Cantata, BWV 248a

Last updated

BWV 248a [lower-alpha 1] is a lost cantata composed by Johann Sebastian Bach in 1734 or before.

Only one of Bach's cantatas was printed in his lifetime and many have gone missing. In the case of some of Bach's missing scores, we still have the text, but in the case of BWV 248a the text is now lost. Little therefore can be said about the work, even its title is unsure. [1]

Its existence can be deduced as some of the music was borrowed for the Christmas Oratorio BWV 248 (written for the Christmas season of 1734). [2] The section in question of the Christmas Oratorio (that for the Feast of the Epiphany) has festive scoring with trumpets and timpani. Some sources describe BWV 248a as a lost church cantata (which would fit with other known parody sources for the oratorio), but there has been speculation that Bach may have written the work to honour a Saxon royal, possibly to welcome the new elector to Leipzig.

Notes

  1. "BWV" is Bach-Werke-Verzeichnis, a thematic catalogue of Bach's works.

Related Research Articles

<i>Christmas Oratorio</i> oratorio by Johann Sebastian Bach

The Christmas Oratorio, BWV 248, is an oratorio by Johann Sebastian Bach intended for performance in church during the Christmas season. It was written for the Christmas season of 1734 and incorporates music from earlier compositions, including three secular cantatas written during 1733 and 1734 and a largely lost church cantata, BWV 248a. The date is confirmed in Bach's autograph manuscript. The next performance was not until 17 December 1857 by the Sing-Akademie zu Berlin under Eduard Grell. The Christmas Oratorio is a particularly sophisticated example of parody music. The author of the text is unknown, although a likely collaborator was Christian Friedrich Henrici (Picander).

<i>Tönet, ihr Pauken! Erschallet, Trompeten!</i> BWV 214 cantata by J.S. Bach

Tönet, ihr Pauken! Erschallet, Trompeten!, BWV 214, is a secular cantata by Johann Sebastian Bach, composed in 1733 for the birthday of Maria Josepha, Queen of Poland and Electress of Saxony. Classified in published editions as a dramma per musica, it is based on a libretto by an unknown author. The piece has the dedicatee addressed by allegorical figures representing Roman and Greek goddesses of war and peace. It is structured as nine movements, and scored for four vocal parts and a festive Baroque orchestra with trumpets, timpani, flutes, oboes and strings. Choral movements frame a series of alternating recitatives and arias. Bach led the first performance with the Collegium Musicum at the Zimmermannsches Caffeehaus on 8 December 1733.

<i>Lobet Gott in seinen Reichen</i>, BWV 11 church cantata by Johann Sebastian Bach

Lobet Gott in seinen Reichen, BWV 11, known as the Ascension Oratorio, is an oratorio by Johann Sebastian Bach, marked by him as Oratorium In Festo Ascensionis Xsti, probably composed in 1735 for the service for Ascension and first performed on 19 May 1735.

Steigt freudig in die Luft, BWV 36.2, is a lost secular cantata by Johann Sebastian Bach. He composed it in Leipzig and probably first performed it in Köthen on 30 November 1726.

<i>Entfliehet, verschwindet, entweichet, ihr Sorgen</i>, BWV 249a

Entfliehet, verschwindet, entweichet, ihr Sorgen, BWV 249a, is a secular cantata by Johann Sebastian Bach. First performed in 1725, the work is also known as "Shepherd Cantata" or "Shepherds' Cantata". Bach reworked the music in his Easter Oratorio.

<i>Gelobet sei der Herr, mein Gott</i>, BWV 129 chorale cantata by Johann Sebastian Bach composed for the Trinity Sunday

Gelobet sei der Herr, mein Gott, BWV 129, is a church cantata by Johann Sebastian Bach. It is a chorale cantata performed on Trinity Sunday 8 June 1727 in Leipzig. Rediscovery of the printed libretto of the cantata in the first decade of the 21st century led to a re-appraisal of prior assumptions regarding the early performance chronology of a few cantatas, including this one.

A Christmas cantata or Nativity cantata is a cantata, music for voice or voices in several movements, for Christmas. The importance of the feast inspired many composers to write cantatas for the occasion, some designed to be performed in church services, others for concert or secular celebration. The Christmas story, telling of music of the angels and suggesting music of the shepherds and cradle song, invited musical treatment. The term is called Weihnachtskantate in German, Cantate de Noël in French. Christmas cantatas have been written on texts in several other languages, such as Czech, Italian, Romanian, and Spanish.

