Related Research Articles
Bridget Louise Riley is an English painter known for her op art paintings. She lives and works in London, Cornwall and the Vaucluse in France.
Morton Wayne Thiebaud was an American painter known for his colorful works depicting commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries, and hot dogs—as well as for his landscapes and figure paintings. Thiebaud is associated with the pop art movement because of his interest in objects of mass culture, although his early works, executed during the fifties and sixties, slightly predate the works of the classic pop artists. Thiebaud used heavy pigment and exaggerated colors to depict his subjects, and the well-defined shadows characteristic of advertisements are almost always included in his work.
Donald Clarence Judd was an American artist associated with minimalism. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. He is generally considered the leading international exponent of "minimalism", and its most important theoretician through such writings as "Specific Objects" (1964). Judd voiced his unorthodox perception of minimalism in Arts Yearbook 8, where he says, "The new three dimensional work doesn't constitute a movement, school, or style. The common aspects are too general and too little common to define a movement. The differences are greater than the similarities."
Karsten Schubert was a German art dealer and publisher working in London.
Leo Castelli was an Italian-American art dealer who originated the contemporary art gallery system. His gallery showcased contemporary art for five decades. Among the movements which Castelli showed were Surrealism, Abstract Expressionism, Neo-Dada, Pop Art, Op Art, Color field painting, Hard-edge painting, Lyrical Abstraction, Minimal Art, Conceptual Art, and Neo-expressionism.
Colab is the commonly used abbreviation of the New York City artists' group Collaborative Projects, which was formed after a series of open meetings between artists of various disciplines.
Joan Mitchell was an American artist who worked primarily in painting and printmaking, and also used pastel and made other works on paper. She was an active participant in the New York School of artists in the 1950s. A native of Chicago, she is associated with the American abstract expressionist movement, even though she lived in France for much of her career.
Betty Parsons was an American artist, art dealer, and collector known for her early promotion of Abstract Expressionism. She is regarded as one of the most influential and dynamic figures of the American avant-garde.
David Zwirner Gallery is an American contemporary art gallery owned by David Zwirner. It has four gallery spaces in New York City and one each in Los Angeles, London, Hong Kong, and Paris.
David Zwirner is a German art dealer and owner of the David Zwirner Gallery in New York City, London, Hong Kong, and Paris.
Fred Sandback was an American minimalist conceptual-based sculptor known for his yarn sculptures, drawings, and prints. His estate is represented by David Zwirner.
Sylvia Plimack Mangold is an American artist, painter, printmaker, and pastelist. She is known for her representational depictions of interiors and landscapes. She is the mother of film director/screenwriter James Mangold and musician Andrew Mangold.
William Clutz was an American artist known for urban paintings, pastels, and charcoal drawings of pedestrian scenes transformed by light. He was associated with a revival in figurative representation in American art during the 1950s and 1960s.
Marian Goodman is owner of the Marian Goodman Gallery, a contemporary art gallery opened in Manhattan, New York in 1977. Goodman is one of the most respected and influential gallerists of contemporary art in the world. She is known for introducing European artists like Gerhard Richter, Joseph Beuys, and Marcel Broodthaers to the United States and has represented a number of important artists including Steve McQueen, Thomas Struth, Pierre Huyghe, Thomas Schütte, Lothar Baumgarten, Tony Cragg, Richard Deacon, Tacita Dean, Christian Boltanski, Annette Messager, Chantal Akerman, Niele Toroni, Gabriel Orozco, Maurizio Cattelan, Giuseppe Penone, Giovanni Anselmo, Jeff Wall, Rineke Dijkstra, and William Kentridge. Marian Goodman gained prominence in the art world in the 1970s and 1980s, a time when few women worked in this sector.
Samuel M. Kootz was a New York City art dealer and author whose Kootz Gallery was one of the first to champion Abstract Expressionist Art.
The Real Estate Show was a squatted exhibition by New York artists' group Colab, on the subject of landlord speculation in real estate held on New Year's Day in a vacant city-owned building at 123 Delancey Street in the Lower East Side of Manhattan, New York City.
John Ahearn is an American sculptor. He is best known for the public art and street art he made in South Bronx in the 1980s.
Richard Bosman is an American artist, educator, and illustrator. Bosman is best known for his paintings and prints. His work is often related to crime, adventure, and disaster narratives; rural Americana; and nature and domestic themes. He is associated with the Neo-expressionist movement of the late 1970s and early 1980s. Bosman was a member of Colab, the New York artist collective founded in 1977, and participated in the group's influential, “Times Square Show” (1980).
John Henry Berggruen is an American art dealer who owns Berggruen Gallery in San Francisco, California, which has been a fixture in the Bay Area art scene since 1970.
The Times Square Show was an influential collaborative, self-curated, and self-generated art exhibition held by New York artists' group Colab in Times Square in a shuttered massage parlor at 201 W. 41st and 7th Avenue during the entire month of June in 1980. The Times Square Show was largely inspired by the more radical Colab show The Real Estate Show, but unlike it, was open 24 hours a day, 7 days a week, in what was then a Times Square full of porno theaters, peep shows, and red light establishments. In addition to experimental painting and sculpture, the exhibition incorporated music, fashion, and an ambitious program of performance and video. For many artists the exhibition served as a forum for the exchange of ideas, a testing-ground for social-directed figurative work in progress, and a catalyst for exploring new political-artistic directions.
References
- ↑ Brooke Alexander, Inc. listing at The Art Dealers Association of America (ADAA) a nonprofit membership organization of the nation's leading galleries in the fine arts
- ↑ "Brooke Alexander, Inc". Artnet . Retrieved August 10, 2020.
- ↑ "Modern Galleries Drawn to Soho" by Douglas C. McGill The New York Times September 17, 1985
- ↑ Grace Glueck (September 24, 1982). "ART: AFTER 2 YEARS, 'SELECTED PRINTS III'". The New York Times . Retrieved August 11, 2020.
- ↑ "Inside Art" by Carol Vogel September 10, 1993 The New York Times
- ↑ Lubow, Arthur (January 7, 2018). "The Business of Being David Zwirner". The Wall Street Journal . Retrieved August 14, 2018.
- ↑ "Peter Alexander, who created ethereal worlds out of resin, dies at 81". Los Angeles Times . May 28, 2020. Retrieved August 10, 2020.
- ↑ Brooke Alexander Archive Cards at 98 Bowery
- 1 2 For 25 years: Brooke Alexander editions: the Museum of Modern Art, New York, the Tatyana Grosman Gallery, January 27-May 17, 1994 at the Smithsonian Libraries
- ↑ "Colab Redux installation". Archived from the original on June 22, 2013. Retrieved August 20, 2013.
- ↑ Colab Redux PR