| Bringet dem Herrn Ehre seines Namens | |
|---|---|
BWV 148 | |
| Church cantata by J. S. Bach | |
 Thomaskirche, Leipzig | |
| Occasion | 17th Sunday after Trinity |
| Cantata text | Picander? |
| Bible text | Psalms29:2 |
| Composed | 1723 or 1725 |
| Movements | six |
| Vocal | |
| Instrumental |
|
Bringet dem Herrn Ehre seines Namens (Bring to the Lord the honor due His name), [1] BWV 148, is a cantata by Johann Sebastian Bach, a church cantata for the 17th Sunday after Trinity. Bach composed it in Leipzig in 1723 or 1725.
Bach wrote the cantata for the 17th Sunday after Trinity. The prescribed readings for the Sunday were from the Epistle to the Ephesians, the admonition to keep the unity of the Spirit (Ephesians4:1–6), and from the Gospel of Luke, healing a man with dropsy on the Sabbath (Luke14:1–11). The cantata text refers not to the healing, but to the honour due to God on the Sabbath. The words for the opening chorus are from Psalm 29 (Psalms29:2). The lyrics of the cantata are based on a poem in six verses of Picander, "Weg, ihr irdischen Geschäfte", published in 1725 in his first spiritual book Erbauliche Gedanken. The Bach scholar Alfred Dürr has nevertheless reason to date the cantata in 1723 already, suggesting that the cantata text may have preceded the poem, but there is no certain evidence that the cantata was not composed some years later.
The first recitative describes the desire for God as expressed in Psalm 42 (Psalms42:1), "As the hart panteth after the water brooks, so panteth my soul after thee, O God." Only the melody of the closing chorale "Auf meinen lieben Gott" (Lübeck, 1603) is known. Some musicologists including Werner Neumann suggested the words of the fifth verse of that chorale, others such as Philipp Spitta and the edition of the Bach Gesellschaft preferred the final verse of Johann Heermann's hymn "Wo soll ich fliehen hin" (1630) which was sung on the same melody in Leipzig. [1]
Bach first performed the cantata on 19 September 1723 or 23 September 1725. [2]
In accord with the festive theme, the cantata is scored for alto and tenor soloists, a four-part choir, and a Baroque instrumental ensemble of trumpet, three oboes, two violins, viola, and basso continuo. It is structured in six movements. [1]
The opening chorus begins with as instrumental sinfonia, presenting the themes. The choir sings two fugues on different themes, but both derived from the beginning of the sinfonia. The trumpet plays a fifth part in the fugues. The movement concludes with the voices embedded in the sinfonia. [1]
The solo violin in the first aria illustrates both the joy in God and the Eilen (running) mentioned in the words. The alto recitative is accompanied by the strings. In the following aria the mystical unity of the soul with God is expressed in the unusual scoring for two oboe d'amore and oboe da caccia. [3] [4] The closing chorale is set for four parts. [1]
Johann Sebastian Bach composed the church cantata Gott soll allein mein Herze haben, BWV 169, a solo cantata for an alto soloist, in Leipzig for the 18th Sunday after Trinity, and first performed it on 20 October 1726.
Herr Gott, Beherrscher aller Dinge, BWV 120.2, is a wedding cantata by Johann Sebastian Bach. He composed and first performed it in Leipzig, most likely in 1729.
Ärgre dich, o Seele, nicht, BWV 186 is a church cantata by Johann Sebastian Bach. He composed it originally in Weimar in 1716 for Advent, BWV 186a, and expanded it in Leipzig in 1723 for the seventh Sunday after Trinity, where he first performed it on 11 July 1723.
Johann Sebastian Bach composed the church cantata Herr, deine Augen sehen nach dem Glauben, BWV 102 in Leipzig for the tenth Sunday after Trinity and it was first performed on 25 August 1726.
Johann Sebastian Bach composed the church cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei, BWV 179 in Leipzig for the eleventh Sunday after Trinity and first performed it on 8 August 1723.
