Buseje Bailey

Last updated
Buseje Bailey
Born
Jamaica
NationalityCanadian
Alma materYork University, Nova Scotia College of Art and Design
Known forVideo artist

Buseje Bailey is a Canadian artist and curator working in video and multi-media whose work explores the construction of the diasporic Black self. Bailey's multidisciplinary work explores themes of the Black diasporic identity and women's history. [1] Her video work is distributed by V tape in Toronto. [2] She was cited as an outstanding Black Canadian artist in a 2018 article published by the Canadian Broadcasting Corporation. [3]

Contents

Early life and education

Bailey earned her BFA at York University, Toronto in 1981 and her MFA from the Nova Scotia College of Art and Design in 1991.

Exhibitions

Solo exhibitions of Bailey's work have been held at McGill University (Body Politics, 1994) and the Eye Level Gallery, Halifax (Making Connections Across Art Forms, 1995). [4] [5] The Women's Art Resource Centre held an exhibition of her work entitled The Viewing Room in 1999. Her work was also featured in the exhibition Black Body: Race, Resistance, Response, curated by Pamela Edmonds in 2001 at Dalhousie Art Gallery in Halifax, Nova Scotia. [6]

Bailey is a co-founder of the Diasporic African Women's Art Collective (DAWA). [7] In 1989, Bailey participated as both a co-curator and an artist in the group exhibition Black Wimmin: When and Where We Enter , an exhibition organized by DAWA. It was the first exhibition in Canada to focus entirely on the work of Black women artists. [8] [9] The show toured across Canada and has become a foundation for organizing efforts by Black women artists and curators. [10] [11]

Bailey's work was paired with Walter Redinger's in an exhibition at the McIntosh Gallery, University of Western Ontario, in 1998. [12]

Bailey was a featured subject in the 2017 exhibition Light Grows the Tree at BAND Gallery (Black Artists' Network in Dialogue) in Toronto, which featured photographic portraits of leading Black Canadian artists, authors, curators and collectors. [13]

Selected videography

Source: [14]

Related Research Articles

<span class="mw-page-title-main">Lisa Steele</span> Canadian artist (born 1947)

Lisa Steele is a Canadian artist, a pioneer in video art, educator, curator and co-founder of Vtape in Toronto. Born in the United States, Steele moved to Canada in 1968 and is now a Canadian citizen. She has collaborated exclusively with her partner Kim Tomczak since the early 1980s.

Robert Bean is an artist, writer and teacher living in Halifax, Nova Scotia.

Jan Peacock is a Canadian interdisciplinary artist, curator and writer.

<span class="mw-page-title-main">Sara Diamond (academic administrator)</span> Canadian artist and former university president

Sara Louise Diamond, is a Canadian artist and was the president of OCAD University, Canada.

<span class="mw-page-title-main">Sarah Jackson (artist)</span> American-Canadian artist (1924–2004)

Sarah Jeanette Jackson, was an American-Canadian artist. Jackson first became known for her sculptures and drawings, and then for her photocopy and digital art. She was an early user of the photocopier to make art, and used this practice to embrace mail art.

Jamelie Hassan is a Canadian multidisciplinary artist, lecturer, writer and independent curator.

Deanna Bowen is an interdisciplinary artist whose practice includes films, video installations, performances, drawing, sculpture and photography. Her work addresses issues of trauma and memory through an investigation of personal and official histories related to slavery, migration, civil rights, and white supremacy in Canada and the United States. Bowen is a dual citizen of the US and Canada. She lives and works in Montreal.

<span class="mw-page-title-main">Peggy Gale</span> Canadian curator (born 1944)

Peggy Gale is an independent Canadian curator, writer, and editor. Gale studied Art History and received her Honours Bachelor of Arts degree in Art History from the University of Toronto in 1967. Gale has published extensively on time-based works by contemporary artists in numerous magazines and exhibition catalogues. She was editor of Artists Talk 1969-1977, from The Press of the Nova Scotia College of Art and Design, Halifax (2004) and in 2006, she was awarded the Governor General's Award in Visual and Media Arts. Gale was the co-curator for Archival Dialogues: Reading the Black Star Collection in 2012 and later for the Biennale de Montréal 2014, L’avenir , at the Musée d’art contemporain de Montréal. Gale is a member of IKT, AICA, The Writers' Union of Canada, and has been a contributing editor of Canadian Art since 1986.

Grace Channer is an African-Canadian painter and multi-media visual artist.

Charmaine Andrea Nelson is a Canadian art historian, educator, author, and independent curator. Nelson was a full professor of art history at McGill University until June 2020 when she joined NSCAD University to develop the Institute for the Study of Canadian Slavery. She is the first tenured Black professor of art history in Canada. Nelson's research interests include the visual culture of slavery, race and representation, Black Canadian studies and African Canadian history as well as critical theory, post-colonial studies, Black feminist scholarship, Transatlantic Slavery Studies, and Black Diaspora Studies. In addition to teaching and publishing in these research areas, Nelson has curated exhibitions, including at the Robert McLaughlin Gallery in Oshawa, Ontario, and the Leonard and Bina Ellen Art Gallery at Concordia University in Montreal, Quebec.

Wendy Geller (1957–1996) was a Canadian video artist, graphic artist, and educator.

