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The Brooklyn Academy of Fine Arts, originally known as the Leonardo da Vinci Art School, was a small, short-lived art academy located at 85 Court Street in the New York City borough of Brooklyn. [1] The sole instructor at the academy was Michele Falanga. The school closed in 1945.
Michele Falanga was born in Naples and studied in Rome. He emigrated to the United States in 1901. [2]
In 1923, Falanga founded the Leonardo da Vinci Art School in the Brooklyn borough of New York City. It later became the Brooklyn Academy of Fine Arts and was based at 85 Court Street. [2]
The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". Although not the only known drawing of a man inspired by the writings of Vitruvius, the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.
Silverpoint is a traditional drawing technique and tool first used by medieval scribes on manuscripts.
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.
La Belle Ferronnière is a portrait painting of a lady, by Leonardo da Vinci, in the Louvre. It is also known as Portrait of an Unknown Woman. The painting's title, applied as early as the seventeenth century, identifying the sitter as the wife or daughter of an ironmonger, was said to be discreetly alluding to a reputed mistress of Francis I of France, married to a certain Le Ferron. Later she was tentatively identified as Lucretia Crivelli, a married lady-in-waiting to Duchess Beatrice of Milan, who became another of the Duke's mistresses.
The Lady with an Ermine is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza, Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.
Martin John Kemp is a British art historian and exhibition curator who is one of the world's leading authorities on the life and works of Leonardo da Vinci. The author of many books on Leonardo, Kemp has also written about visualisation in art and science, particularly anatomy, natural sciences and optics. Instrumental in the controversial authentication of Salvator Mundi to Leonardo, Kemp has been vocal on attributions to Leonardo, including support of La Bella Principessa and opposition to the Isleworth Mona Lisa.
John Thomas Spike is an American art historian, curator, and author, specializing in the Italian Renaissance and Baroque periods. He is also a contemporary art critic and past director of the Florence Biennale.
The Anderson School PS 334 is a New York City school for children in grades kindergarten through 8 from the city's five boroughs. It was founded thirty-seven years ago as The Anderson Program under the stewardship of PS 9. The New York City Department of Education (DOE) spun off Anderson in July 2005 as a stand-alone school — PS 334.
An écorché is a figure drawn, painted, or sculpted showing the muscles of the body without skin, normally as a figure study for another work or as an exercise for a student artist. The architect and Renaissance man Leon Battista Alberti recommended that when painters intend to depict a nude, they should first arrange the muscles and bones, then depict the overlying skin.
Nicolas Carone belonged to the early generation of New York School Abstract Expressionist artists. Their artistic innovation by the 1950s had been recognized internationally, including in London and Paris. New York School Abstract Expressionism, represented by Jackson Pollock, Willem de Kooning, Franz Kline, Conrad Marca-Relli and others, became a leading art movement of the postwar era.
The Leonardo da Vinci Art School was an art school founded in New York City (1923–1942), whose most famous student was Isamu Noguchi and whose director was sculptor and poet Onorio Ruotolo.
Leonardo's Horse is a project for a bronze sculpture that was commissioned from Leonardo da Vinci in 1482 by the Duke of Milan Ludovico il Moro, but never completed. It was intended to be the largest equestrian statue in the world, a monument to the duke's father Francesco Sforza. Leonardo did extensive preparatory work for it but produced only a large clay model, which was later destroyed.
Onorio Ruotolo (1888–1966) was an Italian-American sculptor and poet, once known as the "Rodin of Little Italy."
Maria Hernandez Park is a municipal park in Bushwick, Brooklyn, New York City. It is located between Knickerbocker Avenue on the southwest to Irving Avenue on the northeast, and Starr Street on the northwest to Suydam Street on the southeast. The park is 6.87 acres (2.78 ha) and is near the Jefferson Street station of the New York City Subway.
The Grand Central Atelier is an art school in the Long Island City neighborhood of the borough of Queens in New York City.
The Henry Ward Beecher Monument, a statue of Henry Ward Beecher created by the sculptor John Quincy Adams Ward, was unveiled on June 24, 1891, in Borough Hall Park, Brooklyn and was later relocated to Cadman Plaza, Brooklyn in 1959.
Pietro Montana was a 20th-century Italian-American sculptor, painter and teacher, noted for his war memorials and religious works.
The Brooklyn Arts Gallery was Brooklyn's first art gallery. Located in the borough's Brooklyn Heights neighborhood in New York City, the gallery first opened on January 22, 1958, with the purpose being to "provide facilities where artists may display their work to the public at a minimum cost and without red tape." Open to the public and free of charge to both patrons and artists, the gallery was privately established for the benefit of lesser-known artists in Brooklyn by its founder and director, Sylvia Dwyer. The Gallery's exhibits of paintings, drawings, prints, sculptures, and ceramics reflected many artistic movements of that era, including expressionism, realism, modern, non-objective, and abstraction. Throughout the 1960s, the gallery remained a center for artists and was heralded for its cultural influence on the neighborhood.
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.
40°41′29″N73°59′29″W / 40.69131°N 73.99131°W
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