Bruce Sagan

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Bruce Sagan

Bruce Eli Sagan (born March 29, 1954) is an American Professor of Mathematics at Michigan State University. He specializes in enumerative, algebraic, and topological combinatorics. He is also known as a musician, playing music from Scandinavia and the Balkans.

Contents

Early life

Sagan is the son of Eugene Benjamin Sagan and Arlene Kaufmann Sagan. He grew up in Berkeley, California. He started playing classical violin at a young age under the influence of his mother who was a music teacher and conductor. He received his B.S. in mathematics (1974) from California State University, East Bay (then called California State University, Hayward). He received his Ph.D. in mathematics (1979) from the Massachusetts Institute of Technology. His doctoral thesis "Partially Ordered Sets with Hooklengths – an Algorithmic Approach" was supervised by Richard P. Stanley. [1] He was Stanley's third doctoral student. During his graduate school years he also joined and became music director of the Mandala Folkdance Ensemble.

Mathematical career

Sagan held postdoctoral positions at Université Louis Pasteur (1979–1980), the University of Michigan (1980–1983), University College of Wales, Aberystwyth, Middlebury College (1984–1985), the University of Pennsylvania, and Université du Québec à Montréal (Fall, 1985), before becoming a faculty member at MSU in the Spring of 1986. He has held visiting positions at the Institute for Mathematics and its Applications (Spring, 1988), UCSD (Spring, 1991), the Royal Institute of Technology (1993–1994), MSRI (Winter, 1997), the Isaac Newton Institute (Winter, 2001), Mittag-Leffler Institute (Spring, 2005), and DIMACS (2005–2006). He was also a rotating Program Officer at the National Science Foundation (2007–2010). [2]

Sagan has published over 100 research papers. He has given over 300 talks in North America, Europe, Asia, and Australia. These have included keynote addresses at the Conference on Formal Power Series and Algebraic Combinatorics (2006) and the British Combinatorial Conference (2011). He has graduated 15 Ph.D. students. [1] During his time at Michigan State University, he has won two awards for teaching excellence. [3]

Sagan has been an Editor-in-Chief for the Electronic Journal of Combinatorics since 2004. [4]

Books

Selected papers

Musical career

Sagan plays music from the Scandinavian countries and the Balkans on fiddle and native instruments. These include the Swedish nyckelharpa, the Norwegian hardingfele, and the Bulgarian gadulka. In 1985 he and his then wife, Judy Barlas, founded the music and dance camp Scandinavian Week at Buffalo Gap (now known as Nordic Fiddles and Feet). He is currently a regular staff member at Northern Week at Ashokan run by Jay Ungar and Molly Mason. In 1994 he was awarded the Zorn Medal in Bronze for his playing in front of a jury of Swedish musicians. He has performed and given workshops in North America, Europe, and Australia. He plays Swedish music as a duo with Brad Battey and also with Lydia Ievens. His trio Veselba, with Nan Nelson and Chris Rietz, performs music from Bulgaria. [5] [6]

Discography

Related Research Articles

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<span class="mw-page-title-main">Fiddle</span> Bowed string instrument

A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

The polska is a family of music and dance forms shared by the Nordic countries: called polsk in Denmark, polka or polska in Estonia, polska in Sweden and Finland, and by several different names in Norway. Norwegian variants include pols, rundom, springleik, and springar. The polska is almost always seen as a partner dance in, although variants in 2
4
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<span class="mw-page-title-main">Byzantine lyra</span> String instrument

The Byzantine lyra or lira was a medieval bowed string musical instrument in the Byzantine Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings, held upright and played by stopping the strings from the side with the fingertips and fingernails. The oldest known depiction of the instrument is on a Byzantine ivory casket, dated to circa 900–1100 AD, preserved in the Bargello in Florence. Modern variants of the lyra are still played throughout the Balkans and in areas surrounding the Black Sea, including Greece, Crete, Karpathos, Albania, Montenegro, Serbia, Bulgaria, North Macedonia, Croatia, Italy, Turkey and Armenia.

The Electronic Journal of Combinatorics is a peer-reviewed open access scientific journal covering research in combinatorial mathematics. The journal was established in 1994 by Herbert Wilf and Neil Calkin. The Electronic Journal of Combinatorics is a founding member of the Free Journal Network. According to the Journal Citation Reports, the journal had a 2017 impact factor of 0.762.

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References

  1. 1 2 Bruce Sagan at the Mathematics Genealogy Project
  2. Bruce Sagan, professional CV Archived 2015-03-09 at the Wayback Machine
  3. Department of Mathematics, Michigan State University. "The J.S. Frame Teaching Excellence Award Winners". Archived from the original on 2013-05-04. Retrieved 17 June 2013.
  4. Editorial Team, Electronic Journal of Combinatorics, accessed 2013-06-03.
  5. 1 2 Tom Druckenmiller (June 22, 2011). "Bruce Sagan & Lydia Ievens: Northlands". Sing Out! . Archived from the original on April 6, 2016.
  6. Sing Out! magazine, articles on Bruce Sagan.
  7. 1 2 3 4 Bruce Sagan recordings
  8. Peter Ahlbom, review in Spelmann, 1994 Archived May 29, 2010, at the Wayback Machine