soon in a public forum—but not as a part of BPDG's proposal.

Misconceptions about BPDG

An article by John Dvorak [1] seems to contain a misconception: that the result of BPDG's work will be the obsolescence of current digital TV receivers. As Dvorak writes:

"it appears that the new copy-protection schemes being dreamed up by Hollywood will make every single HDTV set sold to date obsolete. And buyers of new sets are not being told about this situation in a dubious attempt to dump very expensive inventory."
What happened was that the Hollywood folks, who are just freaked over the possibility that we'll be copying HDTV movies, have promoted copy protection that requires the decode circuit to be built into the display, not into the set-top box. This requires the set-top box to send a signal to a connector that new HDTV sets will have. If you're thinking of buying an HDTV, don't, unless it has this connector and circuit-whenever they are finalized."

One view is that Dvorak has got the situation backwards. Old equipment will continue to work. This is because BPDG is not planning to encrypt broadcasts at all—merely to cause them to include a "broadcast flag", and to obtain legislation forcing all manufacturers to comply with its rules.

The result of this would be that old equipment would be better and more useful than new equipment. Not only would it work properly, but it wouldn't have been crippled by having to comply with the Compliance and Robustness Rules. This is to say that old equipment would be more functional, not less functional, than new equipment.

Alphabet soup

"BPDG wants the Federal Communications Commission (FCC) to mandate digital rights management (DRM) for ATSC DTB receivers

In the body of this article, there are expansions for about 80 of the most common acronyms used in discussions about this issue. (The acronyms expanded include every acronym which appears in the BPDG's Draft Compliance and Robustness Rules, among others.)

Of course, this it not enough to appreciate the context behind these acronyms. For example, knowing that PCMCIA stands for Personal Computer Memory Card International Association gives no clue that the Association in question published a standard for tiny removable cards used in laptops. Hearing that 8VSB means "8-level vestigial side band" explains nothing about 8VSB's role in digital television broadcasting (that is DTB for the initiated).

The following list contains some of the most important acronyms related to this subject:

Extended content

What is Table A?

Many of the practical consequences of the BPDG proposal for consumers (and for competition in the marketplace) lie in a yet-to-be-written appendix to the specification. This appendix, called Table A, enumerates the kinds of digital outputs which are allowed on devices which can receive digital television signals.

The idea is that a device which receives a TV program with the broadcast flag set is not allowed to output the content of that program in digital form, except via a technology specifically mentioned on Table A.

This raises three questions: first, why should this be so? (What's wrong with letting device manufacturers choose for themselves what kinds of outputs their devices will have? If consumers want a particular kind of output, why shouldn't they have it? Why should legislation determine the capabilities of future digital televisions?) Second, what technologies will be permitted? Third, how is that decision going to be made?

The first question goes to the heart of the BPDG proposal and is addressed elsewhere (at least, by skeptics of BPDG; there has not been much in the way of a public defense of this mandate, which is being represented as a fait accompli in most circles).

The second and third questions are empirical matters. An earlier draft of the BPDG Compliance and Robustness Rules divided Table A into Authorized Digital Outputs and Authorized Digital Removable Media Recording Methods. The two Authorized Outputs mentioned were Digital Transmission Content Protection (DTCP) and High-bandwidth Digital Content Protection (HDCP); the two Recording Methods mentioned were Content Protection for Recordable Media (CPRM) and D-VHS.

DTCP is a copy-control scheme for digital video devised by five companies (called the "5C consortium"). HDCP is a similar copy-control scheme devices by only four companies (the "4C consortium"). Both of these schemes restrict what a consumer can do with digital video; both require a license if a device manufacturer is going to be able to implement them; both constrain the functionality of products in which they are incorporated. Both cost money to implement—the licenses are not free. DTCP encrypts video transmitted over a digital bus called IEEE 1394 (or "FireWire"). HDCP encrypts video transmitted over a different—and video-specific—bus called Digital Visual Interface ("DVI"). The encryption, in both cases, is meant to "protect" the content against the consumer, and to restrict playback of the content to "authorized", licensed devices.

Content Protection for Recordable Media (CPRM) is an encryption scheme for recordable media which is also meant to prevent media from being played back in devices other than those licensed by the 4C consortium. D-VHS is a new digital videotape spec which—you guessed it—also prevents media from being played back, except in licensed devices.

So here the suggestion was that four particular copy-control technologies, all closed standards and all of which have "compliance and robustness rules" of their own, were to be permitted as outputs from digital television receivers; all other video standards, and all other recording media, were to be banned by default.

