Canopic chests are cases used by ancient Egyptians to contain the internal organs removed during the process of mummification. Once canopic jars began to be used in the late Fourth Dynasty, the jars were placed within canopic chests. Although the first proven canopic burials date from the Fourth Dynasty reign of Sneferu, there is evidence to suggest that there were canopic installations at Saqqara dating from the Second Dynasty. [1]
Canopic chests had an important place in Egyptian culture. Canopic chests contained the internal organs (viscera) of mummies, so they relate to the Egyptian belief that the afterlife is just as important as life on earth. Egyptians believed that everything had to be perfectly preserved to journey into the land after life and as part of the mummification process they removed viscera from the body.
The first canopic chests were simple and wooden, but as time went on they became more elaborate. Then, around the 21st Dynasty (1069–945 BCE), the Egyptians decided to leave the viscera inside mummies. But because they had been using canopic chests for thousands of years they kept putting them in tombs, just without anything in them. Canopic chests fell out of use during the Ptolemaic Kingdom.
The style and materials were different at different times, though always reflected the Egyptian ideal of perfectly measured and precise beauty.
The tall wooden shrine-like chests had bright painting on their sides and a falcon crouching on top. Craftsmen coated the wood with gesso to prepare it for the pigment they later painted it with. All the decoration tells us something about ancient Egyptian religion. The falcon on top represents Sokar, a funerary god and picture on the sides show the chest’s owner worshipping Osiris, god of the afterlife; Ra-Horakhty, a combination of the gods Horus and Ra; four sons of Horus, each of whom guards one of the viscera traditional removed during mummification; the dyed pillar, which represents Osiris, and the tyet, which represents Isis. The painting is not as perfectly measured and precise as earlier Egyptian art, because Egyptian civilization was decaying when it was made.[ citation needed ]
Anubis, also known as Inpu, Inpw, Jnpw, or Anpu in Ancient Egyptian, is the god of funerary rites, protector of graves, and guide to the underworld, in ancient Egyptian religion, usually depicted as a canine or a man with a canine head.
Osiris is the god of fertility, agriculture, the afterlife, the dead, resurrection, life, and vegetation in ancient Egyptian religion. He was classically depicted as a green-skinned deity with a pharaoh's beard, partially mummy-wrapped at the legs, wearing a distinctive atef crown, and holding a symbolic crook and flail. He was one of the first to be associated with the mummy wrap. When his brother Set cut him up into pieces after killing him, Osiris' wife Isis found all the pieces and wrapped his body up, enabling him to return to life. Osiris was widely worshipped until the decline of ancient Egyptian religion during the rise of Christianity in the Roman Empire.
Horus, also known as Heru, Har, Her, or Hor in Ancient Egyptian, is one of the most significant ancient Egyptian deities who served many functions, most notably as the god of kingship, healing, protection, the sun, and the sky. He was worshipped from at least the late prehistoric Egypt until the Ptolemaic Kingdom and Roman Egypt. Different forms of Horus are recorded in history, and these are treated as distinct gods by Egyptologists. These various forms may be different manifestations of the same multi-layered deity in which certain attributes or syncretic relationships are emphasized, not necessarily in opposition but complementary to one another, consistent with how the Ancient Egyptians viewed the multiple facets of reality. He was most often depicted as a falcon, most likely a lanner falcon or peregrine falcon, or as a man with a falcon head.
The Osiris myth is the most elaborate and influential story in ancient Egyptian mythology. It concerns the murder of the god Osiris, a primeval king of Egypt, and its consequences. Osiris's murderer, his brother Set, usurps his throne. Meanwhile, Osiris's wife Isis restores her husband's body, allowing him to posthumously conceive their son, Horus. The remainder of the story focuses on Horus, the product of the union of Isis and Osiris, who is at first a vulnerable child protected by his mother and then becomes Set's rival for the throne. Their often violent conflict ends with Horus's triumph, which restores maat to Egypt after Set's unrighteous reign and completes the process of Osiris's resurrection.
The Ennead or Great Ennead was a group of nine deities in Egyptian mythology worshipped at Heliopolis: the sun god Atum; his children Shu and Tefnut; their children Geb and Nut; and their children Osiris, Isis, Set, and Nephthys. The Ennead sometimes includes Horus the Elder, an ancient form of the falcon god, not the son of Osiris and Isis.