<i>Preise dein Glücke, gesegnetes Sachsen</i>, BWV 215 Bach cantata, BWV 215

Preise dein Glücke, gesegnetes Sachsen, BWV 215, is a secular cantata by Johann Sebastian Bach. He composed the cantata gratulatoria or Dramma per musica in Leipzig as a Festmusik für das kurfürstlich sächsische Haus for the anniversary of the election of August III, Elector of Saxony, as King of Poland, and first performed it on 5 October 1734 in the presence of the Elector.

Verjaget, zerstreuet, zerrüttet, ihr Sterne, BWV 249b, is a lost cantata by Johann Sebastian Bach. It was a birthday cantata composed for Joachim Friederich von Flemming, governor of Leipzig, and was first performed in Leipzig on 25 August 1726. The cantata text was written by Picander.

Late church cantatas by Johann Sebastian Bach refers to sacred cantatas he composed after his fourth cycle of 1728–29. Whether Bach still composed a full cantata cycle in the last 20 years of his life is not known, but the extant cantatas of this period written for occasions of the liturgical year are sometimes referred to as his fifth cycle, as, according to his obituary, he would have written five such cycles – inasmuch as such cantatas were not late additions to earlier cycles, or were adopted in his oratorios.

<i>Jauchzet, frohlocket! Auf, preiset die Tage</i>, BWV 248 I first part of "Weihnachts-oratorium" by J.S. Bach

Jauchzet, frohlocket! Auf, preiset die Tage, BWV 248 I, is a 1734 Christmas cantata by Johann Sebastian Bach as the first part of his Christmas Oratorio. Bach was then Thomaskantor, responsible for church music at four churches in Leipzig, a position he had assumed in 1723. For the oratorio, the libretto by an unknown author followed the nativity of Jesus from the Gospel of Luke, interspersed with reflecting texts for recitative and arias, and stanzas from Lutheran hymns.

<i>Fallt mit Danken, fallt mit Loben</i>, BWV 248 IV

Fallt mit Danken, fallt mit Loben, BWV 248 IV, is a Christmas cantata by Johann Sebastian Bach, composed in 1734 as Part IV of his six-part Christmas Oratorio. Each part of the oratorio is a cantata, written for performance on one of the feast days of the Christmas period. Fallt mit Danken, fallt mit Loben is meant for the New Year's Day feast of the circumcision and naming of Jesus. Based on a libretto by an unknown author, it tells the naming of Jesus from the Nativity of Jesus, according to the Gospel of Luke.

This article includes a list of commercial recordings of the Christmas Oratorio (Weihnachts-Oratorium), BWV 248, by Johann Sebastian Bach.

<i>Und es waren Hirten in derselben Gegend</i>, BWV 248 II

Und es waren Hirten in derselben Gegend, BWV 248 II, is a 1734 Christmas cantata by Johann Sebastian Bach as the second part of his Christmas Oratorio. Bach was then Thomaskantor, responsible for church music at four churches in Leipzig, a position he had assumed in 1723.

Herrscher des Himmels, erhöre das Lallen, BWV 248 III, is a 1734 church cantata for the third day of Christmas (27 December) which Johann Sebastian Bach composed as the third part of his Christmas Oratorio. The Christmas cantata was first performed in 1734, in Leipzig.

Ehre sei dir, Gott, gesungen, BWV 248 V, is a church cantata for the second Sunday after Christmas, which Johann Sebastian Bach composed as the fifth part of his Christmas Oratorio, written for the Christmas season of 1734–35 in Leipzig. The cantata was first performed on 2 January 1735.

Herr, wenn die stolzen Feinde schnauben, BWV 248 VI, is a church cantata for Epiphany, which Johann Sebastian Bach composed as the sixth part of his Christmas Oratorio, written for the Christmas season of 1734–35 in Leipzig. The cantata was first performed on 6 January 1735.

References

  1. "Catalogue BWV" (in French). Université du Québec. Retrieved 30 July 2013.
  2. Ignace Bossuyt (2004). Johann Sebastian Bach, Christmas oratorio (BWV 248). Leuven University Press. p. 35. ISBN   9789058674210.