Since the BPDG was formed by companies from the 5C and 4C consortia, it is difficult to imagine that it would recommend that their technologies not be permitted. Subsequently, the specific technology list was removed from Table A; the current discussion draft from BPDG does not contain any specific technologies at all, though it still bans "unauthorized" technologies by default. But now Table A has been left blank, and a discussion has begun about a proper procedure for choosing technologies to be added. (This shift took place as a result of a discussion at the last BPDG in-person meeting in Los Angeles.)

All current proposals for filling in Table A seem to involve agreement by some number of major movie studios—that is, members of the Motion Picture Association of America (MPAA) -- and, perhaps, agreement by some number of major electronics companies or other corporations. No agreement has been reached within BPDG, but various "vehicles" or "methods" for approving technologies have been suggested. These typically employ a formula such as "n% of Major Studios and m% of manufacturers". No studio proposal, has yet contemplated the possibility that technologies could be approved without any Hollywood sign-off. Thus, the discussion appears to be centered on choosing values for the percentages to be plugged into these formulas.

See also

Related Research Articles

A broadcast flag is a bit field sent in the data stream of a digital television program that indicates whether or not the data stream can be recorded, or if there are any restrictions on recorded content. Possible restrictions include the inability to save an unencrypted digital program to a hard disk or other non-volatile storage, inability to make secondary copies of recorded content, forceful reduction of quality when recording, and inability to skip over commercials.

<span class="mw-page-title-main">HDMI</span> Proprietary interface for transmitting digital audio and video data

High-Definition Multimedia Interface (HDMI) is a proprietary audio/video interface for transmitting uncompressed video data and compressed or uncompressed digital audio data from an HDMI-compliant source device, such as a display controller, to a compatible computer monitor, video projector, digital television, or digital audio device. HDMI is a digital replacement for analog video standards.

High-bandwidth Digital Content Protection (HDCP) is a form of digital copy protection developed by Intel Corporation to prevent copying of digital audio and video content as it travels across connections. Types of connections include DisplayPort (DP), Digital Visual Interface (DVI), and High-Definition Multimedia Interface (HDMI), as well as less popular or now deprecated protocols like Gigabit Video Interface (GVIF) and Unified Display Interface (UDI).

A digital watermark is a kind of marker covertly embedded in a noise-tolerant signal such as audio, video or image data. It is typically used to identify ownership of the copyright of such a signal. Digital watermarking is the process of hiding digital information in a carrier signal; the hidden information should, but does not need to, contain a relation to the carrier signal. Digital watermarks may be used to verify the authenticity or integrity of the carrier signal or to show the identity of its owners. It is prominently used for tracing copyright infringements and for banknote authentication.

Digital Transmission Content Protection (DTCP) is a digital rights management (DRM) technology that restricts digital home technologies including DVD players and televisions by encrypting interconnections between devices. This permits the distribution of content through other devices such as personal computers or portable media players, if they also implement the DTCP standards. DTCP has also been referred to as "5C" content protection, a reference to the five companies that created DTCP; Hitachi, Intel, Matsushita, Sony, and Toshiba.

<span class="mw-page-title-main">D-VHS</span> Magnetic tape-based format meant for the distribution of digital HD movies

D-VHS is a digital video recording format developed by JVC, in collaboration with Hitachi, Matsushita, and Philips. The "D" in D-VHS originally stood for "Data", but JVC renamed the format as "Digital VHS". Released in December 1997, it uses the same physical cassette format and recording mechanism as S-VHS, but requires higher-quality and more expensive tapes and is capable of recording and displaying both standard-definition and high-definition content. The content data format is in MPEG transport stream, the same data format used for most digital television applications. It used MPEG-2 encoding and was standarized as IEC 60774-5.

Copy Generation Management System – Analog (CGMS-A) is a copy protection mechanism for analog television signals. It consists of a waveform inserted into the non-picture vertical blanking interval (VBI) of an analogue video signal. If a compatible recording device detects this waveform, it may block or restrict recording of the video content.

The High-Definition Audio-Video Network Alliance (HANA) was a cross-industry collaboration of members addressing the end-to-end needs of connected, HD, home entertainment products and services. Leading companies formed the organization from the four industries most affected by the HD revolution: content providers, consumer electronics, service providers, and information technology. HANA created design guidelines for secure high-definition audio-video networks that would speed the creation of new, high-quality, easy-to-use HD products. HANA membership was open to all companies involved in the digital entertainment industry. HANA was dissolved in September 2009, and the 1394 Trade Association assumed control of all HANA-generated intellectual property.

