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A subwoofer is a loudspeaker designed to reproduce low-pitched audio frequencies, known as bass and sub-bass, that are lower in frequency than those which can be (optimally) generated by a woofer. The typical frequency range that is covered by a subwoofer is about 20–200 Hz for consumer products, below 100 Hz for professional live sound, and below 80 Hz in THX-certified systems. Thus, one or more subwoofers are important for high-quality sound reproduction as they are responsible for the lowest two to three octaves of the ten octaves that are audible. This very low-frequency (VLF) range reproduces the natural fundamental tones of the bass drum, electric bass, double bass, grand piano, contrabassoon, tuba, in addition to thunder, gunshots, explosions, etc.
A loudspeaker is an electroacoustic transducer that converts an electrical audio signal into a corresponding sound. A speaker system, also often simply referred to as a speaker or loudspeaker, comprises one or more such speaker drivers, an enclosure, and electrical connections possibly including a crossover network. The speaker driver can be viewed as a linear motor attached to a diaphragm which couples that motor's movement to motion of air, that is, sound. An audio signal, typically from a microphone, recording, or radio broadcast, is amplified electronically to a power level capable of driving that motor in order to reproduce the sound corresponding to the original unamplified electronic signal. This is thus the opposite function to the microphone; indeed the dynamic speaker driver, by far the most common type, is a linear motor in the same basic configuration as the dynamic microphone which uses such a motor in reverse, as a generator.
Infrasound, sometimes referred to as low frequency sound, describes sound waves with a frequency below the lower limit of human audibility. Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high. Although the ear is the primary organ for sensing low sound, at higher intensities it is possible to feel infrasound vibrations in various parts of the body.
The low-frequency effects (LFE) channel is a band-limited audio track that is used for reproducing deep and intense low-frequency sounds in the 3–120 Hz frequency range.
A spectrum analyzer measures the magnitude of an input signal versus frequency within the full frequency range of the instrument. The primary use is to measure the power of the spectrum of known and unknown signals. The input signal that most common spectrum analyzers measure is electrical; however, spectral compositions of other signals, such as acoustic pressure waves and optical light waves, can be considered through the use of an appropriate transducer. Spectrum analyzers for other types of signals also exist, such as optical spectrum analyzers which use direct optical techniques such as a monochromator to make measurements.
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, electric piano, synthesizers and drum machine to convert the signal from the pickup or other sound source into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience.
Sonic and ultrasonic weapons (USW) are weapons of various types that use sound to injure or incapacitate an opponent. Some sonic weapons make a focused beam of sound or of ultrasound; others produce an area field of sound. As of 2023 military and police forces make some limited use of sonic weapons.
An equal-loudness contour is a measure of sound pressure level, over the frequency spectrum, for which a listener perceives a constant loudness when presented with pure steady tones. The unit of measurement for loudness levels is the phon and is arrived at by reference to equal-loudness contours. By definition, two sine waves of differing frequencies are said to have equal-loudness level measured in phons if they are perceived as equally loud by the average young person without significant hearing impairment.
Sub-bass sounds are the deep, low-register pitches below approximately 70 Hz (C♯2 in scientific pitch notation) and extending downward to include the lowest frequency humans can hear, approximately 20 Hz (E0).
Hearing range describes the frequency range that can be heard by humans or other animals, though it can also refer to the range of levels. The human range is commonly given as 20 to 20,000 Hz, although there is considerable variation between individuals, especially at high frequencies, and a gradual loss of sensitivity to higher frequencies with age is considered normal. Sensitivity also varies with frequency, as shown by equal-loudness contours. Routine investigation for hearing loss usually involves an audiogram which shows threshold levels relative to a normal.
A tactile transducer or "bass shaker" is a device which is made on the principle that low bass frequencies can be felt as well as heard. They can be compared with a common loudspeaker, just that the diaphragm is missing. Instead, another object is used as a diaphragm. A shaker transmits low-frequency vibrations into various surfaces so that they can be felt by people. This is called tactile sound. Tactile transducers may augment or in some cases substitute for a subwoofer. One benefit of tactile transducers is they produce little or no noise, if properly installed, as compared with a subwoofer speaker enclosure.
A rotary woofer is a subwoofer-style loudspeaker which reproduces very low frequency content by using a conventional speaker voice coil's motion to change the pitch (angle) of the blades of an impeller rotating at a constant speed. The pitch of the fan blades is controlled by the audio signal presented to the voice coil, and is able to swing both positive and negative, with respect to a zero pitch spinning blade position. Since the audio amplifier only changes the pitch of the blades, it takes much less power, per dB of generated acoustic sound level, to drive a rotary woofer than to power a conventional subwoofer, which uses a moving electromagnet placed within the field of a stationary permanent magnet to drive a cone which then displaces air. Rotary woofers excel at producing sounds below 20 Hz, below the normal hearing range; when installed in the wall of a sealed room, they can produce audio frequencies below 1 Hz, a static pressure differential, by simply compressing the air in the sealed room.
