| Bull of the Woods | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | March 1969 | |||
| Recorded | 1968 | |||
| Genre | Acid rock | |||
| Length | 35:20 [1] | |||
| Label | International Artists | |||
| Producer | Ray Rush | |||
| The 13th Floor Elevators chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
Bull of the Woods is the third studio album by The 13th Floor Elevators, and the last on which they worked as a group. The album is noted for its moody, dreamy, and fuzzed-out psychedelic sound, and was released by International Artists.
The album project commenced shortly after the completion of Easter Everywhere It featured two bass players: the 1968 lineup of Roky Erickson, Stacy Sutherland, Tommy Hall, Danny Thomas, and Duke Davis was amended with Ronnie Leatherman replacing Davis on some tracks. The band was disintegrating while recording was taking place. Only four songs feature Roky Erickson and Duke Davis. The remaining seven tracks only feature Sutherland, Thomas, and Leatherman. Most of the tracks recorded early in 1968 were discarded and the album was completed later that year. Sutherland holds sole songwriting credits on five tracks, co-writing a further four with Tommy Hall. When it was released in March 1969 as Bull of the Woods the group had effectively disbanded.
In 2009, the album was released with bonus tracks as part of the "Sign of the 3-Eyed Men" box set. The set also included a reconstruction of the "lost" third album, A Love That's Sound, which consisted of mostly previously unreleased tracks, and early versions of songs later included on Bull of the Woods.
The 13th Floor Elevators was an American rock band from Austin, Texas, United States, formed by guitarist and vocalist Roky Erickson, electric jug player Tommy Hall, and guitarist Stacy Sutherland. The band was together from 1965 to 1969, and during that period released four albums and seven singles for the International Artists record label.
Easter Everywhere is the second studio album by the American psychedelic rock band the 13th Floor Elevators. It was released on 25 October 1967, through record label International Artists. It is regarded by many critics as one of the finest psychedelic albums ever released.
Roger Kynard "Roky" Erickson was an American musician and singer-songwriter. He was a founding member and the leader of the 13th Floor Elevators and a pioneer of the psychedelic rock genre.
Rayward Powell St. John was an American singer and songwriter, active on the mid-1960s Austin, Texas campus folk/bohemian music scene. He was an occasional member of various Austin rock groups, including The Conqueroo, and wrote some songs for The 13th Floor Elevators, including "You Don't Know ", included on the band's 1966 debut, The Psychedelic Sounds of the 13th Floor Elevators.
"Rocky Raccoon" is a song by the English rock band the Beatles from their 1968 double album The Beatles. It was primarily written by Paul McCartney, although credited to the Lennon–McCartney partnership. McCartney began writing the song in Rishikesh, India, where the Beatles were studying Transcendental Meditation in the early months of 1968. John Lennon and Scottish singer-songwriter Donovan, who joined the Beatles on their retreat, also made contributions to the song. A cover version by Richie Havens reached number 76 in Canada in 1969.
The Psychedelic Sounds of the 13th Floor Elevators is the debut studio album by the 13th Floor Elevators. The album's sound, featuring elements of psychedelia, hard rock, garage rock, folk, and blues, is notable for its use of the electric jug, as featured on the band's only hit, "You're Gonna Miss Me", which reached number 55 on the Billboard Hot 100 with "Tried to Hide" as a B-side. Another single from the album, "Reverberation (Doubt)", reached number 129 on the Billboard's Bubbling Under chart.
The Sound of Speed is a compilation of singles and rare tracks by Scottish alternative rock band The Jesus and Mary Chain.
Humpty Dumpty LSD is the second compilation album by American experimental rock band Butthole Surfers, released in July 2002. All songs were written by Butthole Surfers, except for "Earthquake," which is a cover version of the 13th Floor Elevators song.
"Slip Inside this House" is a song originally released by psychedelic rock band the 13th Floor Elevators as the first track on their 1967 album Easter Everywhere. At eight minutes, it is the longest track the band released on a studio album. A single version edited to just under four minutes was released by International Artists.
Native Son is the first studio album by American alternative rock band the Judybats, released in 1991 by Sire Records. The title track peaked at No. 9 on the Billboard Modern Rock Tracks chart.
The Psychedelic World of the 13th Floor Elevators is a 3 disc box set. The set collects the band's studio output, with live cuts, alternate versions, and the two original singles as The Spades.
Live is a compilation album by the American psychedelic rock band the 13th Floor Elevators, released in 1968. Despite being marketed as a live album, it is actually a compilation of studio outtakes with cheering and applause overdubbed.
"Will the Circle Be Unbroken?" is a popular Christian hymn written in 1907 by Ada R. Habershon with music by Charles H. Gabriel. The song is often recorded unattributed and, because of its age, has lapsed into the public domain. Most of the chorus appears in the later songs "Can the Circle Be Unbroken" and "Daddy Sang Bass".
"You're Gonna Miss Me" is a song by the American psychedelic rock band the 13th Floor Elevators, written by Roky Erickson, and released as the group's debut single on Contact Records in 1966. It was reissued nationally on International Artists, in May 1966. Musically inspired by traditional jug band and R&B music, combined with the group's own experimentation, "You're Gonna Miss Me" with its Stacy Sutherland and Tommy Hall-penned B-side "Tried to Hide" was influential in developing psychedelic rock and garage rock, and was one of the earlier rock compositions to use the electric jug. Accordingly, critics often cite "You're Gonna Miss Me" as a bona fide garage rock song and a classic of the counterculture era.
Born in the Basement is the second album by the Sacramento, California punk rock band the Groovie Ghoulies, released in 1994 by Green Door Records. It was recorded at Egg Studios in Seattle with producer Conrad Uno and engineer Mark Guenther. The album's artwork is credited to The Poison Pen, with a band photo taken by Curt Doughty.
"Almost Gold" is a song by Scottish alternative rock group the Jesus and Mary Chain, released as the third single from the group's fourth studio album, Honey's Dead (1992). It was released by Blanco y Negro Records on 22 June 1992 and reached number 41 on the UK Single Chart.
"Splash 1 (Now I'm Home)" is a 1966 single from the band 13th Floor Elevators from their album The Psychedelic Sounds of the 13th Floor Elevators. It was a minor regional hit in Texas but became a bigger (albeit still relatively minor) regional hit a year later when covered by the Clique. It has also been covered by Bongwater and The Mighty Lemon Drops.
The Evil One is a 1981 debut album by American psychedelic rock singer Roky Erickson with his band the Aliens, after his time with the band 13th Floor Elevators. The songs were recorded in 1979 with producer Stu Cook, former bass player of Creedence Clearwater Revival. Some material from those sessions was also released on the 1980 CBS UK album Roky Erickson and the Aliens. Cook played bass on two tracks, "Sputnik" and "Bloody Hammer."
Gremlin Have Pictures is a solo album by 13th Floor Elevators singer Roky Erickson, released in 1986. Described by Billboard writer Morgan Enos as "a grab-bag of acid rockers, acoustic ballads and assorted oddities", it compiles material recorded between 1975 and 1982 in various venues, and with three backing bands, the Aliens, the Explosives, and Blieb Alien. It includes a cover of the Velvet Underground's "Heroin".
May the Circle Remain Unbroken: A Tribute to Roky Erickson is an album by various artists, released July 17, 2021, on indie record label Light in the Attic. It is the first posthumous tribute album for Erickson and is produced by Bill Bentley, who also assembled the 1990 Erickson tribute album Where the Pyramid Meets the Eye for Sire Records.
