The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of Britain, Ireland and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure.
The jig is a form of lively folk dance in compound metre, as well as the accompanying dance tune. It first gained popularity in 16th-century England, Ireland, Scotland, and other parts of the British Isles, and was adopted on mainland Europe where it eventually became the final movement of the mature Baroque dance suite. Today it is most associated with Irish dance music, Scottish country dance and the Métis people in Canada. Jigs were originally in quadruple compound metre,, but have been adapted to a variety of time signatures, by which they are often classified into groups, including double jigs, slip jigs and single jigs.
Irish dance refers to the traditional dance forms that originate in Ireland, including both solo and group dance forms, for social, competitive, and performance purposes. Irish dance has evolved over centuries and is believed to have its roots in ancient Celtic dance. In the 17th and 18th centuries, dance was taught by "travelling dance masters" across Ireland, and separate dance forms developed according to regional practice and differing purposes. Irish dance became a significant part of Irish culture, particularly for Irish nationalist movements. From the early 20th century, a number of organisations promoted and codified the various forms of dance, creating competitive structures and standardised styles. Irish dancers who compete for competitive reasons dance in a dance style that is more modern than traditional Irish dance. It is mainly done solo, but there is some team dancing in groups of 2, 3, 4, 6, 8, 10, 16 and even numbers onwards.
Step dance is a generic term for dance styles in which footwork is considered to be the most important part of the dance and limb movements and styling are either restricted or considered irrelevant.
Slip jig refers to both a style within Irish music, and the Irish dance to music in slip-jig time originating from England. The slip jig is in 9
8 time, traditionally with accents on 5 of the 9 beats — two pairs of crotchet/quaver followed by a dotted crotchet note.
A strathspey is a type of dance tune in 4
4 time, featuring dotted rhythms, which in traditional playing are generally somewhat exaggerated rhythmically. Examples of strathspeys are the songs "The Bonnie Banks o' Loch Lomond" and "Coming Through the Rye".
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. The more predominant style in Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton. While there is a similar tradition from the Irish-style fiddling, that style is largely overlooked as a result of the strong Scottish presence in the area.
Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.
Highland dance or Highland dancing is a style of competitive dancing developed in the Scottish Highlands in the 19th and 20th centuries, in the context of competitions at public events such as the Highland games. It was created from the Gaelic folk dance repertoire, but formalised with the conventions of ballet, and has been subject to influences from outside the Highlands. Highland dancing is often performed with the accompaniment of Highland bagpipe music, and dancers wear specialised shoes called ghillies or pumps. It is now seen at nearly every modern-day Highland games event.
Clogging, buck dancing, or flatfoot dancing is a type of folk dance practiced in the United States, in which the dancer's footwear is used percussively by striking the heel, the toe, or both against a floor or each other to create audible rhythms, usually to the downbeat with the heel keeping the rhythm.
Traditional square dance is a generic American term for any style of American square dance other than modern Western. The term can mean (1) any of the American regional styles that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or (2) any style that has survived, or been revived, since around 1950. The term Traditional Square Dance is also used in England to refer to dances collected from villages in the first half of the 20th century.
Clog dancing is a form of step dance characterised by the wearing of inflexible, wooden soled clogs. Clog dancing developed into differing intricate forms both in Wales and also in the North of England. Welsh clog dancing mainly originates from various slate mines where workers would compete against each other during work breaks. Northern English traditional clog dancing originates from Lancashire, Yorkshire, County Durham, Northumberland and the Lake District.
Scottish fiddling may be distinguished from other folk fiddling styles by its particular precision of execution and energy in the delivery, for example, the rendering of the dotted-quaver/semi-quaver rhythmic patterns, commonly used in the Strathspey. Christine Martin, in her Traditional Scottish Fiddling players guide, discusses the techniques of "hack bowing", "the Scotch snap", and "snap bowing". These techniques contrast quite sharply with the most common bowing patterns of Irish fiddling. The style has a very large repertoire consisting of a great variation of rhythms and key signatures. There is also a strong link to the playing of traditional Scottish bagpipes which is better known throughout the world.
Irish stepdance is a style of performance dance with its roots in traditional Irish dance. It is generally characterized by a stiff upper body and fast and precise movements of the feet. It can be performed solo or in groups. Aside from public dance performances, there are also stepdance competitions all over the world. These competitions are often called Feiseanna. In Irish dance culture, a Feis is a traditional Gaelic arts and culture festival. Contemporarily, costumes are considered important for stage presence in competition and performance Irish stepdance. In many cases, costumes are sold at high prices and can even be custom made. Each costume is different, with varying colors and patterns, designed to attract the judge's eye in competitions and the audience's eye in performance. General appearance beside the costume is also equally important. Female dancers would typically curl their hair before each competition or wear curled wigs, while male dancers would neatly style their hair to a shape to their liking. Poodle Socks are worn by female dancers while males wear plain black socks. Poodle socks are white socks that stretch to typically 1-4 inches above the ankle, depending on the dancers preference. They also have distinctive ribbing, and can be embroidered with gems. This hyper-stylization originated in the Irish diaspora. Traditional costume was homemade or from the local dressmaker and embroidered with Celtic knots and designs.
The seann triubhas is a Highland dance. Its name is a Scottish Gaelic phrase which means 'old trousers'.
Donald Angus Beaton (1912–1981) was a Canadian blacksmith and a Cape Breton-style fiddler.
Sean-nós dance is an older style of traditional solo Irish dance. It is a casual dance form, as opposed to the more formal and competition-oriented form of Irish stepdance.
Hugh Alexander “Sandy” MacIntyre (1935–2021) was one of the most respected artists in the tradition of Cape Breton fiddle music.
Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.
The Welsh stepdance or Welsh clog dance is a traditional Welsh form of dance involving clog shoes and percussive movement of the feet and athletic movements. It is typically done to Welsh traditional music and wearing traditional Welsh costume, but not always.