DVB Content Protection & Copy Management is a digital rights management standard being developed by the DVB Project. Its main application is interoperable rights management of European digital television, though other countries may also adopt the standard.

The Image Constraint Token (ICT) is a protocol flag that can cause downsampling of high-definition video content on Blu-ray and HD DVD to slightly-better-than-DVD quality video. It is part of the Advanced Access Content System, the Digital Rights Management system used in high-definition optical disc formats.

WirelessHD, also known as UltraGig, is a proprietary standard owned by Silicon Image for wireless transmission of high-definition video content for consumer electronics products. The consortium currently has over 40 adopters; key members behind the specification include Broadcom, Intel, LG, Panasonic, NEC, Samsung, SiBEAM, Sony, Philips and Toshiba. The founders intend the technology to be used for Consumer Electronic devices, PCs, and portable devices.

The Protected Media Path is a set of technologies creating a "Protected Environment," first included in Microsoft's Windows Vista operating system, that is used to enforce digital rights management protections on content. Its subsets are Protected Video Path (PVP) and Protected User Mode Audio (PUMA). Any application that uses Protected Media Path in Windows uses Media Foundation.

The analog hole is a perceived fundamental and inevitable vulnerability in copy protection schemes for noninteractive works in digital formats which can be exploited to duplicate copy-protected works using analog means. Once digital information is converted to a human-perceptible (analog) form, it is a relatively simple matter to digitally recapture that analog reproduction in an unrestricted form, thereby fundamentally circumventing any and all restrictions placed on copyrighted digitally distributed work. Media publishers who use digital rights management (DRM), to restrict how a work can be used, perceive the necessity to make it visible or audible as a "hole" in the control that DRM otherwise affords them.

<span class="mw-page-title-main">Digital rights management</span> Technology to control access to copyrighted works and prevent unauthorized copying

Digital rights management (DRM) is the management of legal access to digital content. Various tools or technological protection measures (TPM), such as access control technologies, can restrict the use of proprietary hardware and copyrighted works. DRM technologies govern the use, modification and distribution of copyrighted works and of systems that enforce these policies within devices. DRM technologies include licensing agreements and encryption.

Wireless Home Digital Interface (WHDI) is a consumer electronic specification for a wireless HDTV connectivity throughout the home.

Copy Control Information (CCI) is a two byte flag included in digital television streams that allows content owners and cable operators to specify how content can be duplicated. Originally defined as part of the 5C copy protection specification devised by DTCP working group back in 1998, it was later defined as part of the FCCs Plug and Play agreement in 2003.

<span class="mw-page-title-main">ABNT NBR 15605</span>

The ABNT NBR 15605 is the technical document of the SBTVD standards that describes in detail aspects regarding content security issues and copy protection, also known as Digital Rights Management (DRM). It's a detailed reference for manufacturers and content providers that aim to coordinate transmission and reception protection systems in a transparent and effective way for mass viewing.

Selectable Output Control (SOC) is a content protection Digital Rights Management (DRM) technology that is incorporated into approved devices that enables a Multichannel Video Programming Distributor (MVPD) to disable non-secure audio-video output by encoding the video with a specific signal. SOC aims to limit the output of high definition video over non-secure analog outputs such as component video connections. When enabled, SOC will only output high definition content over a High-Definition Multimedia Interface (HDMI) to devices that are High-bandwidth Digital Content Protection (HDCP) approved. When SOC is enabled for a program, televisions that do not have an HDMI port or are not HDCP compliant will not be able to view content. The U.S. Federal Communications Commission (FCC) until recently has had a ban on the use of SOC.

<span class="mw-page-title-main">Cinavia</span> Analog watermarking and steganography system

Cinavia, originally called Verance Copy Management System for Audiovisual Content (VCMS/AV), is an analog watermarking and steganography system under development by Verance since 1999, and released in 2010. In conjunction with the existing Advanced Access Content System (AACS) digital rights management (DRM) inclusion of Cinavia watermarking detection support became mandatory for all consumer Blu-ray Disc players from 2012.

References

  1. Dvorak, John (April 2, 2002). "Eating Your Own Dogfood Dept". PC Magazine. Archived from the original on 8 Aug 2007. Retrieved 2009-10-15.