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Bruno Turner (born 7 February 1931) [1] is a British musicologist, choral conductor, broadcaster, publisher and businessman. His scholarship and recordings have focused on early music, especially of Spanish polyphony.
Turner was born in London and raised in a strict Catholic household, his father being a convert from the Baptists. [2] His interest in early music was shepherded by Thurston Dart and Denis Stevens; Turner began conducting Renaissance ensembles in the 1950s. [1] Turner worked as secretary to the Renaissance Singers, and this inspired him to establish the Pro Musica Sacra choir, which gave numerous radio broadcasts in the late 1950s. [2] [3] He was the director of Pro Musica Sacra from 1956 to 1964. [4] In 1962, he facilitated a complete liturgical reconstruction (of Robert Fayrfax's Missa Tecum Principium), the first attempt to do so. [1]
Turner was a Catholic choirmaster until Vatican II, a radio broadcaster since 1958, and active as conductor and speaker. [5] From the late 1960s into the 1990s, Turner was a frequent conductor of Pro Cantione Antiqua of London, and directed many of their recordings for Archiv Produktion. [1] He ran a family business outside of music called Turner Wallcoverings; in 1977, with Martyn Imrie, he created Mapa Mundi, a company dedicated to publishing Medieval music, a venture that again proved successful. [6] [7] Turner has written frequently on early music, performance practice and the rival elements in singing. In the debate on the use of vibrato in renaissance choral music Turner has consistently advocated less vibrato, but not no vibrato. "Counterpoint is only one element in the music, there is expression too and you should allow your voice to be coloured and not sing like an automaton". [8] Turner has also written as a reviewer for Early Music (Oxford University Press).[ citation needed ]
Turner was honoured with a festschrift in 2011, entitled Pure Gold: Golden Age Sacred Music in the Iberian World. A Homage to Bruno Turner, edited by Tess Knighton and Bernadette Nelson. The book was presented to Turner at the 2011 Medieval and Renaissance Music Conference in Barcelona. [9] Reviewing in Fontes Artis Musicae, Joseph Sargent remarked, "Anyone who enjoys Spanish Renaissance music owes a debt to Bruno Turner, whose pioneering Mapa Mundi scores, groundbreaking recordings, and enlightening scholarship have vastly increased this repertory's visibility." [10]
The 6-LP set 'The Flowering of Renaissance Polyphony' (Geistliche Musik der Renaissance') issued on Deutsche Grammophon Archiv in the late 1970s was influential.
Antoine Brumel was a French composer. He was one of the first renowned French members of the Franco-Flemish school of the Renaissance, and, after Josquin des Prez, was one of the most influential composers of his generation.
Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310. This covers the period of the Notre-Dame school of polyphony, and the subsequent years which saw the early development of the motet, a highly varied choral musical composition. Usually the term ars antiqua is restricted to sacred (church) or polyphonic music, excluding the secular (non-religious) monophonic songs of the troubadours, and trouvères. However, sometimes the term ars antiqua is used more loosely to mean all European music of the thirteenth century, and from slightly before. The term ars antiqua is used in opposition to ars nova, which refers to the period of musical activity between approximately 1310 and 1375.
Jean Richafort was a Netherlandish composer of the Renaissance.
Franchinus Gaffurius was an Italian music theorist and composer of the Renaissance. He was an almost exact contemporary of Josquin des Prez and Leonardo da Vinci, both of whom were his personal friends. He was one of the most famous musicians in Italy in the late 15th and early 16th centuries.
Mathieu Gascongne was a French composer of the Renaissance. Contemporaries, such as Adrian Willaert grouped him with Josquin, Ockeghem, and Jean Mouton as among the finest composers of the time. Compared with those others, however, little of his output has survived.
Pierre Moulu was a Franco-Flemish composer of the Renaissance who was active in France, probably in Paris.
Francisco de Peñalosa was a Spanish composer of the middle Renaissance.
Officium Defunctorum is a musical setting of the Office of the Dead composed by the Spanish Renaissance composer Tomás Luis de Victoria in 1603. The texts have also been set by other composers including Morales.
Pro Cantione Antiqua of London (PCA) is a British choral group which was founded in 1968 by tenor James Griffett, counter-tenor Paul Esswood, and conductor and producer Mark Brown. Their first concert was at St Bartholomew's, Smithfield with Brian Brockless conducting but, from an early stage, they were closely associated with conductor and musicologist Bruno Turner. Arguably, they were the leading British performers of a cappella music, especially early music, prior to the founding of the Tallis Scholars.
The Oxford Book of English Madrigals was edited by Philip Ledger, and published in 1978 by the Oxford University Press. It contains words and full music for some 60 of the madrigals and songs of the English Madrigal School.
Diogo Dias Melgás was a Portuguese composer of late-Renaissance sacred polyphony.
Rodrigo de Ceballos was a Spanish composer.
The Barcelona Mass is a polyphonic mass written around 1360. Together with the Messe de Nostre Dame by Guillaume de Machaut and those of Toulouse, Tournai and the Sorbonne, it is one of the earliest preserved complete polyphonic musical settings of the Ordinary of the Mass. It is believed to belong to the repertoire of the Papal court at Avignon and is also linked to the chapel of King Martin I of Aragon.
Ars Musicae de Barcelona was a Catalan ensemble for the performance of medieval music active between 1935 and 1979.
Archiv Produktion is a classical music record label of German origin. It originated in 1949 as a classical label for the Deutsche Grammophon Gesellschaft (DGG), and in 1958 Archiv was established as a subsidiary of DGG, specialising in recordings of Early and Baroque music. It has since developed a particular focus on "historically informed performance" and the work of artists of the Early music revival movement of the 20th and 21st centuries.
Ars Nova Copenhagen is a Danish vocal ensemble specialised in the interpretation of the polyphonic choral music of the Renaissance and new vocal music. It was founded in 1979 by composer Bo Holten among others. In 1996 Hungarian conductor Tamás Vetö was appointed chief conductor by the singers in the group and Holten founded his own ensemble, Musica Ficta (Denmark). Ars Nova Copenhagen is now led by Paul Hillier, and collaborates on a regular basis with his ensemble Theatre of Voices.
Geoffrey Mitchell is a countertenor-voiced chorister and choral conductor.
The Oxford Camerata is an English chamber choir based in Oxford, England. The Camerata was founded in 1984 by conductor Jeremy Summerly and singers David Hurley and Henrietta Cowling and gave its first performance on 22 May of that year. The ensemble consists of a core membership of fifteen singers, though personnel size varies according to the demands of the repertoire. While the Camerata is known for performing primarily unaccompanied repertoire, it has also performed accompanied repertoire, employing the services of the Oxford Camerata Instrumental Ensemble and the Oxford Camerata Baroque Orchestra.
Bruno Boterf is a contemporary French tenor, specialising in Baroque and early music.
BRUNO TURNER is a distinguished Roman Catholic singer, conductor and editor who founded the Mapa mundi series of polyphonic music