An acoustic transmission line is the use of a long duct, which acts as an acoustic waveguide and is used to produce or transmit sound in an undistorted manner. Technically it is the acoustic analog of the electrical transmission line, typically conceived as a rigid-walled duct or tube, that is long and thin relative to the wavelength of sound present in it.
Meyer Sound Laboratories is an American company based in Berkeley, California that manufactures self-powered loudspeakers, multichannel audio show control systems, electroacoustic architecture, and audio analysis tools for the professional sound reinforcement, fixed installation, and sound recording industries.
Bass traps are acoustic energy absorbers which are designed to damp low-frequency sound energy with the goal of attaining a flatter low-frequency (LF) room response by reducing LF resonances in rooms. They are commonly used in recording studios, mastering rooms, home theatres and other rooms built to provide a critical listening environment. Like all acoustically absorptive devices, they function by turning sound energy into heat through friction.
In physics, sound is a vibration that propagates as an acoustic wave through a transmission medium such as a gas, liquid or solid. In human physiology and psychology, sound is the reception of such waves and their perception by the brain. Only acoustic waves that have frequencies lying between about 20 Hz and 20 kHz, the audio frequency range, elicit an auditory percept in humans. In air at atmospheric pressure, these represent sound waves with wavelengths of 17 meters (56 ft) to 1.7 centimeters (0.67 in). Sound waves above 20 kHz are known as ultrasound and are not audible to humans. Sound waves below 20 Hz are known as infrasound. Different animal species have varying hearing ranges.
Infrasound is sound at frequencies lower than the low frequency end of human hearing threshold at 20 Hz. It is known, however, that humans can perceive sounds below this frequency at very high pressure levels. Infrasound can come from many natural as well as man-made sources, including weather patterns, topographic features, ocean wave activity, thunderstorms, geomagnetic storms, earthquakes, jet streams, mountain ranges, and rocket launchings. Infrasounds are also present in the vocalizations of some animals. Low frequency sounds can travel for long distances with very little attenuation and can be detected hundreds of miles away from their sources.
A keyboard amplifier is a powered electronic amplifier and loudspeaker in a wooden speaker cabinet used for the amplification of electronic keyboard instruments. Keyboard amplifiers are distinct from other types of amplification systems such as guitar amplifiers due to the particular challenges associated with making keyboards sound louder on stage; namely, to provide solid low-frequency sound reproduction for the deep basslines that keyboards can play and crisp high-frequency sound for the high-register notes. Another difference between keyboard amplifiers and guitar/bass amplifiers is that keyboard amps are usually designed with a relatively flat frequency response and low distortion. In contrast, many guitar and bass amp designers purposely make their amplifiers modify the frequency response, typically to "roll-off" very high frequencies, and most rock and blues guitar amps, and since the 1980s and 1990s, even many bass amps are designed to add distortion or overdrive to the instrument tone.
The Feraliminal Lycanthropizer is a fictional psychotechnographic machine invented by American writer David Woodard, whose 1990 pamphlet of the same title speculates on its history and purpose. The brief, anonymously published work describes a vibration referred to as "thanato-auric waves", which the machine electrically generates by combining three infrasonic sine waves with tape loops of unspecified spoken text.
This combination of drastically contrasting emotional trigger mechanisms results in an often profound behavioral enhancement which occurs strikingly soon after the user enters and remains in the auricular field of the machine.
Thomas J. Danley is an American audio engineer, electrical engineer and inventor, the holder of multiple patents for audio transducers, especially high-linearity, high-output professional horn loudspeaker systems. Danley first gained notice in the 1980s with his novel servomotor-driven subwoofer systems used to reproduce very low frequencies in concert tours and theme parks. In 2000 he advanced the implementation of multiple-entry horns in 2000 with several designs led by the SPL-td1, a seven-driver loudspeaker. In 2005, he started a new company, Danley Sound Labs, through which he patented further technologies and produced a wide variety of loudspeaker models based on these technologies.
References
- ↑ Rood, G. (1977). "Tempest, W. Infrasound and low frequency vibration (1977). Academic Press Inc. (London) Ltd". Journal of Sound and Vibration. 53 (4): 605. Bibcode:1977JSV....53..605R. doi:10.1016/0022-460X(77)90533-8. Archived from the original on 2008-02-01. Retrieved 2007-11-10.
- ↑ ProSoundWeb: some effects of low end (bulletin board entry by Tom Danley)
- ↑ The Matterhorn
- ↑ "Brown Note | MythBusters". Discovery. 2012-04-11. Archived from the original on 2016-05-11. Retrieved 2016-05-29.
- ↑ "Brown Note". Meyer Sound. 2000. Archived from the original on 2006-09-06. Retrieved 2006-08-30.
- ↑ "Meyer Sound 700-HP UltraHigh-Power Subwoofer datasheet" (PDF). Archived from the original (PDF) on 2007-10-21. Retrieved 2007-11-14.
- 1 2 3 "Meyer Sound Gets Down to Basics in MythBusters Episode". Meyer Sound Laboratories. September 2004. Archived from the original on 2011-07-14. Retrieved September 1, 2010.