Deirdre Logue is a Canadian video artist and arts administrator, based in Toronto, Ontario.

Andrea Fatona is a Canadian independent curator and scholar. She is an associate professor at OCAD University, where her areas of expertise includes black, contemporary art and curatorial studies.

Pamela Edmonds is a Canadian visual and media arts curator focused on themes of decolonization and the politics of representation. She is considered an influential figure in the Black Canadian arts scene. Since 2019, Edmonds has been the senior curator of the McMaster Museum of Art.

Michelle Jacques is a Canadian curator and educator known for her expertise in combining historical and contemporary art, and for her championship of regional artists. Originally from Ontario, born in Toronto to parents of Caribbean origin, who immigrated to Canada in the 1960s, she is now based in Saskatoon, Saskatchewan.

Black Wimmin: When and Where We Enter, organized by the Diasporic African Women’s Art Collective (DAWA), was a travelling exhibition that circulated in Canada in 1989. It is considered to be the first Canadian exhibition to feature only the work of Black women artists, and it was the first to be organized and curated by Black women curators.

Winsom is a Canadian-Jamaican Maroon multi-media artist working in textiles, painting, video, installations, and puppetry. Her work explores human spirituality.

Anique Jordan is a Canadian multi-disciplinary artist, writer, curator and entrepreneur known for her work in photography, sculpture, and performance. Her artwork challenges historical narratives, reinterpreting the past in order to develop a vision of the future. Among her themes are black history in Canada, working-class communities, the relationship between the country's black and Indigenous peoples, and the work black people have put into explaining and fighting against racism.

<span class="mw-page-title-main">Louise Liliefeldt</span> South African-Canadian artist

Louise Liliefeldt is a Canadian artist primarily working in performance and painting. She was born in South Africa and currently lives and works in Toronto, Canada. Liliefeldt’s artistic practice draws directly from her lived experience and is apparent in the use of symbol, colour and material in her work. Other influences include Italian, Latin and Eastern European horror films, surrealism and African cinema. Taken as a whole, Liliefeldt’s work is an embodied investigation of the culture and politics of identity, as influenced by collective issues such as gender, race and class. Her performance work has developed through many prolific and specific periods.

The Diasporic African Women’s Art Collective (DAWA) is a collective of Black women artists based in Canada. It was founded in 1984 by Grace Channer, Buseje Bailey, Foluké Olubaiyu, Pauline Peters and DZI..AN. DAWA was a non-profit community network of Black Canadian women artists. The word DAWA means "medicine" in Kiswahili.

References

  1. Douglas, Susan (1990). "When I Breathe There is a Space: An Interview with Buseje Bailey". Canadian Women's Studies. 11 (1): 40.
  2. "Artist: Buseje Bailey". Vtape . Archived from the original on 18 March 2023. Retrieved 23 March 2019.
  3. Parris, Amanda (18 January 2018). "5 Black Canadian artists whose names should be known alongside the Group of Seven". CBC . Archived from the original on 15 July 2023. Retrieved 23 March 2019.
  4. Making connections across art forms, February 12-March 21, 1994. Halifax, Nova Scotia: Eye Level Gallery. 1995. ISBN   0-9698472-2-X.
  5. "Women Artists in Canada: Buseje Bailey" . Retrieved 23 March 2019.
  6. Edmonds, Pamela; Joyette, Anthony; Bailey, Buseje; Chambers, Michael; Chan, Lucie; Clements, Chrystal; Fisk, Rebecca; Gomo, George (2001). Black Body: Race, Resistance, Response. Pamela Edmonds, Pamela Edmonds, Anthony Joyette, Susan Gibson Garvey, Buseje Bailey, Buseje Bailey. Halifax, NS: Dalhousie Art Gallery. ISBN   9780770327361.
  7. Jim, Alice (1996). "An Analysis and Documentation of the 1989 Exhibition Black Wimmin: When and Where We Enter". RACAR: Revue d'art canadienne / Canadian Art Review. 23 (1–2): 71–83. doi: 10.7202/1073294ar . ISSN   0315-9906.
  8. Brewster, Sandra (2018). "Letters of Negro Progress". In Scott, Kitty (ed.). Theaster Gates: how to build a house museum. Toronto: Art Gallery of Ontario. pp. 134–135. ISBN   978-1-894243-93-3.
  9. Ming Wai Jim, Alice (1996). "An Analysis and Documentation of the 1989 Exhibition "Black Wimmin: When and Where We Enter"". RACAR: Revue d'art canadienne / Canadian Art Review. 23 (1/2): 71–83. doi: 10.7202/1073294ar via JSTOR.
  10. Lee, Yaniya. "The Women Running the Show". Canadian Art. Retrieved 23 March 2019.
  11. Adams, Kelsey (4 February 2019). "A hundred Black women and gender-non-conforming artists feasted in the AGO". NOW Magazine. Retrieved 23 March 2019.
  12. Souvenirs of the unknown: Buseje Bailey, Walter Redinger. London, Ontario: McIntosh Gallery, University of Western Ontario. 1998. ISBN   0771421214.
  13. "Light Grows the Tree". The Ethnic Aisle. Retrieved 23 March 2019.
  14. "Artist | Vtape". vtape.org. Retrieved 2023-03-18.