The Brooke Gifford Gallery was a dealer art gallery focusing on contemporary New Zealand art that opened in Otautahi Christchurch, Aotearoa New Zealand in 1975. It was run by Barbara Brooke and Judith Gifford and closed in 2011. [1]
In January 1959 André and Barbara Brooke open Gallery 91 in Cashel Street, Otautahi Christchurch. Although the gallery only survived for eleven months [2] it presented significant solo exhibitions by Rudolf Gopas, Colin McCahon, [3] Tosswill Woollaston, [4] Doris Lusk, Helen Brown, Douglas McDiarmid, Frank Gross, John Coley, June Black, and Olivia Spencer Bower. [5]
In 1975 Barbara Brooke teamed up with Judith Gifford to open the Brooke Gifford Gallery. [6] The Gallery was located at 112 Manchester Street in a space shared with an antiques store although in time the Gallery did get its own entrance. [7] Brooke and Gifford were helped to prepare the spaces by Quentin MacFarlane who Gifford had married in 1959. Rodney Wilson, who was teaching art history at the University of Canterbury and went on to direct the Christchurch Art Gallery and Auckland Art Gallery, drew up the lighting plan and designer Max Hailstone created the Brook Gifford Gallery Logo. [8] The Brooke Gifford Gallery remained the city’s only dealer gallery for contemporary art for many years. [9] In 1980, only five years after the gallery opened, Barbara Brooke died leaving Judith Gifford to run the space alone. [10] The first exhibition was by the painter Tom Field who had won the Hays Art Competition in 1963. [11] In July of that year the Gallery arranged with Barry Lett Galleries to show Auckland artists including Pat Hanly, Robert Ellis, Colin McCahon (Jump series works), Ralph Hotere, Carl Sydow, and Suzanne Goldberg. [12] Other artists shown in the first year of the gallery included Don Binney, Ted Bracey, John Coley, Michael Illingworth, Quentin MacFarlane, Trevor Moffitt, Allan Pearson, Paree Romanides, Olivia Spencer-Bower, Karl Sydow, Tino Tibbo, and Charles Tole. [13] A comparison with the artists included in the Gallery’s Thirtieth Anniversary show demonstrates the breadth of the roster over the years: Don Binney, Joanna Braithwaite, Shane Cotton, Maryrose Crook, Darryn George, Bill Hammond, Richard Killeen, Tony de la Tour, Quentin MacFarlane, Seraphine Pick, Peter Robinson, Ava Seymore, Terry Stringer, Grant Takle, and John Walsh. [14] Art historian Petrena Fishburn notes the significance of the Brooke Gifford opening in Christchurch two years before the final exhibition of The Group. For many artists the new dealer gallery was a major opportunity to present solo exhibitions on an annual basis rather than being one among many in the large mixed Group exhibitions. [15]
1978 House Alterations was Neil Dawson's first solo dealer gallery show. The exhibition presented a series of differing views of small houses. The critic Michael Thomas described two of them in his Art New Zealand review, ‘Magnification for instance shows the middle part of a house enlarged to form a circular shape; and in another work entitled Enlargement a tiny wooden house about 1cm in height stands supported only by a thin 'shadow' of wood in front of an enlarged version of the same building. [16]
1979 With funding from the Queen Elizabeth II Arts Council the Gallery assembled an ambitious survey exhibition of the sculptor Bill Culbert. Bill Culbert: London and New Zealand Works toured to public art museums throughout New Zealand. [17] In the same year Billy Apple made alterations to the gallery’s small print room in his installation Censure Realised: Brooke Gifford Gallery Christchurch. [18]
This work was included many years later in De-Building, an exhibition that was showing at the Christchurch Art Gallery during the 2011 earthquake. [19]
1982 Bill Hammond’s first exhibition with the Brooke Gifford Gallery. Art writer and critic Hamish Keith recalled seeing the exhibition, "I walked into that show and I was completely blown away ...he just made things out of who we are and where he was. An extraordinary artist." [20]
1985 To mark the tenth year of operation and marking the United Nation’s Decade for Women, Gifford curated an exhibition of women artists: Gretchen Albrecht, Claudia Pond-Eyely, Maria Olsen, Philippa Blair, Julia Morison, Sylvia Siddell and Merylyn Tweedie. [21]
In 2011 a massive earthquake damaged much of Central Christchurch and although the building in Manchester Street was salvageable, it was in a prohibited zone and could not be accessed. Eventually, with the help of her family, Gifford was able to enter the building and remove the art works stored there. [22] For a time, again with the help of family members, Gifford continued operating the Gallery via a website and a space in Moorhouse Avenue where the gallery mounted an exhibition 36 years in the Zone. Artists included: Laurence Aberhart, Joanna Braithwaite, Shane Cotton, Tony de Lautour, Darryn George, Jason Greig, Bill Hammond, Richard Killeen and Séraphine Pick. The gallery finally closed the following year. [23]
Judith Gifford died 9 September 9 2021. [24]
William Hammond was a New Zealand artist who was part of the Post-colonial Gothic movement at the end of the 1990s. He lived and worked in Lyttelton, New Zealand. The theme of his works centred around the environment and social justice.