Sobek was an ancient Egyptian deity with a complex and elastic history and nature. He is associated with the Nile crocodile or the West African crocodile and is represented either in its form or as a human with a crocodile head. Sobek was also associated with pharaonic power, fertility, and military prowess, but served additionally as a protective deity with apotropaic qualities, invoked especially for protection against the dangers presented by the Nile. Sobek has been famed for having been revered by the first female Pharaoh by the Nebty name Sat-Sekhem-Nebet-Tawy Sobekneferu, present both in the female Pharaoh's nomen, Sobekneferu, and her praenomen Kasobekre.
Canopic jars are containers that were used by the ancient Egyptians during the mummification process, to store and preserve the viscera of their owner for the afterlife. They were commonly either carved from limestone or made of pottery. These jars were used by the ancient Egyptians from the time of the Old Kingdom, until the time of the Late Period or the Ptolemaic Period, by which time the viscera were simply wrapped and placed with the body. The viscera were not kept in a single canopic jar: each jar was reserved for specific organs. The term canopic reflects the mistaken association by early Egyptologists with the Greek legend of Canopus – the boat captain of Menelaus on the voyage to Troy – "who was buried at Canopus in the Delta where he was worshipped in the form of a jar". In alternative versions, the name derives from the location Canopus in the western Nile Delta near Alexandria, where human-headed jars were worshipped as personifications of the god Osiris.
The Eye of Horus, also known as left wedjat eye or udjat eye, specular to the Eye of Ra, is a concept and symbol in ancient Egyptian religion that represents well-being, healing, and protection. It derives from the mythical conflict between the god Horus with his rival Set, in which Set tore out or destroyed one or both of Horus's eyes and the eye was subsequently healed or returned to Horus with the assistance of another deity, such as Thoth. Horus subsequently offered the eye to his deceased father Osiris, and its revitalizing power sustained Osiris in the afterlife. The Eye of Horus was thus equated with funerary offerings, as well as with all the offerings given to deities in temple ritual. It could also represent other concepts, such as the moon, whose waxing and waning was likened to the injury and restoration of the eye.
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Ancient Egyptian art refers to art produced in ancient Egypt between the 6th millennium BC and the 4th century AD, spanning from Prehistoric Egypt until the Christianization of Roman Egypt. It includes paintings, sculptures, drawings on papyrus, faience, jewelry, ivories, architecture, and other art media. It was a conservative tradition whose style changed very little over time. Much of the surviving examples comes from tombs and monuments, giving insight into the ancient Egyptian afterlife beliefs.
The four sons of Horus were a group of four deities in ancient Egyptian religion who were believed to protect deceased people in the afterlife. Beginning in the First Intermediate Period of Egyptian history, Imsety, Hapy, Duamutef, and Qebehsenuef were especially connected with the four canopic jars that housed the internal organs that were removed from the body of the deceased during the process of mummification. Most commonly, Imsety protected the liver, Hapy the lungs, Duamutef the stomach, and Qebehsenuef the intestines, but this pattern often varied. The canopic jars were given lids that represented the heads of the sons of Horus. Although they were originally portrayed as humans, in the latter part of the New Kingdom, they took on their most distinctive iconography, in which Imsety is portrayed as a human, Hapy as a baboon, Duamutef as a jackal, and Qebehsenuef as a falcon. The four sons were also linked with stars in the sky, with regions of Egypt, and with the cardinal directions.
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Hetepheres I was a queen of Egypt during the Fourth Dynasty of Egypt who was a wife of one king, the mother of the next king, the grandmother of two more kings, and the figure who tied together two dynasties.
This is a glossary of ancient Egypt artifacts.
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Animal mummification was common in ancient Egypt. Animals were an important part of Egyptian culture, not only in their role as food and pets, but also for religious reasons. Many different types of animals were mummified, typically for four main purposes: to allow people's beloved pets to go on to the afterlife, to provide food in the afterlife, to act as offerings to a particular god, and because some were seen as physical manifestations of specific deities that the Egyptians worshipped. Bastet, the cat goddess, is an example of one such deity. In 1888, an Egyptian farmer digging in the sand near Istabl Antar discovered a mass grave of felines, ancient cats that were mummified and buried in pits at great numbers.
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"You will enter the house of hearts, the place which is full of hearts. You will take the one that is yours and put it in its place, without your hand being hindered. Your foot will not be stopped from walking. You will not walk upside down. You will walk upright."
The Department of Egyptian Antiquities of the Louvre is a department of the Louvre that is responsible for artifacts from the Nile civilizations which date from 4,000 BC to the 4th century. The collection, comprising over 50,000 pieces, is among the world's largest, overviews Egyptian life spanning Ancient Egypt, the Middle Kingdom, the New Kingdom, Coptic art, and the Roman, Ptolemaic, and Byzantine periods.
