Cahill U.S. Marshal | |
---|---|
Directed by | Andrew V. McLaglen |
Written by | Barney Slater (story) |
Screenplay by | Harry Julian Fink Rita M. Fink |
Produced by | Michael Wayne |
Starring | |
Cinematography | Joseph F. Biroc |
Edited by | Robert L. Simpson |
Music by | Elmer Bernstein |
Production company | |
Distributed by | Warner Bros. |
Release date |
|
Running time | 103 minutes |
Country | United States |
Language | English |
Box office | $3,100,000 (US/ Canada rentals) [1] |
Cahill U.S. Marshal is a 1973 American Western film in Technicolor [2] starring John Wayne as a driven lawman in a black hat. The film was directed by Andrew V. McLaglen [3] [4] and filmed on location in Durango, Mexico. The supporting cast features George Kennedy, Neville Brand, Marie Windsor, Royal Dano, Denver Pyle, Jackie Coogan, Harry Carey Jr., Paul Fix and Hank Worden.
While J. D. Cahill (John Wayne), a widower and U.S. Marshal, is away from home, his two sons Danny (Gary Grimes) and Billy (Clay O'Brien) aid Abe Fraser (George Kennedy) and his gang to escape temporarily from jail and to rob a bank. The town's sheriff is shot and killed and another townsfolk is knifed and killed during the robbery. Billy hides the stolen money while his brother and the rest of the gang return to their jail cells as an alibi.
When Cahill returns, he and Danny look for the perpetrators with the help of half-Comanche tracker Lightfoot (Neville Brand). Cahill arrests four suspects and although they are innocent of the town bank robbery, they are found guilty and scheduled to be hanged. While on the trail of the kids, Cahill and Lightfoot are ambushed by Brownie (Dan Vadis).
Lightfoot hurts Brownie but is eventually killed. Cahill's sons try to give the gang's share of the money to Fraser. Fraser wants all the money resulting in a showdown between Cahill and his boys on one side and Fraser's gang on the other.
The film was produced by John Wayne's production company Batjac Productions and shot on location in Durango, Mexico. [5]
In a 1975 interview with writer Tony Macklin for Film Heritage , Wayne said the film had "a good theme" but "wasn't a well-done picture" because it "needed better writing" and "a little more care in the making." [6]
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