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The Camunian rose (Italian : rosa camuna; Lombard : roeusa camuna) is the name given to a particular symbol represented among the rock carvings of Camonica Valley (Brescia, Italy). It consists of a meandering closed line that winds around nine cup marks. It can be symmetrical, asymmetrical or form a swastika.
There are many theories about its meaning, Emmanuel Anati suggests that it might symbolize a complex religious concept, perhaps a solar symbol linked to the astral movement. In Val Camonica this motif dates back to the Iron Age, particularly from the 7th to 1st centuries BC. There is only one doubtful case datable at the Final Bronze Age (1,100 BC). These figures are placed mainly in the Middle Camonica Valley (Capo di Ponte, Foppe of Nadro, [1] Sellero, Ceto and Paspardo), but numerous cases are in the Low Valley too (Darfo Boario Terme and Esine).
The motif has been deeply studied by Paola Farina, who created a corpus of all the "Camunian roses" known in Val Camonica: she counted 84 "roses" engraved on 27 rocks. Three basic types have been determined: [2]
Regarding the interpretation, not easy for a symbol pertaining to a lost and past culture, Paola Farina suggests that the "Camunian rose" had originally a solar meaning, which then developed into a wider meaning of a positive power, to bring life and good luck. [3]
The name of the symbol, derived from its resemblance to a flower, is a modern invention. A stylized "Camunian rose" has become the symbol of the Lombardy region and is featured on its flag.
The swastika is an ancient religious and cultural symbol, predominantly in various Eurasian, as well as some African and American cultures. In the West it is more widely recognized as a symbol of the German Nazi Party who appropriated it from Asian cultures starting in the early 20th century. The appropriation continues with its use by neo-Nazis around the world. It continues to be used as a symbol of divinity and spirituality in Indian religions, including Hinduism, Buddhism, and Jainism. It generally takes the form of a cross, the arms of which are of equal length and perpendicular to the adjacent arms, each bent midway at a right angle.
In ancient Celtic polytheism, Verbeia was a goddess worshipped in Roman Britain. She is known from a single altar-stone dedicated to her at Ilkley. She is considered to have been a deification of the River Wharfe.
A petroglyph is an image created by removing part of a rock surface by incising, picking, carving, or abrading, as a form of rock art. Outside North America, scholars often use terms such as "carving", "engraving", or other descriptions of the technique to refer to such images. Petroglyphs, estimated to be 20,000 years old are classified as protected monuments and have been added to the tentative list of UNESCO's World Heritage Sites. Petroglyphs are found worldwide, and are often associated with prehistoric peoples. The word comes from the Greek prefix petro-, from πέτρα petra meaning "stone", and γλύφω glýphō meaning "carve", and was originally coined in French as pétroglyphe.
The Camunic language is an extinct language that was spoken in the 1st millennium BC in Val Camonica, a valley in the Central Alps. The language is sparsely attested to an extent that makes any classification attempt uncertain - even the discussion of whether it should be considered a pre–Indo-European or an Indo-European language has remained indecisive. Among several suggestions, it has been hypothesized that Camunic is related to the Raetic language from the Tyrsenian language family, or to the Celtic languages.
A triskelion or triskeles is an ancient motif consisting of a triple spiral exhibiting rotational symmetry or other patterns in triplicate that emanate from a common center. The spiral design can be based on interlocking Archimedean spirals, or represent three bent human legs. It is found in artifacts of the European Neolithic and Bronze Age with continuation into the Iron Age especially in the context of the La Tène culture and related Celtic traditions. The actual triskeles symbol of three human legs is found especially in Greek antiquity, beginning in archaic pottery and continued in coinage of the classical period.
Megalithic art refers to art either painted or carved onto megaliths in prehistoric Europe. Elizabeth Shee Twohig has coined the term Megalithic art in her study of 'The Megalithic Art of Western Europe'. Her original definition of Megalithic art focused on paintings or carvings found on the structural elements, like the kerbstones, orthostats, or capstones of megalithic tombs, but recent investigations have included decorations on stelae and menhirs.
Cup and ring marks or cup marks are a form of prehistoric art found in the Atlantic seaboard of Europe (Ireland, Wales, Northern England, Scotland, France, Portugal, and Spain – and in Mediterranean Europe – Italy, Azerbaijan and Greece, as well as in Scandinavia and in Switzerland.
