The Canadian Broadcasting Corporation, branded as CBC/Radio-Canada, is a Canadian federal Crown corporation that serves as the national public broadcaster for both radio and television. The English- and French-language service units of the corporation are commonly known as CBC and Radio-Canada, respectively.
The CTV Television Network is a Canadian English-language terrestrial television network launched in 1961. CTV was acquired by BCE Inc. in 2000, and it is now a division of the Bell Media subsidiary of BCE. CTV is Canada's largest privately owned television network.
Public broadcasting involves radio, television and other electronic media outlets whose primary mission is public service. In many countries of the world, funding comes from governments, especially via annual fees charged on receivers. In the United States, public broadcasters may receive some funding from both federal and state sources, but generally most of their financial support comes from underwriting by foundations and businesses, along with audience contributions via pledge drives. The great majority operate as private not-for-profit corporations.
The National Association of Broadcasters (NAB) is a trade association and lobby group representing the interests of commercial and non-commercial over-the-air radio and television broadcasters in the United States. The NAB represents more than 8,300 terrestrial radio and television stations as well as broadcast networks.
A performance rights organisation (PRO), also known as a performing rights society, provides intermediary functions, particularly collection of royalties, between copyright holders and parties who wish to use copyrighted works publicly in locations such as shopping and dining venues. Legal consumer purchase of works, such as buying CDs from a music store, confer private performance rights. PROs usually only collect royalties when use of a work is incidental to an organisation's purpose. Royalties for works essential to an organisation's purpose, such as theaters and radio, are usually negotiated directly with the rights holder.
The Dutch public broadcasting system is a set of organizations that together take care of public service television and radio broadcasting in the Netherlands. It is composed of a foundation called Nederlandse Publieke Omroep (NPO), which acts as its governing body, and a number of public broadcasters. The Dutch Media Act 2008 regulates how air time is divided and puts the administration of the public broadcasting system in the hands of the Board of Directors of NPO.
The U.S. Agency for Global Media (USAGM), formerly the Broadcasting Board of Governors (BBG), is an independent agency of the United States government which operates various state-run media outlets. It describes its mission, "vital to US national interests", to "inform, engage, and connect people around the world in support of freedom and democracy" and in accordance with the "broad foreign policy objectives of the United States". USAGM supervises Voice of America (VOA), Radio Free Europe/Radio Liberty, Radio y Televisión Martí, Radio Free Asia, and Alhurra TV and Radio Sawa.
The Board of Broadcast Governors (BBG) was an arms-length Government of Canada agency. It was created in 1958 by amending the Broadcast Act to regulate television and radio broadcasting, originally taking over that function from the CBC.
APRA AMCOS consists of Australasian Performing Right Association (APRA) and Australasian Mechanical Copyright Owners Society (AMCOS), both copyright management organisations or copyright collectives which jointly represent over 100,000 songwriters, composers and music publishers in Australia and New Zealand. The two organisations work together to license public performances and administer performance, communication and reproduction rights on behalf of their members, who are creators of musical works, aiming to ensure fair payments to members and to defend their rights under the Australian Copyright Act (1968).
The Canadian Broadcast Standards Council (CBSC) is an industry funded self-regulating organization created by the Canadian Association of Broadcasters to administer standards established by its own members, Canada's private broadcasters.
The International Broadcasting Bureau (IBB) is the technical support outlet within the United States Agency for Global Media (USAGM), which is a U.S. independent agency. The IBB supports the day-to-day operations of Voice of America (VOA) and the Office of Cuba Broadcasting. It also provides transmission and technical support for all of the independent non-military broadcasting services funded by the USAGM. The IBB is located in Washington, D.C.
The Broadcasting Act, given royal assent on 1 February 1991, is an Act of the Parliament of Canada regardingbroadcasting of telecommunications in the country.
This is a timeline of the history of the Canadian Broadcasting Corporation.
The Broadcasting Act 2009 is an Act of the Oireachtas of Ireland. It was signed into law on 12 July 2009, although the provisions relating to the establishment of the new Broadcasting Authority of Ireland did not come into force until a Statutory Instrument was made giving them effect on 30 September 2009.
The Composers, Authors and Publishers Association of Canada was a Canadian copyright collective for the right to communicate with the public and publicly perform musical works. CAPAC administered these rights on behalf of its members and those of affiliated international organizations by licensing the use of their music in Canada. Royalties were paid to the music creators after administration costs were deducted to pay for the operation of CAPAC.
Collective rights management is the licensing of copyright and related rights by organisations acting on behalf of rights owners. Collective management organisations, such as collecting societies, typically represent groups of copyright and related rights owners, such as authors, composers, publishers, writers, photographers, musicians and performers. At the least, copyright owners authorize collective rights management organizations to monitor the use of their works, negotiate licenses with prospective users, collect remuneration for use of copyrighted works, ensuring a fair distribution of such remuneration amongst copyright owners. Governmental Supervision varies across jurisdictions, from being limited to antitrust regulation in the United States to sectoral regulators in jurisdictions like the EU, India.
Twentieth Century Music Corp v. Aiken, 422 U.S. 151 (1975), was an important decision of the United States Supreme Court, out of the Third Circuit, that questioned whether the reception of a copyrighted song on a radio broadcast constitutes a copyright violation if the copyright owner has only licensed the broadcaster to "perform the composition publicly for profit".
Commercial Radio Australia (CRA) is the peak body for the commercial radio broadcasting industry in Australia. CRA was formed in 1930 as the Federation of Australian Radio Broadcasters.
The following is a list of events affecting Canadian television in 1958. Events listed include television show debuts, finales, cancellations, and channel launches.