Johann Sebastian Bach composed the church cantata Lobe den Herrn, meine Seele, BWV 69a, also BWV 69.1, in Leipzig for the twelfth Sunday after Trinity and first performed it on 15 August 1723. It is part of his first cantata cycle.
Johann Sebastian Bach composed the church cantata Ich elender Mensch, wer wird mich erlösen, BWV 48, in Leipzig for the 19th Sunday after Trinity and first performed it on 3 October 1723.
Johann Sebastian Bach composed the church cantata Ich glaube, lieber Herr, hilf meinem Unglauben, BWV 109, in Leipzig for the 21st Sunday after Trinity and first performed it on 17 October 1723.
Johann Sebastian Bach composed the church cantata Falsche Welt, dir trau ich nicht, BWV 52, in Leipzig for the 23rd Sunday after Trinity. He led the first performance of the solo cantata for soprano on 24 November 1726.
Singet dem Herrn ein neues Lied, BWV 190, is a church cantata by Johann Sebastian Bach. He wrote it in Leipzig for the New Year's Day and first performed it on 1 January 1724 as part of his first cantata cycle. He adapted it in 1730 to Singet dem Herrn ein neues Lied, BWV 190a, for the celebration of the bicentennial of the Augsburg Confession.
Johann Sebastian Bach composed the church cantata Die Elenden sollen essen, BWV 75, for the first Sunday after Trinity. He debuted it in Leipzig on 30 May 1723, assuming the position of Thomaskantor. The complex work is in two parts, each consisting of seven movements, and marks the beginning of his first annual cycle of cantatas.
Johann Sebastian Bach composed the church cantata Die Himmel erzählen die Ehre Gottes, BWV 76 in Leipzig for the second Sunday after Trinity of the liturgical year and first performed it on 6 June 1723.
Ich hab in Gottes Herz und Sinn, BWV 92, is a cantata by Johann Sebastian Bach for use in the Lutheran service. He composed the chorale cantata in Leipzig for Septuagesimae and first performed it on 28 January 1725. It is based on the hymn "Ich hab in Gottes Herz und Sinn" by Paul Gerhardt (1647), and is the only chorale cantata Bach based on a hymn by Gerhardt.
Johann Sebastian Bach composed the church cantata Nimm von uns, Herr, du treuer Gott, BWV 101 in Leipzig for the tenth Sunday after Trinity and first performed it on 13 August 1724. The chorale cantata is based on the hymn by Martin Moller (1584).
Was mein Gott will, das g'scheh allzeit, BWV 111, is a cantata by Johann Sebastian Bach for use in a Lutheran service. He composed the chorale cantata in Leipzig in 1725 for the third Sunday after Epiphany and first performed it on 21 January 1725, as part of his chorale cantata cycle. It is based on the hymn by Albert, Duke of Prussia, published in 1554, on the topic of the Christian's acceptance of God's will.
Bisher habt ihr nichts gebeten in meinem Namen, BWV 87, is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Rogate, the fifth Sunday after Easter, and first performed it on 6 May 1725.
Wo Gott der Herr nicht bei uns hält, BWV 178 is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for the eighth Sunday after Trinity and first performed it on 30 July 1724. It is a chorale cantata from his second annual cycle, based on the hymn "Wo Gott der Herr nicht bei uns hält" (1524) by Justus Jonas, a paraphrase of Psalm 124.
Johann Sebastian Bach composed the church cantata Wohl dem, der sich auf seinen Gott, BWV 139, in Leipzig for the 23rd Sunday after Trinity and first performed it on 12 November 1724. The chorale cantata is based on the hymn by Johann Christoph Rube (1692).
Sei Lob und Ehr dem höchsten Gut, BWV 117, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig between 1728 and 1731 for no specific occasion, based on the hymn by Johann Jacob Schütz.
Ehre sei Gott in der Höhe, BWV 197a (197.1), is a Christmas cantata by Johann Sebastian Bach. He composed it in Leipzig for the First Day of Christmas in 1728 or 1729.
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