In archaeology, rock art is human-made markings placed on natural surfaces, typically vertical stone surfaces. A high proportion of surviving historic and prehistoric rock art is found in caves or partly enclosed rock shelters; this type also may be called cave art or parietal art. A global phenomenon, rock art is found in many culturally diverse regions of the world. It has been produced in many contexts throughout human history. In terms of technique, the four main groups are:
The twenty Italian regions each have their own arms, as well as their own gonfalone; more recently they have taken into use normal flags as well. Many regional flags were adopted on 4 November 1995 for National Unity and Armed Forces Day of Italy.
The swastika is an ancient Eurasian religious symbol that generally takes the form of an equilateral cross with four legs each bent at 90 degrees in either right-facing (卐) form or left-facing (卍) form. It is considered to be a sacred and auspicious symbol in Hinduism, Buddhism, and Jainism and dates back at least 11,000 years.
The Swastika Stone is a stone adorned with a design that resembles a swastika, located on the Woodhouse Crag on the northern edge of Ilkley Moor in West Yorkshire, England. The design has a double outline with four curved arms and an attached S-shape, each enclosing a so-called 'cup' mark, the like of which can be found on other stones nearby.
Water glyphs are a recurring type of petroglyph found across the American southwest, but primarily in southern Utah, northern Arizona, and Nevada. The symbols are thought to be of ancient origin and have been dated using x-ray fluorescence to around 2000 years. Classification as a water glyph requires the presence of certain distinctive characteristics including both visual elements and location. Although the glyphs have likely been previously noted by local ranchers and farmers, the recurring pattern was first documented in 1997.
Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notable in Bangladesh and Indian states of West Bengal, Tripura and part of Assam. The basic material used is thread and old cloth. Nakshi kanthas are made throughout Bangladesh, but the greater Mymensingh, Jamalpur, Bogra, Rajshahi, Faridpur and Jessore, Chittagong areas are most famous for this craft.
The rock drawings in Valcamonica are located in the Province of Brescia, Italy, and constitute the largest collections of prehistoric petroglyphs in the world. The collection was recognized by UNESCO in 1979 and was Italy's first recognized World Heritage Site. UNESCO has formally recognized more than 140,000 figures and symbols, but new discoveries have increased the number of catalogued incisions to between 200,000 and 300,000. The petroglyphs are spread on all surfaces of the valley, but concentrated in the areas of Darfo Boario Terme, Capo di Ponte, Nadro, Cimbergo and Paspardo.
Emmanuel Anati is an Italian archaeologist.
The hexafoil is a design with six-fold dihedral symmetry composed from six vesica piscis lenses arranged radially around a central point, often shown enclosed in a circumference of another six lenses. It is also sometimes known as a "daisy wheel". A second, quite different, design is also sometimes referred to by this name; see alternate symbol.
Rock art has been produced in Europe since the Upper Palaeolithic period through to recent centuries. It is found in all of the major regions of the continent. One of the most famous examples of parietal art is the Grotte Chauvet in France. The cultural purpose of these remnants of the Paleolithic and other periods of prehistoric art is not known. However, some theories suggest that, because these paintings were created in parts of the caves that were not easily accessed, it is unlikely that they were intended simply as decoration.
In the Neolithic and Bronze Age British Isles, rock art was produced across various parts of the islands. Petroglyphic in nature, the majority of such carvings are abstract in design, usually cup and ring marks, although examples of spirals or figurative depictions of weaponry are also known. Only one form of rock art in Europe, this late prehistoric tradition had connections with others along Atlantic Europe, particularly in Galicia.
The Bedolina Map is a famous engraved prehistoric rock which is part of the Camonica Valley petroglyph complex. It is known as one of the most ancient topographic maps, interpreted as a depiction of cultivated plots, mountain paths and villages. The locality of Bedolina pertains to the Capo di Ponte municipality (BS-I), near the hamlet of Pescarzo. The area is included in the Seradina-Bedolina Archaeologic park, lying on a prominent terrace on the right slope of the Camonica valley, at an altitude of 530 m above the sea level. The rock, a flat surface of Permian sandstone polished by the Pleistocene glacier, is 9 m long and 4 m wide.