Colin John McCahon was a New Zealand artist whose work over 45 years consisted of various styles, including landscape, figuration, abstraction, and the overlay of painted text. Along with Toss Woollaston and Rita Angus, McCahon is credited with introducing modernism to New Zealand in the mid-20th century. He is regarded as New Zealand's most important modern artist, particularly in his landscape work.
Sir Mountford Tosswill "Toss" Woollaston was a New Zealand artist. He is regarded as one of the most important New Zealand painters of the 20th century.
Shane William Cotton is a New Zealand painter whose work explores biculturalism, colonialism, cultural identity, Māori spirituality, and life and death.
Richard John Killeen is a significant New Zealand painter, sculptor and digital artist.
Jeffrey Harris is a New Zealand artist. Harris started his career in Christchurch, moving to Dunedin, New Zealand in 1969. In the early 1980s he worked briefly in the United States, before moving to Melbourne, Australia in 1986. In 2000 he returned to Dunedin, where he still lives. Largely self-taught, but mentored by notable New Zealand artists such as Michael Smither and Ralph Hotere, he has painted full-time since 1970.
William Alexander Sutton was a New Zealand portrait and landscape artist.
Doris More Lusk was a New Zealand painter, potter, art teacher, and university lecturer. In 1990 she was posthumously awarded the Governor General Art Award in recognition of her artistic career and contributions.
Darryn George is a New Zealand artist based in Christchurch.
William Franklin Culbert was a New Zealand artist, notable for his use of light in painting, photography, sculpture and installation work, as well as his use of found and recycled materials.
Séraphine Pick is a New Zealand painter. Pick has exhibited frequently at New Zealand public art galleries; a major survey of her work was organised and toured by the Christchurch Art Gallery in 2009–10.
Jenny Gwynndd Harper is a New Zealand academic and museum professional. She was most recently the director of Christchurch Art Gallery.
The Group was an informal but influential art association formed in Christchurch, New Zealand in 1927. Initially begun by ex-students from Canterbury College of Art, its aim was to provide a freer, more experimental alternative to the academic salon painting exhibitions of the Canterbury Society of Arts. The Group exhibited annually for 50 years, from 1927 to 1977, and it was continuously at the forefront of New Zealand art's avant-garde scene.
Avril Elizabeth Zanders, generally known as Beth Zanders, was a New Zealand artist.
Rosemary Campbell is a New Zealand artist and teacher.
Luise Fong is a Malaysian-born New Zealand artist.
Annie (Anne) Eleanor McCahonnée Hamblett was a New Zealand artist and illustrator, and the wife of fellow artist Colin McCahon.
Justin Paton is a New Zealand writer, art critic and curator, currently based in Sydney, Australia. His book How to Look at a Painting (2005) was adapted into a 12-episode television series by TVNZ in 2011.
Selwyn Peter Webb was a New Zealand art dealer and gallery director. He was a supporter and promoter of art, and particularly contemporary New Zealand art, for over sixty years. Webb's work spanned public art museums, publishing and the founding of the Peter Webb Galleries and Webb's auction house.
Ronald Norris O'Reilly was a librarian who promoted and exhibited contemporary New Zealand art. He served as Christchurch city librarian from 1951 to 1968, and director of the Govett-Brewster Art Gallery from 1975 to 1979.